Writing Television Sitcoms

Writing Television Sitcoms

Author: Evan S. Smith

Publisher: Penguin

Published: 1999

Total Pages: 310

ISBN-13: 9780399525339

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Describes the writing method called premise-driven comedy, examines how comedy affects character development and story structure, discusses guidelines on script layouts, and offers advice on establishing a career


The Sitcom

The Sitcom

Author: Brett Mills

Publisher: TV Genres

Published: 2009

Total Pages: 0

ISBN-13: 9780748637515

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This book offers an overview of the debates surrounding the sitcom genre.


Single Season Sitcoms, 1948-1979

Single Season Sitcoms, 1948-1979

Author: Bob Leszczak

Publisher: McFarland

Published: 2012-11-08

Total Pages: 253

ISBN-13: 0786493054

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This book finally casts a spotlight on some short-lived and almost forgotten sitcoms--those which aired for only one single season. Many books have already been written about situation comedies that enjoyed long and storied runs on television but this volume focuses upon the others. Overflowing with fresh facts, interviews, photographs, and stories, nearly 300 short-lived sitcoms over a 32 year span are presented A-to-Z, whether network or syndicated, prime time or Saturday morning.


How to Live a Sitcom Life

How to Live a Sitcom Life

Author: Mark Bennett

Publisher:

Published: 1999

Total Pages: 248

ISBN-13:

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A laugh-a-minute guidebook to achieving the ideal lifestyle -- using classic television personalities as role models.


The Great TV Sitcom Book

The Great TV Sitcom Book

Author: Rick Mitz

Publisher: Perigee Trade

Published: 1988

Total Pages: 408

ISBN-13:

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Written with a wit and intelligence that captures each show's inimitable style and humor, this book offers everything fans want to know about TV sitcoms, all plentifully illustrated with black-and-white photographs.


Seinfeld, Master of Its Domain

Seinfeld, Master of Its Domain

Author: David Lavery

Publisher: Bloomsbury Publishing USA

Published: 2010-06-15

Total Pages: 289

ISBN-13: 1441100903

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After a slow and inauspicious beginning, Seinfeld broke through to become one of the most commercially successful sitcoms in the history of television. This fascinating book includes classic articles on the show by Geoffrey O'Brien and Bill Wyman (first published in the New York Review of Books and Salon.com respectively), and a selection of new and revised essays by some of the top television scholars in the US - looking at issues as wide-ranging as Seinfeld's Jewishness, alleged nihilism, food obsession, and long-running syndication. The book also includes a comprehensive episode guide, and Betty Lee's lexicon of Seinfeld language.


Sitcom Style

Sitcom Style

Author: Diana Friedman

Publisher: Clarkson Potter

Published: 2005

Total Pages: 200

ISBN-13:

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From Archie Bunker's Barcalounger to the framed peephole on Friends,a sitcom's decor sets the tone of the nation's favourite shows - and defines the lives of its characters. Sitcom Style brings readers a behind-the-scenes peek inside more than two dozen of the most recognisable TV homes and offers readers design tips for their own homes.


The Greatest Sitcoms of All Time

The Greatest Sitcoms of All Time

Author: Martin Gitlin

Publisher: Scarecrow Press

Published: 2013-11-07

Total Pages: 425

ISBN-13: 0810887258

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Since the advent of network television, situation comedies have been a staple of prime-time programming. Classics of the genre have emerged in every decade, from The Honeymooners and Make Room for Daddy in the 1950sto 30 Rock, The Office, and Modern Family of the twenty-first century. Other shows that have left enduring impressions are The Andy Griffith Show, Get Smart, The Bob Newhart Show, Barney Miller, Cheers, The Cosby Show, The Golden Girls, Home Improvement, Will & Grace, and Everybody Loves Raymond. All of these shows are assured a place in history and would make almost anyone’s list of the most beloved comedies. In The Greatest Sitcoms of All Time, Martin Gitlin has assembled the top seventy sitcoms in television history. The rankings are based on such factors as longevity, ratings, awards, humor, impact, and legacy. Iconic programs such as I Love Lucy, The Dick Van Dyke Show,and Leave It to Beaver join contemporary shows The Simpsons, Arrested Development, and Family Guy on the list. Other programs include perennial favorites like All in the Family, The Mary Tyler Moore Show, and Seinfeld, as well as short-lived treasures that never found the audiences they deserved like Mary Hartman, Mary Hartman. Each entry contains a comprehensive compilation of information, including: Cast members Character list Network Air dates Ratings history Time slots Series overview Notable episodes Awards Fun facts and quotes Appendixes list the top male and female sitcom characters of all time, the best sitcom spin-offs, and shows that just missed the cut. By ranking these programs, The Greatest Sitcoms of All Time is sure to inspire debate. Whether you agree with this list or whether your favorite show placed as high as you think it should have, this book will be an entertaining and informative read—not only for students and scholars of television history but for sitcom fans as well.


Television Sitcom

Television Sitcom

Author: Brett Mills

Publisher:

Published: 2005-11-17

Total Pages: 200

ISBN-13:

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Despite its global reach, longstanding popularity, and immense profitability, sitcom has been repeatedly neglected in theoretical work on television and media. This book demonstrates that this lack needs to be sorely addressed, by dragging analysis of sitcom up to date, with a wealth of contemporary examples, a range of new approaches to the genre, and examination of the roles sitcom and comedy play within society. The book takes as its starting point the variety of ways in which sitcom has traditionally been explored. A chapter on genre examines the history and development of sitcom, and the institutional structures which produce it. There is also analysis of differences between sitcoms produced in a range of countries, and what happens when a programme gets sold abroad and remade. A chapter on representation explores the debates about the ways in which sitcom chooses who to make jokes about and why, and whether this matters. And a chapter on performance argues that this is a vital, and underexplored, aspect of sitcom's funniness, and interrogates the ways in which comic actors make their performance funny. With specific case studies on Will and Grace, The Office, and The Cosby Show, as well as analysis of a broad range of contemporary and historical examples throughout, this book will be of interest to students of sitcom and comedy, as well as those of television and popular culture.