The Great Exhibition Vol 2

The Great Exhibition Vol 2

Author: Geoffrey Cantor

Publisher: Routledge

Published: 2021-12-17

Total Pages: 390

ISBN-13: 1000561674

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The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.


The Evangelical Age of Ingenuity in Industrial Britain

The Evangelical Age of Ingenuity in Industrial Britain

Author: Joseph Stubenrauch

Publisher: Oxford University Press

Published: 2016-07-28

Total Pages: 418

ISBN-13: 0191086134

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The Evangelical Age of Ingenuity in Industrial Britain argues that British evangelicals in the late eighteenth and early nineteenth centuries invented new methods of spreading the gospel, as well as new forms of personal religious practice, by exploiting the era's growth of urbanization, industrialization, consumer goods, technological discoveries, and increasingly mobile populations. While evangelical faith has often been portrayed standing in inherent tension with the transitions of modernity, Joseph Stubenrauch demonstrates that developments in technology, commerce, and infrastructure were fruitfully linked with theological shifts and changing modes of religious life. This volume analyzes a vibrant array of religious consumer and material culture produced during the first half of the nineteenth century. Mass print and cheap mass-produced goods--from tracts and ballad sheets to teapots and needlework mottoes--were harnessed to the evangelical project. By examining ephemera and decorations alongside the strategies of evangelical publishers and benevolent societies, Stubenrauch considers often overlooked sources in order to take the pulse of "vital" religion during an age of upheaval. He explores why and how evangelicals turned to the radical alterations of their era to bolster their faith and why "serious Christianity" flowered in an industrial age that has usually been deemed inhospitable to it.


Britain, the Empire, and the World at the Great Exhibition of 1851

Britain, the Empire, and the World at the Great Exhibition of 1851

Author: Jeffrey A. Auerbach

Publisher: Routledge

Published: 2016-04-15

Total Pages: 238

ISBN-13: 1317172272

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Britain, the Empire, and the World at the Great Exhibition is the first book to situate the Crystal Palace Exhibition of 1851 in a truly global context. Addressing national, imperial, and international themes, this collection of essays considers the significance of the Exhibition both for its British hosts and their relationships to the wider world, and for participants from around the globe. How did the Exhibition connect London, England, important British colonies, and significant participating nation-states including Russia, Greece, Germany and the Ottoman Empire? How might we think about the exhibits, visitors and organizers in light of what the Exhibition suggested about Britain’s place in the global community? Contributors from various academic disciplines answer these and other questions by focusing on the many exhibits, publications, visitors and organizers in Britain and elsewhere. The essays expand our understanding of the meanings, roles and legacies of the Great Exhibition for British society and the wider world, as well as the ways that this pivotal event shaped Britain’s and other participating nations’ conceptions of and locations within the wider nineteenth-century world.


Globalization and the Great Exhibition

Globalization and the Great Exhibition

Author: Paul Young

Publisher: Springer

Published: 2009-01-28

Total Pages: 261

ISBN-13: 023059431X

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This book examines the Great Exhibition as a decisive moment in the formation of a capitalist world picture. In so doing it foregrounds a vision of peace and progress which took hold of British society, within the Crystal Palace and beyond. It emphasizes too that this Victorian understanding of global order legitimized imperial ambition.


The Great Exhibition Vol 4

The Great Exhibition Vol 4

Author: Geoffrey Cantor

Publisher: Routledge

Published: 2021-12-17

Total Pages: 512

ISBN-13: 1000561690

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The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.


The Great Exhibition of 1851

The Great Exhibition of 1851

Author: Jeffrey A. Auerbach

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 300

ISBN-13: 9780300080070

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"The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class. Auerbach suggests instead that the Great Exhibition became a cultural battlefield on which proponents of different visions of industrialization, modernization, and internationalism fought for ascendancy in the struggle for a new national identity."--BOOK JACKET.


Religion and the Great Exhibition of 1851

Religion and the Great Exhibition of 1851

Author: Geoffrey Cantor

Publisher: OUP Oxford

Published: 2011-02-24

Total Pages: 240

ISBN-13: 0191616575

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The Great Exhibition of 1851 is routinely portrayed as a manifestly secular event which was confined to celebrating the success of science, technology, and manufacturing in the mid-Victorian age. Geoffrey Cantor presents an innovative reappraisal of the Exhibition, demonstrating that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups. Prince Albert bestowed legitimacy on the Exhibition by proclaiming it to be a display of divine providence whilst others interpreted it as a sign of the coming Apocalypse. With anti-Catholic feeling running high following the recent 'papal aggression', many Protestants roundly condemned those exhibits associated with Catholicism and some even denounced the Exhibition as a Papist plot. Catholics, for their part, criticized the Exhibition as a further example of religious repression. Several evangelical religious organisations energetically rose to the occasion, considering the Exhibition to be a divinely ordained opportunity to make converts, especially among 'heathens' and foreigners. Jews generally welcomed the Exhibition, as did Unitarians, Quakers, Congregationalists, and a wide spectrum of Anglicans - but all for different reasons. Cantor explores this diversity of perception through contemporary sermons, and, most importantly, the highly differentiated religious press. Taken all together these religious responses to the Exhibition shed fresh light on a crucial mid-century event.