The Great American Pop Art Store

The Great American Pop Art Store

Author: Constance White Glenn

Publisher:

Published: 1997

Total Pages: 142

ISBN-13:

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Published to accompany exhibition held at the University Art Museum, California State University, 26/8 - 26/10, 1997.


Edward Ruscha

Edward Ruscha

Author: Lisa Turvey

Publisher: Yale University Press

Published: 2014-01-01

Total Pages: 453

ISBN-13: 0300209495

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An immense contribution to scholarship on Ed Ruscha and his pioneering artistic practice, offering thorough documentation of his works on paper This highly anticipated book—the first in a series of three—comprehensively chronicles the first two decades of Ed Ruscha’s (b. 1937) work on paper, which comprises the largest component of his production of original works. Over 1,000 works on paper are documented, all created between 1956 and 1976, and they encompass a wide range of formats, materials, themes, and styles. Included are collages, ephemeral sketches, preparatory studies for paintings, oil on paper works, and drawings executed in a variety of inventive materials, including gunpowder and organic substances. Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Harry Cooper complete this extraordinary survey, which expands and enriches our understanding of Ruscha’s pioneering exploration of the written word as a subject for visual art and his witty assessment of the iconography of Los Angeles, both real and imagined.


Fluxus Forms

Fluxus Forms

Author: Natilee Harren

Publisher: University of Chicago Press

Published: 2020-03-20

Total Pages: 301

ISBN-13: 022635508X

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“PURGE the world of dead art, imitation, artificial art. . . . Promote living art, anti-art, promote NON ART REALITY to be grasped by all peoples,” writes artist George Maciunas in his Fluxus manifesto of 1963. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. With Fluxus Forms, Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective’s unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art.


The Pop! Revolution

The Pop! Revolution

Author: Alice Goldfarb Marquis

Publisher:

Published: 2010

Total Pages: 248

ISBN-13:

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"This book is a social history of Pop art, a group portrait of both the artists and the people who made some of them rich and famous in just a few years, while setting in motion the drastically altered way art has been marketed and appreciated--in the monetary and aesthetic sense--up to the present day." So begins Alice Goldfarb Marquis' lively, informative and entertaining account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his "Blam-Pow" comics panels, Andy Warhol, shy, shrewd and tough as nails, the power couple of Leo Castelli and Ileana Sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him "vulgar"; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others. While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement "set off the 'culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed." Rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters. Award-winning journalist and historian Alice Goldfarb Marquis, who died in 2009, was a visiting scholar at the University of California at San Diego. Her previous books include Art Czar: The Rise and Fall of Clement Greenberg, Marcel Duchamp: The Bachelor Stripped Bare, Alfred H. Barr, Jr: Missionary for the Modern and The Art Biz.


Art and Merchandise in Keith Haring’s Pop Shop

Art and Merchandise in Keith Haring’s Pop Shop

Author: Amy Raffel

Publisher: Routledge

Published: 2020-12-30

Total Pages: 248

ISBN-13: 1000286940

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As one of the first academic monographs on Keith Haring, this book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising as tools to reconsider the significance and legacy of Haring’s career as a whole. Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass-produced objects can be used strategically to form a community and create social change. Furthermore, looking beyond the 1980s, into the 1990s and 2000s, Haring and his shop prefigured artists’ emerging, self-aware involvement with the mass media, and the art world’s growing dependence on marketing and commercialism. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity about Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising.


Los Angeles Magazine

Los Angeles Magazine

Author:

Publisher:

Published: 1997-11

Total Pages: 192

ISBN-13:

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Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.


The Trip

The Trip

Author: Deborah Davis

Publisher: Simon and Schuster

Published: 2016-08-30

Total Pages: 336

ISBN-13: 1476703523

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"From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey - and the numerous artists and celebrities he encountered - profoundly affected his life and art"--


Corita Kent and the Language of Pop

Corita Kent and the Language of Pop

Author: Susan Dackerman

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 339

ISBN-13: 0300214715

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Exhibition catalog published in conjunction with the exhibition held at the Harvard Art Museums, Cambridge, Massachusetts, September 3, 2015-January 3, 2016 and at the San Antonio Museum of Art, San Antonio, Texas, February 13-May 8, 2016.