Re-presenting the beginning of Eric Powell's acclaimed Goon saga, in a new edition with a brand-new cover and design! The nameless man, the Zombie Priest, has come to town to build a gang from the undead. But even the undead fear the Goon, mob enforcer and protector of the downtrodden residents of Lonely Street. With Powell's stunning artwork, The Goon's unique mash-up of horror, mob intrigue, and the sickest sense of humor in comics is an instant classic, and this new edition is the best time ever to find out what you've been missing! * New cover by Powell!
Lonely Street comes under all manner of threats both tragic and hilarious in this deluxe hardcover edition of The Goon. The Nameless Man, the Zombie Priest, has come to town to build a gang from the undead. Yet even with an unlimited supply of soldiers, the Priest cannot move in on the territory controlled by the crime boss Labrizio and his unstoppable enforcer--the Goon. But when the Priest discovers Goon's most closely held secret the balance of power threatens to change forever! Collects The Goon volumes 0-3.
The Goon is a series written and drawn by Eric Powell (often with colours by multi-Eisner winner Dave Stewart). The series mixes comedy and violence with a supernatural slant. The Goon Library series collects a number of The Goon trades in a deluxe, oversize hardcover format. Fear and misery plague the town on the edge of Horse-Eater's Wood. After the death of a friend and ally reveals the return of Labrazio, the Goon's sworn enemy thought long gone, the Goon realises that something darker is going on in the town than anyone suspected.
The Goon and Franky have been best friends ever since they was tykes. Find out how the two little ankle-biters became best pals and how they muscled their way into the rackets of big-time crime-boss, Labrazio - who, incidentally, nobody's seen in a while. This trip down memory lane ain't gonna be no joyride, neither. Franky and the Goon are going to have to take on a horde of zombies, an army of hoboes, a couple of grave robbin' freaks, a guy with a gold head and his killer robot, a pie-crazed skunk ape, one homely, man-crazy sea hag, and a whole lot of other things that smell just as bad, if not worse. Pick up a copy, because those uptown rich people may have the cops and their G-men, but down here all we got is the Goon!
As seen on Disney XD, a hilarious graphic novel perfect for fans of Captain Underpants! Eastwood Elementary has a new student, and he's nothing like the other kids in 3G. Fangbone is a barbarian warrior from another world! And he's been charged with the task of keeping a deadly weapon from Skullbania's vilest villain, Venomous Drool. Can Fangbone's new classmates team up to help him triumph over hound-snakes, lava-ferrets, and his first pop quiz?
Andrew Piper grew up liking books and loving computers. While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation—and the father of two digital natives—he understands that we live in electronic times. Book Was There is Piper’s surprising and always entertaining essay on reading in an e-reader world. Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what lies in store for books, print or digital. From medieval manuscript books to today’s playable media and interactive urban fictions, Piper explores the manifold ways that physical media have shaped how we read, while also observing his own children as they face the struggles and triumphs of learning to read. In doing so, he uncovers the intimate connections we develop with our reading materials—how we hold them, look at them, share them, play with them, and even where we read them—and shows how reading is interwoven with our experiences in life. Piper reveals that reading’s many identities, past and present, on page and on screen, are the key to helping us understand the kind of reading we care about and how new technologies will—and will not—change old habits. Contending that our experience of reading belies naive generalizations about the future of books, Book Was There is an elegantly argued and thoroughly up-to-date tribute to the endurance of books in our ever-evolving digital world.
Following up the first book in her new "Elemental Assassin" series, Jennifer Estep's Web of Lies once again brings readers into sexy assassin Gin Blanco's world, which is populated with giants, goth dwarves, elementals, and some kick-butt BBQ. Curiosity is definitely going to get me dead one of these days. Probably real soon. I’m Gin Blanco. You might know me as the Spider, the most feared assassin in the South. I’m retired now, but trouble still has a way of finding me. Like the other day when two punks tried to rob my popular barbecue joint, the Pork Pit. Then there was the barrage of gunfire on the restaurant. Only, for once, those kill shots weren’t aimed at me. They were meant for Violet Fox. Ever since I agreed to help Violet and her grandfather protect their property from an evil coal-mining tycoon, I’m beginning to wonder if I’m really retired. So is Detective Donovan Caine. The only honest cop in Ashland is having a real hard time reconciling his attraction to me with his Boy Scout mentality. And I can barely keep my hands off his sexy body. What can I say? I’m a Stone elemental with a little Ice magic thrown in, but my heart isn’t made of solid rock. Luckily, Gin Blanco always gets her man...dead or alive.
The influential masterpiece of one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” “[Wyndham] avoids easy allegories and instead questions the relative values of the civilisation that has been lost, the literally blind terror of humanity in the face of dominant nature. . . . Frightening and powerful, Wyndham’s vision remains an important allegory and a gripping story.”—The Guardian What if a meteor shower left most of the world blind—and humanity at the mercy of mysterious carnivorous plants? Bill Masen undergoes eye surgery and awakes the next morning in his hospital bed to find civilization collapsing. Wandering the city, he quickly realizes that surviving in this strange new world requires evading strangers and the seven-foot-tall plants known as triffids—plants that can walk and can kill a man with one quick lash of their poisonous stingers.
NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review
