The Way of All Flesh is one of the time-bombs of literature," said V. S. Pritchett. "One thinks of it lying in Samuel Butler's desk for thirty years, waiting to blow up the Victorian family and with it the whole great pillared and balustraded edifice of the Victorian novel." Written between 1873 and 1884 but not published until 1903, a year after Butler's death, his marvelously uninhibited satire savages Victorian bourgeois values as personified by multiple generations of the Pontifex family. A thinly veiled account of his own upbringing in the bosom of a God-fearing Christian family, Butler's scathingly funny depiction of the self-righteous hypocrisy underlying nineteenth-century domestic life was hailed by George Bernard Shaw as "one of the summits of human achievement."
Biblical faith is passionately and relentlessly material in its emphasis. This claim is rooted in the conviction that the creator God loves the creation and summons creation to be in sync with the will of the creator God. This collection of essays is focussed on the bodily life of the world as it ordered in all of its problematic political and economic forms. The phrase of the title 'all flesh' in the flood narrative of Genesis 9 refers to all living creatures who are in covenant with God - human beings, animals, birds, and fish - as recipients of God's grace, as dependent upon God's generosity, and as destined for praise and obedience to God. The insistence on the materiality of life as the subject of the Bible means that the difficult issues of economics and the demanding questions of politics are front and centre in the text. So the Pentateuch pivots around the Exodus narrative and the emancipation from an unbearable context of abusive labour practices. In a similar manner, the prophets endlessly address such questions of social policy and the wisdom teachers reflect on how to manage the material things of life and social relationships for the well-being of the community. This emphasis, pervasive in these essays, is a powerfulalternative and a strong resistance against all of the contemporary efforts to transcend (escape!) the material into some form of the 'spiritual'. All around us are efforts to find an easier, more harmonious faith. This may be evoked simply because of a desire to shield economic, political advantage from the inescapable critique of biblical faith. Such a temptation is a serious misreading of the Bible and a critical misjudgment about the nature of human existence. Thus the Bible addressed the most urgent issues of our day, and refuses the 'religious temptation' that avoids lived reality where the power of God is a work.
They were amazed at his teaching.''; ''They fell down before him.''; ''He touched her hand.''; ''they left their nets.''; Often when we read the New Testament accounts of Jesus' life, we focus on his teachings and stories. But Don Everts draws our attention to the seemingly insignificant ''stage directions'' of the Gospels that describe the activity surrounding him. ''It's significant,'' Everts writes, ''that in the Gospels we don't just have a bullet list of quotes from Jesus.'' We also have observations of what he did and how people responded to him. By examining these simple phrases and casual comments, Everts assembles a startlingly fresh portrait of who Jesus was and is. While no one has seen the invisible God, when we look at the life of Jesus, we discover what his early followers discovered - that Jesus is the very flesh of God. ''Many people find themselves put off by Christianity but haunted and compelled by the figure of Jesus. In God in the Flesh, Don Everts reminds us why.
Offers a fascinating look at Pentecostalism's place in global theology and shows how Christians from other traditions can benefit from recent developments in Pentecostal theology.
A broad, sweeping volume that breaches the walls separating biblical and theological disciplines Biblical scholars and theologians engage an important question: Who is Israel’s God for Christian readers of the Old Testament? For Christians, Scripture is the Old and New Testament bound together in a single legacy. Contributors approach the question from multiple disciplinary vantage points. Essays on both Testaments focus on figural exegesis, critical exegesis, and the value of diachronic understandings of the Old Testament’s compositional history for the sake of a richer synchronic reading. This collection is offered in celebration of the life and work of Christopher R. Seitz. His rich and wide-ranging scholarly efforts have provided scholars and students alike a treasure trove of resources related to this critical question.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Long before Under the Dome, this novel of a town trapped within an invisible force field earned a Nebula Award nomination for the author of Way Station. Nothing much ever happens in Millville, a small, secluded Middle-American community—until the day Brad Carter discovers he is unable to leave. And the nearly bankrupt real estate agent is not the only one being held prisoner; every resident is confined within the town’s boundaries by an invisible force field that cannot be breached. As local tensions rapidly reach breaking point, a set of bizarre circumstances leads Brad to the source of their captivity, making him humanity’s reluctant ambassador to an alien race of sentient flora, and privy to these jailers’ ultimate intentions. But some of Millville’s most powerful citizens do not take kindly to Carter’s “collaboration with the enemy,” even under the sudden threat of global apocalypse. Decades before Stephen King trapped an entire town in Under the Dome, science fiction Grand Master Clifford D. Simak explored the shocking effects of communal captivity on an unsuspecting population. Nominated for the Nebula Award, All Flesh Is Grass is a riveting masterwork that brilliantly reinvents the alien invasion story.
SHORTLISTED FOR THE 2019 McILVANNEY PRIZE LONGLISTED FOR THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR A NEW STATESMAN BOOK OF THE YEAR A Raven and Fisher Mystery: Book 1 Edinburgh, 1847. Will Raven is a medical student, apprenticing for the brilliant and renowned Dr Simpson. Sarah Fisher is Simpson’s housemaid, and has all of Raven’s intelligence but none of his privileges. As bodies begin to appear across the Old Town, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh’s underworld. And if either of them are to make it out alive, they will have to work together to find out who’s responsible for the gruesome deaths.
