The best lives leave a mark.Mara's island is one of stories and magic, but every story ends in the same way. She will finish her days on the cliff, turned to stone and gazing out at the horizon like all the islanders before her.
"Published in a slightly different form as Shame, in 2015 in Great Britain by Weidenfeld & Nicolson, an imprint of the Orion Publishing Group, an Hachette UK Company"--Title page verso.
From the author of Think of England and Fellowship Point, a captivating collection of stories—the title piece successfully made into an HBO film—about the complex relationships between lovers, spouses, neighbors, and family members. By turns funny, sad, and disturbing, these are stories of remarkable power. When the austere and moving title story of this collection appeared in The New Yorker in 1993, it inspired two memorable film adaptations, and John Updike selected it for inclusion in The Best American Short Stories of the Century. In these ten stories, Alice Elliott Dark visits the fictional town of Wynnemoor and its residents, present and past, with skill, compassion, and wit.
Martin Hayes spent his childhood on a farm in County Clare, in a household steeped in musical tradition. After a free-spirited youth, he headed to the United States where he built a career that led to a life of musical performance on stages all over the world. Shared Notes traces this remarkable journey. Picking up his first fiddle at the age of seven, Hayes learned that music must express feeling. No amount of technical prowess can compensate for an absence of soulfulness. His interpretations of traditional Irish music are recognized the world over for their exquisite musicality and irresistible rhythm. Hayes has toured and recorded with guitarist Dennis Cahill for over twenty years, founded the Irish-American band The Gloaming, The Martin Hayes Quartet and The Common Ground Ensemble, and here, for the first time, tells his story of getting to the heart of the music.
NATIONAL BESTSELLER “Engrossing...studded with wisdom about long-held bonds.” —People, Book of the Week “Enthralling, masterfully written...rich with social and psychological insights.” —The New York Times Book Review “A magnificent storytelling feat.” —The Boston Globe The “utterly engrossing, sweeping” (Time) story of a lifelong friendship between two very different “superbly depicted” (The Wall Street Journal) women with shared histories, divisive loyalties, hidden sorrows, and eighty years of summers on a pristine point of land on the coast of Maine, set across the arc of the 20th century. Celebrated children’s book author Agnes Lee is determined to secure her legacy—to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders is her best friend, Polly. Polly Wister has led a different kind of life than Agnes: that of a well-off married woman with children, defined by her devotion to her husband, a philosophy professor with an inflated sense of stature. She strives to create beauty and harmony in her home, in her friendships, and in her family. Polly soon finds her loyalties torn between the wishes of her best friend and the wishes of her three sons—but what is it that Polly wants herself? Agnes’s designs are further muddied when an enterprising young book editor named Maud Silver sets out to convince Agnes to write her memoirs. Agnes’s resistance cannot prevent long-buried memories and secrets from coming to light with far-reaching repercussions for all. “An ambitious and satisfying tale” (The Washington Post), Fellowship Point reads like a 19th-century epic, but it is entirely contemporary in its “reflections on aging, writing, stewardship, legacies, independence, and responsibility. At its heart, Fellowship Point is about caring for the places and people we love...This magnificent novel affirms that change and growth are possible at any age” (The Christian Science Monitor).
'A fine book' The Sunday Times 'Powerful' Guardian 'Wonderful' The Telegraph 'Moving, funny, warm' Mail on Sunday 'Brave, compassionate, tender and honest' Metro 'This book began as an attempt to hold on to my witty, storytelling mother with the one thing I had to hand. Words. Then, as the enormity of the social crisis my family was part of began to dawn, I wrote with the thought that other forgotten lives might be nudged into the light along with hers. Dementia is one of the greatest social, medical, economic, scientific, philosophical and moral challenges of our times. I am a reporter. It became the biggest story of my life.' Sally Magnusson Sad and funny, wise and honest, Where Memories Go is a deeply intimate account of insidious losses and unexpected joys in the terrible face of dementia, and a call to arms that challenges us all to think differently about how we care for our loved ones when they need us most. Regarded as one of the finest journalists of her generation, Mamie Baird Magnusson's whole life was a celebration of words - words that she fought to retain in the grip of a disease which is fast becoming the scourge of the 21st century. Married to writer and broadcaster Magnus Magnusson, they had five children of whom Sally is the eldest. As well as chronicling the anguish, the frustrations and the unexpected laughs and joys that she and her sisters experienced while accompanying their beloved mother on the long dementia road for eight years until her death in 2012, Sally Magnusson seeks understanding from a range of experts and asks penetrating questions about how we treat older people, how we can face one of the greatest social, medical, economic and moral challenges of our times, and what it means to be human.
“This is a memoir: a package of boasts, false modesty, flawed memories, dropped names, outright errors, and embarrassing disclosures that I think are pretty neat–but may appall you, if you’re squeamish or have an orderly turn of mind.”—Robert Nylen The thing is, Robert Nylen should have died several times in 1968. He was a goner in 2006, and 2007 as well, and yet he survived through a combination of dumb luck and sheer perseverance. Of course, as you read these words, he’s already bit the dust. But let’s not dwell on that. A self-confessed reckless jerk, Nylen spent the last four years of his life grappling with Big Diseases (cancer, diabetes), an astonishing twelve broken bones, and ten surgeries. His lifetime total is twenty-four fractures, most of which resulted from a flagrant refusal to act his age–or anyone’s age, for that matter. And yet Guts is not a mere chronicle of injuries but a sharp and wry meditation on American Manhood. Growing up in suburbia in the ’50s and ’60s, with a father who had worked on the atom bomb, Nylen was an immature kid who was always eager for attention. In college he became a slovenly, hard-partying fraternity brother who barely graduated. Then came the realization that he was going to have to go to Vietnam. A dramatic tour of duty came to an abrupt end with multiple wounds, leading him to grow up fast. It was then that he started the real risky business: business itself. Some ventures succeeded and some failed. He exercised feverishly and often displayed a complete lack of common sense. And then he got sick, inevitably, with colon cancer. Hilarious, moving, and riveting, this is the life of a tough guy as seen through the scope of a national obsession with toughness. Whether he was facing Viet Cong as a platoon leader in Vietnam or doing battle with venture capitalists at home, Nylen never backed down from a good fight–and he had the many scars to prove it. In Guts, Robert Nylen writes with humor and precision about the travails–and glory–of manhood.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
N rural eastern Pennsylvania, nine-year-old Jane MacLeod is writing a book about the happy family she desperately wishes she had. Her mother, Via, is dissatisfied and petulant, always resentful of the time Jane's father, Emlin, a heart surgeon, must spend with his patients at the hospital. One night in 1964, the family (including Jane's two younger brothers and sister and Via's homosexual brother, Uncle Francis) gathers to watch the Beatles on The Ed Sullivan Show. All goes well until Emlin discovers that someone has taken the phone off the hook, so that he can't receive emergency calls. Angrily, he accuses Via (who accuses Jane) and rushes off to the hospital. He is killed in an automobile accident. Fifteen years later, Jane has moved to London, where she's become friends with bohemians Nigel and Colette. A political bombing and an affair with aloof (and married) American writer Clay West lead Jane to confront her long-buried guilt over her parents' unhappiness and father's death.