The Glitter and Other Stories serves up an offering of ten stories showcasing life's broad palette—from friendships to frustrations, healings, loves, memories, sorrows, and sensitivities. From the interior of a bar to the majesty of a trip to India, author Curt Maury has created a fictional collection ripe with setting and sensory detail. The title story, "The Glitter," finds social services worker Emily Robinson in the lavish home of Trixie Trent, the leading lady of musicals. Here Emily discovers more than she wants to know about this celebrated star. In "The Great Hollow," Greg and Petra, husband and wife, meet in a bar and attempt to come to terms with their childlessness. In Tel Aviv, American David Glick tries to soothe the dying soul of Luigi Roselli, a fellow American injured in a bomb blast in the story "The Blessed." This purposeful collection, with poems included, provides a unique insight into the human condition and its powerful emotions.
NEW YORK TIMES BESTSELLER • A memoir from the author of The Middle Place about mothers and daughters—a bond that can be nourishing, exasperating, and occasionally divine. When Kelly Corrigan was in high school, her mother neatly summarized the family dynamic as “Your father’s the glitter but I’m the glue.” This meant nothing to Kelly, who left childhood sure that her mom—with her inviolable commandments and proud stoicism—would be nothing more than background chatter for the rest of Kelly’s life, which she was carefully orienting toward adventure. After college, armed with a backpack, her personal mission statement, and a wad of traveler’s checks, she took off for Australia to see things and do things and Become Interesting. But it didn’t turn out the way she pictured it. In a matter of months, her savings shot, she had a choice: get a job or go home. That’s how Kelly met John Tanner, a newly widowed father of two looking for a live-in nanny. They chatted for an hour, discussed timing and pay, and a week later, Kelly moved in. And there, in that house in a suburb north of Sydney, 10,000 miles from the house where she was raised, her mother’s voice was suddenly everywhere, nudging and advising, cautioning and directing, escorting her through a terrain as foreign as any she had ever trekked. Every day she spent with the Tanner kids was a day spent reconsidering her relationship with her mother, turning it over in her hands like a shell, straining to hear whatever messages might be trapped in its spiral. This is a book about the difference between travel and life experience, stepping out and stepping up, fathers and mothers. But mostly it’s about who you admire and why, and how that changes over time. Praise for Glitter and Glue “I loved this book, I was moved by this book, and now I will share this book with my own mother—along with my renewed appreciation for certain debts of love that can never be repaid.”—Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, Love “Kelly Corrigan’s thoughtful and beautifully rendered meditation invites readers to reflect on their own launchings and homecomings. I accepted the invitation and learned things about myself. You will, too. Isn’t that why we read?”—Wally Lamb, New York Times bestselling author of We Are Water “Kelly Corrigan is no stranger to mining the depths of her heart. . . . Through her own experience of caring for children, she begins, for the first time, to appreciate the complex woman who raised her.”—O: The Oprah Magazine
Lauren's senior year is going exactly as planned. Her craft blog is getting more visitors every day, and she knows what she's going to do with her life after graduation: get her associate's degree, marry someone fabulous, and live happily ever after. Sure, she doesn't know what she's going to get that degree in...and there's no Prince Charming on the horizon yet. But, still, that's the plan. At least, it is until Harrison Neeley shows up at her kitchen table one evening and derails everything...
An accomplished collection of short fiction about the risks of desire, the sullen yearning of unrequited love, the devastation of AIDS and its remedies.
A teenage fairy contends with the consequences of war in this coming-of-age fantasy by the award-winning author of Teeth and Not Otherwise Specified. Sixteen-year-old Beckan and her friends are the only fairies brave enough to stay in Ferrum when war breaks out. Now there is tension between the immortal fairies, the subterranean gnomes, and the mysterious tightropers who arrived to liberate the fairies. But when Beckan’s clan is forced to venture into the gnome underworld to survive, they find themselves tentatively forming unlikely friendships and making sacrifices they couldn’t have imagined. As danger mounts, Beckan finds herself caught between her loyalty to her friends, her desire for peace, and a love she never expected. This stunning, lyrical fantasy is a powerful exploration of what makes a family, what justifies a war, and what it means to truly love. Praise for A History of Glitter and Blood “With Ferrum, Moskowitz has built a vividly gritty fairy realm and populated it with a richly diverse cast of characters. . . . This novel of friendship, love, and fighting for one’s beliefs should find a place among fans of the modern fairy story.” —Kirkus Reviews “Reminiscent of Holly Black and Laini Taylor, this gritty fantasy/war story is also an exploration of love in many forms . . . and creating a family of choice.” —The Horn Book Magazine “The author’s talent is evident as she ambitiously tackles complex themes of violence, sexual awakening, politics, and even infertility.” —School Library Journal “Thick, sultry, lyrical language builds a strong sense of atmosphere . . . [in] this rich, off-kilter snarl of a story.” —Booklist “Gritty, intense, sensational, and moving.” —Fresh Fiction
DigiCat Publishing presents to you this special edition of "The Indian Lily and Other Stories" by Hermann Sudermann. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Alastair Reynolds has continued to publish short fiction throughout the thirty-odd years of his professional career. This fourth collection gathers material mostly written by the former space scientist in the last decade, even as a number of stories--such as the title piece, set in the universe of House of Suns--revisit earlier environments. The scope of settings is wide, ranging from the contemporaneous Earth to the near future and out to the furthest realms of the galaxy, and taking in such diverse topics as the perils of immortality, cybernetic encounters in the Wild West, uncanny skateboard parks and the flocking behaviour of birds. There is horror here, but also hope--and not a little black humour. The collection includes "Open and Shut," "Night Passage," and "Plague Music," a long, previously unpublished story, all three set in the Revelation Space universe.
In a land of wind and willows, two canoeists encounter some other-worldly wind turbines. From The Sentinels: Dunn: He said that he was taking the way of the wind and the sky, and that he was going in—to Them—by which I presume he meant going into the tower and scaling the ladder. And he said other things: That our thoughts made patterns in their world—left ‘prints,’ as it were—as did theirs in ours; and that that was how they’d found us, by listening to our thoughts, zeroing in on our patterns. And he said that Bobby was merely a bundle of sensory organs wrapped in a skin of decaying matter and so wasn’t important, wasn’t needed. That only they mattered—they, the beings attached to and inhabiting the turbines. And that … that … Detective Shaw: What, Mrs. Dunn? Say it. Dunn: But … don’t you see? It doesn’t matter what he said, because it wasn’t him speaking, not really. Bobby would never have described a human being as just a bundle of sensory organs; he truly believed, with every fiber of his being, that we were more than that—more than just the sum of our parts—it was what inspired him to become a doctor in the first place. And knowing what I knew, knowing what kind of man he was, I pressed him, telling him that Bobby did matter—that he mattered to his patients and that he mattered to me—more than I would ever be able to describe. And then I approached him and embraced him and told him I loved him—feeling, for the briefest of moments, the spirals beginning to close on his back—and he smiled, his eyes returning to normal, after which he said, or started to say, “I love …” (room tone) Detective Shaw: (inaudible) He—he told you he loved you? Dunn: No. He … his eyes rolled back … and then his face, it … it simply imploded. In a spiral. Like someone had flushed a toilet full of blood and brains.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
