This book examines the human desire for God through the lens of Bernard Lonergan's 'concrete subjectivity.' With Lonergan as an integrating thread, the author engages a variety of thinkers, including Hans Urs von Balthazar, Jean-Luc Marion, Rene Girard, Lawrence Feingold, John Milbank, John Paul II, Benedict XVI, Pope France, among others. The Givenness of Desire investigates our paradoxical desire for God that is rooted in in both the natural and supernatural.
In The Givenness of Desire, Randall S. Rosenberg examines the human desire for God through the lens of Lonergan’s "concrete subjectivity." Rosenberg engages and integrates two major scholarly developments: the tension between Neo-Thomists and scholars of Henri de Lubac over our natural desire to see God and the theological appropriation of the mimetic theory of René Girard, with an emphasis on the saints as models of desire. With Lonergan as an integrating thread, the author engages a variety of thinkers, including Hans Urs von Balthasar, Jean-Luc Marion, René Girard, James Alison, Lawrence Feingold, and John Milbank, among others. The theme of concrete subjectivity helps to resist the tendency of equating too easily the natural desire for being with the natural desire for God without at the same time acknowledging the widespread distortion of desire found in the consumer culture that infects contemporary life. The Givenness of Desire investigates our paradoxical desire for God that is rooted in both the natural and supernatural.
The spirit of our times can appear to be one of joyless urgency. As a culture we have become less interested in the exploration of the glorious mind, and more interested in creating and mastering technologies that will yield material well-being. But while cultural pessimism is always fashionable, there is still much to give us hope. In The Givenness of Things, the incomparable Marilynne Robinson delivers an impassioned critique of our contemporary society while arguing that reverence must be given to who we are and what we are: creatures of singular interest and value, despite our errors and depredations. Robinson has plumbed the depths of the human spirit in her novels, including the National Book Critics Circle Award-winning Lila and the Pulitzer Prize-winning Gilead, and in her new essay collection she trains her incisive mind on our modern predicament and the mysteries of faith. These seventeen essays examine the ideas that have inspired and provoked one of our finest writers throughout her life. Whether she is investigating how the work of the great thinkers of the past, Calvin, Locke, Bonhoeffer--and Shakespeare--can infuse our lives, or calling attention to the rise of the self-declared elite in American religious and political life, Robinson's peerless prose and boundless humanity are on display. Exquisite and bold, The Givenness of Things is a necessary call for us to find wisdom and guidance in our cultural heritage, and to offer grace to one another.
Desire and Distance constitutes an important new departure in contemporary phenomenological thought, a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty, though it departs in significant and original ways from their work. Barbaras's overall goal is to develop a philosophy of what "life" isone that would do justice to the question of embodiment and its role in perception and the formation of the human subject. Barbaras posits that desire and distance inform the concept of "life." Levinas identified a similar structure in Descartes's notion of the infinite. For Barbaras, desire and distance are anchored not in meaning, but in a rethinking of the philosophy of biology and, in consequence, cosmology. Barbaras elaborates and extends the formal structure of desire and distance by drawing on motifs as yet unexplored in the French phenomenological tradition, especially the notions of "life" and the "life-world," which are prominent in the later Husserl but also appear in non-phenomenological thinkers such as Bergson. Barbaras then filters these notions (especially "life") through Merleau-Ponty.
Identity is considered prima facie the most important philosophical principle in traditional logic and metaphysics. The reflexive ability of the subject implies that he or she can relate to himself or herself and to others, thus establishing the basis for the formation of individual and social identity. The present essays, which contains papers held at the conference of the "Institut International de Philosophie" at the University of Zadar, in 2007, present a range of positions and arguments regarding the possibilities of philosophical interpretation of identity.
This study offers a new interpretation of Hegelian recognition focusing on positive ethical behaviours, such as love and forgiveness. Building on the work of Simone de Beauvoir and Jean-Paul Sartre, Disley reassesses Hegel’s work on the subject/object dialectic and explores the previously neglected theological dimensions of his work.
Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics. Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.
The essays in this volume all ask what it means for human beings to be embodied as desiring creatures—and perhaps still more piercingly, what it means for a philosopher to be embodied. In taking up this challenge via phenomenology, psychoanalysis, hermeneutics, and the philosophy of literature, the volume questions the orthodoxies not only of Western metaphysics but even of the phenomenological tradition itself. We miss much that has philosophical import when we exclude the somatic aspects of human life, and it is therefore the philosopher’s duty now to rediscover the meaning inherent in desire, emotion, and passion—without letting the biases of any tradition determine in advance the meaning that reveals itself in embodied desire. Continental philosophers have already done much to challenge binary oppositions, and this volume sets out a new challenge: we must now also question the dichotomy between being at home and being alienated. Alterity is not simply something out there, separate from myself; rather, it penetrates me through and through, even in my corporeal experience. My body is both my own and other; I am other than myself and therefore other than my body. Additionally, this book is a conversation, not a presentation of a new orthodoxy. Thus, the hope is that these essays will open the way for further dialogue that will continue to radically rethink our understanding of embodied desire. Gathered together here are twelve essays that address these issues from deeply interrelated albeit unique perspectives from within the field.
A comprehensive reference guide to the key themes, major writings, context and influence of Hegel, one of the most important figures in 19th Century thought.
