Must a gift be given freely? How can we tell a gift from a bribe? Are gifts always a part of human relations--or do they lose their power and importance once the market takes hold and puts a price on every exchange? These questions are central to our sense of social relations past and present, and they are at the heart of this book by one of our most intersting and renowned historians.
To receive a royal pardon in sixteenth-century France for certain kinds of homicide--unpremeditated, unintended, in self-defense, or otherwise excusable--a supplicant had to tell the king a story. These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival texts: to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.
The dual themes of this volume are the characteristics of patronage relationships and their political uses in early modern France. The first essays provide an overview of the scholarly literature and suggest that the obligatory reciprocity of the patron-client exchange was a defining characteristic. The third and fourth essays compare patronage relationships with kinship and friendship, while the following two focus on the patronage role of noblewomen. Professor Kettering then looks at the role of brokerage in state formation in early modern France, comparing this with other early modern societies. In the final section she explores the role of patronage in the religious wars of the late 16th century and in the civil war of the Fronde a half century later, and the ways in which it was affected by the changing lifestyles of the great nobles during the late 17th century.
These essays, three of them previously unpublished, explore the competing claims of innovation and tradition among the lower orders in sixteenth-century France. The result is a wide-ranging view of the lives and values of men and women (artisans, tradesmen, the poor) who, because they left little or nothing in writing, have hitherto had little attention from scholars. The first three essays consider the social, vocational, and sexual context of the Protestant Reformation, its consequences for urban women, and the new attitudes toward poverty shared by Catholic humanists and Protestants alike in sixteenth-century Lyon. The next three essays describe the links between festive play and youth groups, domestic dissent, and political criticism in town and country, the festive reversal of sex roles and political order, and the ritualistic and dramatic structure of religious riots. The final two essays discuss the impact of printing on the quasi-literate, and the collecting of common proverbs and medical folklore by learned students of the "people" during the Ancien Régime. The book includes eight pages of illustrations.
In this boldly innovative synthesis of political history and interdisciplinary social history, Kristen B. Neuschel revises our understanding of politics in early modern Europe. Drawing on the methods of the linguist and the ethnographer, Neuschel shows that early modern nobles must, like the common people of that period, be approached as having a mentalit very different from our own. In particular, she argues that the world view of these nobles was shaped by their still largely oral culture, and that historians must take this into account if they are to understand, for example, the nobles' volatile loyalties and their close attention to seemingly trivial moments of insult and self-aggrandizement.
Assessing the relationship between the emergence of modern French literary culture and the ideological debates that marked Renaissance France, Timothy Hampton explores the role of literary form in shaping national identity.The foundational texts of modern French literature were produced during a period of unprecedented struggle over the meaning of community. In the face of religious heresy, political threats from abroad, and new forms of cultural diversity, Renaissance French culture confronted, in new and urgent ways, the question of what it means to be "French." Hampton shows how conflicts between different concepts of community were mediated symbolically through the genesis of new literary forms. Hampton's analysis of works by Rabelais, Montaigne, Du Bellay, and Marguerite de Navarre, as well as writings by lesser-known poets, pamphleteers, and political philosophers, shows that the vulnerability of France and the instability of French identity were pervasive cultural themes during this period.Contemporary scholarship on nation-building in early modern Europe has emphasized the importance of centralized power and the rise of absolute monarchy. Hampton offers a counterargument, demonstrating that both community and national identity in Renaissance France were defined through a dialogic relationship to that which was not French—to the foreigner, the stranger, the intruder from abroad. He provides both a methodological challenge to traditional cultural history and a new consideration of the role of literature in the definition of the nation.
In 1543, the Ottoman fleet appeared off the coast of France to bombard and lay siege to the city of Nice. The operation, under the command of Admiral Barbarossa, came in response to a request from François I of France for assistance from Sultan Süleyman the Magnificent in France's struggle against Charles V, the Habsburg Holy Roman Emperor and King of Spain. This military alliance between mutual 'infidels', the Christian French King and the Muslim Sultan, aroused intense condemnation on religious grounds from the Habsburgs and their supporters as an aberration from accepted diplomacy. Allies with the Infidel places the events of 1543 and the subsequent wintering of the Ottoman fleet in Toulon in the context of the power politics of the sixteenth century. Using contemporary Ottoman and French sources, it presents the realpolitik of diplomacy with 'infidels' in the early modern era.Th e result is essential reading for students and scholars of European
Storytelling in Sixteenth-Century France is an innovative, interdisciplinary examination of parallels between the early modern era and the world in which we live today. Readers are invited to look to the past to see how then, as now, people turned to storytelling to integrate and adapt to rapid social change, to reinforce or restructure community, to sell new ideas, and to refashion the past. This collection explores different modalities of storytelling in sixteenth-century France and emphasizes shared techniques and themes rather than attempting to define narrow kinds of narrative categories. Through studies of storytelling in tapestries, stone, and music as well as distinct genres of historical, professional, and literary writing (addressing both erudite and more common readers), the contributors to this collection evoke a society in transition, wherein traditional techniques and materials were manipulated to express new realities. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
