Strange creatures begin to appear in the normally dull Graysland after Rupert digs up a mysterious bell in his backyard. He sets off with his best pal Squeem to discover the secret of a mysterious haunted mansion, its creepy occupant, and their connection to an all but forgotten old holiday called Winter Joy. Locked in, a prisoner of the mysterious owner of the mansion, Rupert is rescued by Pie O’Sky, who gives him a key that opens a door on a dangerous journey where he will come face-to-face with the Ghost of Winter Joy.
A small, snow-covered town with a rich history, where everyone knows each other's secrets. A grand, old mansion on the outskirts of town that’s been abandoned for decades. 12-year-old Emma, who recently moved to the town with her family. Emma has alot of curiosity and love for mysteries. She also hopes to make new friends and has a fascination with the mansion.
One of Shakespeare's later plays, best described as a tragi-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the "lost" daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre.
In the 1940s, Marshal South chronicled his family's controversial primitive lifestyle on Ghost Mountain, in what is now Anza-Borrego Desert State Park in southern California, through popular monthly articles written for Desert Magazine. This is the complete collection, along with never-before-published photos of the family.
A secret baby puts a wrench in holiday plans in this charming, snowbound Regency romance from Annabelle Greene Come to me. I need you. It’s a matter of life-and-death. Infamous poet Sherborne Clarke is a scholar, a lover—but not a father. When he finds a baby abandoned on the steps of his crumbling castle, he knows he must get her to London and an orphanage. It’s the perfect excuse to contact the one person he trusts…the man whose love he stills yearns for, and whose heart he broke years before. Richard Ashbrook was groomed from birth to become the Earl of Portland, until Sherborne betrayed him, exposing his sexuality to the papers and forcing him into exile. But as much as he hates Sherborne, Richard has never managed to break their link or let his confusing sentiments concerning him subside. When he receives a missive implying that Sherborne's life is at risk, he knows it is time to return home. Richard undergoes the perilous journey from Sicily only to find the other man untouched. Furious, he agrees to transport the baby to London—whatever gets him out of Sherborne’s life once and for all. But when a snowstorm leaves them stranded, they’re forced to confront the past—and deal with the love between them that’s all too present.
Presents a collection of essays discussing historical aspects of William Shakespeare's play in which Peter Lake, an Irish burglar and mechanic, falls in love with the daughter of a rich aristocrat he meets when robbing their house.
First published in 1969. Critics have in the past described The Winter's Tale as a work of "haphazard structure". More recent criticism has defended the structure of the play and this work shows that the evidence points to the fact that Shakespeare took infinite pains with the choice and disposition of the materials of The Winter's Tale. The scene-by-scene commentary considers The Winter's Tale in isolation, but prologue, epilogue and appendix place it in the context of related plays, and discuss, among others, the problem of genre as it affects the play.
Blind rage underlies Leontes jealousy in The Winters Tale. Although his jealously is akin to Othellos, it is not carried out to the same extent, thanks to the oracles pronouncement. While Leontess change of heart strains credibility, he does redeem himself and, in the process, changes the tragedy into a comedy, or at least a play with a happy resolution. One might also compare Hermione with Desdemona as both are more sinned against than sinning (Lear, III.2). Despite Leontes reformation, one cannot avoid sympathy for Hermione, she who has been made to pay dearly for her husbands lack of faith and trust. She certainly deserves more.
