The German Poetry of Paul Fleming

The German Poetry of Paul Fleming

Author: Marian R. Sperberg-McQueen

Publisher:

Published: 1990

Total Pages: 264

ISBN-13:

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An examination of the German (i.e. non-Latin) poems, and, to a lesser extent, the life, of the esteemed 17th-century poet (1609-1640), drawing particular attention to poems and genres in his oeuvre that have received unduly little notice. Annotation copyrighted by Book News, Inc., Portland, OR


Mystical Love in the German Baroque

Mystical Love in the German Baroque

Author: Isabella van Elferen

Publisher: Scarecrow Press

Published: 2009

Total Pages: 384

ISBN-13: 0810861364

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Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from Sch tz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect.


Poetry and Parental Bereavement in Early Modern Lutheran Germany

Poetry and Parental Bereavement in Early Modern Lutheran Germany

Author: Anna Linton

Publisher: OUP Oxford

Published: 2008-04-10

Total Pages: 337

ISBN-13: 0191552771

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In early modern Europe it has been estimated that up to one in two children did not survive to the age of ten. In the light of this high mortality rate, some historians have argued that parents did not form close relationships with their children, especially the very young. This is clearly refuted by the testimony of bereaved parents such as Martin Luther, and by the volume of consolatory writings produced for grieving families in early modern Lutheran Germany. The authors, clergymen and lay people, regarded grief as a deep wound which required treatment, and they applied the balm of consolation through sermons, tracts and occasional poetry. This study analyses these writings, focusing particularly on the neglected genre of the epicedium (funeral poem). It asks how and why poetry was used to counter the affective impact of parental bereavement, and considers what makes it a suitable vehicle for consolation. The poems, which are analyzed against the contemporary theological, philosophical, and poetological background, are taken from Leichenpredigten (printed funeral booklets), as well as from collections by two contrasting poets, Paul Fleming (1609-40), an unmarried man who wrote to console others, and Margarethe Susanna von Kuntsch (1651-1717), who lost thirteen of her fourteen children. The study seeks to rehabilitate a neglected genre and participates in discussions on the sociology of death, Lutheran teachings about death and mourning, literary presentations of mortality and loss, and the depiction of children and parent-child relations in literature.


The Cambridge Introduction to German Poetry

The Cambridge Introduction to German Poetry

Author: Judith Ryan

Publisher: Cambridge University Press

Published: 2012-11

Total Pages: 253

ISBN-13: 0521867665

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Exploring traditional poems alongside new examples, this Introduction conveys the rich rewards that come with reading German poetry.


Encyclopedia of German Literature

Encyclopedia of German Literature

Author: Matthias Konzett

Publisher: Routledge

Published: 2015-05-11

Total Pages: 1159

ISBN-13: 113594122X

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Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.


Poets Laureate in the Holy Roman Empire

Poets Laureate in the Holy Roman Empire

Author: John Flood

Publisher: Walter de Gruyter

Published: 2011-09-08

Total Pages: 2800

ISBN-13: 3110912740

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Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.


German Secular Song-books of the Mid-seventeenth Century: An Examination of the Texts in Collections of Songs Published in the German-language Area Between 1624 and 1660

German Secular Song-books of the Mid-seventeenth Century: An Examination of the Texts in Collections of Songs Published in the German-language Area Between 1624 and 1660

Author: Anthony J. Harper

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 358

ISBN-13: 1040280277

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This title was first published in 2003. The secular song of the 17th century represents a relatively neglected area of German culture. In this book, Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this with an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment. Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful portrayals of everyday life, and comic songs in a lower stylistic register. Particular attention is paid to the work of Albert and Dach in Konigsberg, Finckelthaus, Schirmer, Krieger and Schoch in Leipzig and Dresden, and Rist, Voigtlander, Zesen, Greflinger and Stieler in the Hamburg region. Where appropriate, the book assesses the role of musical settings, while not seeking to offer technical insights into musical matters. Of value to scholars of German literature, this study should also be of interest to musicologists working on the Renaissance and Baroque periods.