A psychotherapeutic journey from boyhood to adulthood. The author sifted through a century of Freudian theory and in this book through self-examination, explains specifically how those theories can be used for an individual's liberation. Beginning with personal conflicts, the reader is led through a maze of identity formation and into the achievement of true intimacy.
A sensational, eye-opening account of Emma Jung’s complex marriage to Carl Gustav Jung and the hitherto unknown role she played in the early years of the psychoanalytic movement. Clever and ambitious, Emma Jung yearned to study the natural sciences at the University of Zurich. But the strict rules of proper Swiss society at the beginning of the twentieth century dictated that a woman of Emma’s stature—one of the richest heiresses in Switzerland—travel to Paris to "finish" her education, to prepare for marriage to a suitable man. Engaged to the son of one of her father’s wealthy business colleagues, Emma’s conventional and predictable life was upended when she met Carl Jung. The son of a penniless pastor working as an assistant physician in an insane asylum, Jung dazzled Emma with his intelligence, confidence, and good looks. More important, he offered her freedom from the confines of a traditional haute-bourgeois life. But Emma did not know that Jung’s charisma masked a dark interior—fostered by a strange, isolated childhood and the sexual abuse he’d suffered as a boy—as well as a compulsive philandering that would threaten their marriage. Using letters, family interviews, and rich, never-before-published archival material, Catrine Clay illuminates the Jungs’ unorthodox marriage and explores how it shaped—and was shaped by—the scandalous new movement of psychoanalysis. Most important, Clay reveals how Carl Jung could never have achieved what he did without Emma supporting him through his private torments. The Emma that emerges in the pages of Labyrinths is a strong, brilliant woman, who, with her husband’s encouragement, becomes a successful analyst in her own right.
In Crete during World War II, Alenka, a young woman who fights with the resistance against the brutal Nazi occupation, finds herself caught between her traitor of a brother and the man she loves, an undercover agent working for the Allies. May 1941. German paratroopers launch a blitzkrieg from the air against Crete. They are met with fierce defiance, the Greeks fighting back with daggers, pitchforks, and kitchen knives. During the bloody eleven-day battle, Alenka, a young Greek woman, saves the lives of two Australian soldiers. Jack and Teddy are childhood friends who joined up together to see the world. Both men fall in love with Alenka. They are forced to retreat with the tattered remains of the Allied forces over the towering White Mountains. Both are among the seven thousand Allied soldiers left behind in the desperate evacuation from Crete’s storm-lashed southern coast. Alenka hides Jack and Teddy at great risk to herself. Her brother Axel is a Nazi sympathizer and collaborator and spies on her movements. As Crete suffers under the Nazi jackboot, Alenka is drawn into an intense triangle of conflicting emotions with Jack and Teddy. Their friendship suffers under the strain of months of hiding and their rivalry for her love. Together, they join the resistance and fight to free the island, but all three will find themselves tested to their limits. Alenka must choose whom to trust and whom to love and, in the end, whom to save.
The last hundred years of scientific and philosophical thought have created dramatic upheavals in how we view our universe, our spiritual beliefs and ourselves. Commonly accepted theories of evolution and relativity and the precepts of existentialism, have shaken the foundations of traditional religious practices. Many people now wonder if enduring spiritual and moral truths even exist.
This is the first complete and coherent account of Freud's life and work to be written from a consistently sceptical point of view. Meticulously researched and powerfully argued, the book is a devastating portrait of the interpreter of dreams.
Selected by Choice magazine as an Outstanding Academic Title In The Freudian Reading, Lis Møller examines the premises, procedures, and objectives of psychoanalytic reading in order to question the kind of knowledge such readings produce. But above all, she questions the role of Freud as master explicator. Although Freud has been seen as a great synthesizer, Møller contends that his significance as a reader lies elsewhere. For Møller, this significance lies in the way Freud presses his inquiry to the point where he encounters something he cannot explain or that he can only explain at the risk of overthrowing previous conclusions. Such "moments of crisis" occur repeatedly in Freud's work, causing him to swerve from his original train of thought, or even to call into question the theoretical foundation of his interpretation. The dominant line of argument, therefore, is frequently punctuated with problems and questions. If we concentrate on these, Møller argues, we are forced to reconsider the traditional conception of a "Freudian reading" and to reassess our perceived notions of just what kind of reader Freud was. While The Freudian Reading is based on a wide range of Freud's writings, it concentrates on four central texts: Delusions and Dreams in Jensen's "Gradiva", From the History of an Infantile Neurosis, "The Uncanny," and "Constructions in Analysis." The discussion does not progress chronologically. Rather, it explores the ways in which these texts interact: how they reflect, comment on, and contradict one another. The Freudian Reading is a concentrated, subtle analysis of Freud's interpretive practice, with special reference to his interpretations of literary texts. It will be of interest to scholars and students of literary theory and criticism as well as to readers in the field of psychoanalysis.
Rob White reconsiders Freud's controversial theory of inherited memory, referring it both to Anglo-American commentary and post-structuralist work on psychoanalysis. White proposes that this theory is evidence of an underlying haunted retrospection in Freudian theorizing, which time and again discovers that meaning has been lost.
This book eloquently demonstrates that just as our human relationships change and develop over time, so do our ties to cherished works of art. Such works, with their overlays of perception and projection, exert a lasting influence on the psyche.
"The question, 'Who am I?' resounded throughout the surrealist movement. The exploration of dreams and the unconscious prompted surrealists to reject the notion of a unified, indivisible self by revealing the subject to be haunted by otherness and instability. In this book David Lomas explores the surrealist concepts of the self and subjectivity from a psychoanalytic viewpoint. Employing a series of case studies devoted to individual artists, Lomas arrives at a radically new account of surrealist art and its cultural and intellectual roots." "Weaving together psychoanalytic and historical material, the author analyses works by Ernst, Dali, Masson, Miro and Picasso with regard to such themes as automatism, hysteria, the uncanny and the abject. Lomas focuses closely on individual artworks, examines the specific circumstances in which they were produced and offers new insights into the artists and their projects as well as the theories of Bataille, Breton and others. Lomas demonstrates the powerful connection between the history of psychoanalysis and the history of surrealism, and along the way shows the unique value of psychoanalytic theory as a tool for the art historian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
