This is the first scholarly appraisal of relations between France and Mexico from the time Mexico achieved independence until Emperor Napoleon III decided to intervene and place Maximilian on the Mexican throne. Barker shows that economic, political, demographic, and behavioral factors led to chronic friction between the two countries and contributed to the buildup of an ideology of intervention. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This book explores French imperialism in Latin America in the nineteenth century, taking Mexico as a case study. The standard narrative of nineteenth-century imperialism in Latin America is one of US expansion and British informal influence. However, it was France, not Britain, which made the most concerted effort to counter US power through Louis-Napoléon’s military intervention in Mexico, begun in 1862, which created an empire on the North American continent under the Habsburg Archduke Ferdinand Maximilian. Despite its significance to French and Latin American history, this French imperial project is invariably described as an “illusion”, an “adventure” or a “mirage”. This book challenges these conclusions and places the French intervention in Mexico within the context of informal empire. It analyses French and Mexican ideas about monarchy in Latin America; responses to US expansion and the development of anti-Americanism and pan-Latinism; the consolidation of Mexican conservatism; and, finally, the collaboration of some Mexican elites with French imperialism. An important dimension of the relationship between Mexico and France, explored in the book, is the transatlantic and transnational context in which it developed, where competing conceptions of Mexico and France as nations, the role of Europe and the United States in the Americas and the idea of Latin America itself were challenged and debated.
"Interpreting American Democracy in France is a study of the French savant, liberal, politician, and Americanist Edouard Laboulaye. Laboulaye, who was a professor at the College de France, is perhaps best known in America today as president of the Union Franco-Americaine, which raised funds in France for the Statute of Liberty. He was also well known to Americans in the nineteenth century, particularly for his staunch support of the Union in the American Civil War. He and his circle influenced French public opinion and were instrumental in preventing the government of Napoleon III from recognizing the Confederacy." "After the Revolutions of 1848, the aftermath of which disillusioned him, a dominant theme in Laboulaye's writings was that America provided France with a model constitution that guaranteed individual liberties and a stable political system; it was his great hope that his country would follow this example. As France's leading Americanist, Laboulaye's energies were devoted to lectures on American history and politics and work on behalf of the North during the Civil War. He was also a translator of the works of those Americans for whom he had a special devotion: Franklin, Channing, and Mann. As a founding father of the Third Republic, Laboulaye drew great satisfaction from the fact that some principles drawn from the American political tradition were embodied in its constitutional laws. Additionally, Laboulaye was the first Frenchman to give a course on American history at a French university, and he later published a three-volume history of the United States, which stands as his masterpiece. He was a member of the liberal opposition to Napoleon III and after 1870 became active in the Third Republic, serving as deputy and later senator for life." "In France Laboulaye is primarily known as a professor at the respected College de France, a position he maintained throughout his entire career, and as a member of the Institut de France. He was also president of the French Anti-Slavery Society. Laboulaye was, in fact, a savant of almost universal interests who held a place at the center of French intellectual life during the Second Empire and the early Third Republic. His bibliography, comprised of books, pamphlets, essays, children's stories, and articles, totals over two hundred entries. His final years as a senator for life were devoted in large part to a successful fundraising campaign for the Statute of Liberty, which he did not live to see erected in New York Harbor, and to carrying on the fight for political liberty as he envisioned it." "This book is based on extensive research into the unpublished papers of Laboulaye, which are still in his family's possession, and manuscripts in other depositories in France and the United States."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This book is a skillful synthesis of Mexico's complex and colorful history from pre-Columbian times to the present. Utilizing his many years of research and teaching as well as his personal experience in Mexico, the author incorporates recent archaeological evidence, posits fresh interpretations, and analyzes such current problems as foreign debt, dependency on petroleum exports, and providing education and employment for an expanding population. Combining political events and social history in a smooth narrative, the book describes events, places, and individuals, the daily life of peasants and urban workers, and touches on cultural topics, including architecture, art, literature, and music. As a special feature, each chapter contains excerpts from contemporary letters, books, decrees, or poems, firsthand accounts that lend historical flavor to the discussion of each era. Mexico has an exciting history: several Indian civilizations; the Spanish conquest; three colonial centuries, during which there was a blending of Old World and New World cultures; a decade of wars for independence; the struggle of the young republic; wars with the United States and France; confrontation between the Indian president, Juárez, and the Austrian born emperor, Maximilian; a long dictatorship under Diaz; the Great Revolution that destroyed debt peonage, confiscated Church property, and reduced foreign economic power; and the recent drive to modernize through industrialization. Mexico: A History will be an excellent college-level textbook and good reading for the thousands of Americans who have visited Mexico and those who hope to visit.
This is a study of one of the leading politicians of Independent Mexico, Jose Maria Tornel y Mendivil, whose loyalty to Santa Anna and whose skills as a writer led him to play a crucial role in enabling the caudillo's repeated rise to power during this period. This first biography of Tornel in English provides a new insight into the political thought of the santanistas and the ways in which Santa Anna was able to return to power time and again in spite of the fact that he was deemed responsible for such major national disasters as the Texas campaign of 1836 and the 1847 defeat against the United States. A close analysis of Tornel's own political evolution, from advocating a radical federalist agenda in the 1820s to defending reactionary dictatorship in the 1850s, illustrates the extent to which the santanistas' policies changed as the hopeful, early 1820s degenerated into the despair of the late 1840s. As the leading ideologue of the santanistas, a study of his politics, paying close attention to the way they evolved in response to the different crises Mexico underwent, highlights, for the first time, the extent to which Santa Anna and his followers upheld a particular political agenda which was essentially populist, militaristic, antipolitics, and nationalistic, and varied depending on the prevailing circumstances and the different historical contexts in which it surfaced. A study of Tornel's activities as Santa Anna's main informer in the capital, his leading propagandist, and as a key player in the orchestration of revolts such as the 1834 Plan of Cuernavaca, serves to show the extent to which Santa Anna's success relied on Tornel's services. Coincidentally or not, without Tornel, Santa Anna was not able to return to power after his fall in 1855.
This user-friendly encyclopedia comprises a wide array of accessible yet detailed entries that address the military, social, political, cultural, and economic aspects of the Mexican-American War. The Encyclopedia of the Mexican-American War: A Political, Social, and Military History provides an in-depth examination of not only the military conflict itself, but also the impact of the war on both nations; and how this conflict was the first waged by Americans on foreign soil and served to establish critical U.S. military, political, and foreign policy precedents. The entries analyze the Mexican-American War from both the American and Mexican perspectives, in equal measure. In addition to discussing the various campaigns, battles, weapons systems, and other aspects of military history, the three-volume work also contextualizes the conflict within its social, cultural, political, and economic milieu, and places the Mexican-American War into its proper historical and historiographical contexts by covering the eras both before and after the war. This information is particularly critical for students of American history because the conflict fomented sectional conflict in the United States, which resulted in the U.S. Civil War.
Unlike wars between nations, wherein the population generally comes together to defend its borders and is united by a common national goal, civil wars tear countries apart, divide families, and turn neighbors against each other. Civil wars are a form of self-harm in which a country's people seek redemption through self-destruction, punishing or severing those parts that are seen to have made the nation ill. And yet civil wars--with their characteristically appalling violence--remain chillingly common, defying the notion that they are somehow an aberration. In The Grammar of Civil War Will Fowler examines the origin, process, and outcome of civil war. Using the Mexican Civil War of 1857-61 (or the War of the Reform, the political and military conflict that erupted between the competing liberal and conservative visions of Mexico's future), Fowler seeks to understand how civil wars come about and, when they do, how they unfold and why. By outlining the grammatical principles that underpin a new framework for the study of civil war, Fowler stresses what is essential for one to take place and explains how, once it has erupted, it can be expected to develop and end, according to the syntax, morphology, and meanings that characterize and help understand the grammar of civil war generally.
This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken. Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.
Tracing the historical development of Mexico from the pre-Hispanic period to the present, the Historical Dictionary of Mexico, Third Edition, is an excellent resource for students, teachers, researchers, and the general public. This reference work includes a detailed chronology, an introduction surveying the country’s history, and an extensive bibliography. The dictionary section includes cross-referenced entries on the historical actors who shaped Mexican history, as well as entries on politics, government, the economy, culture, and the arts.
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfónica de México. Carlos Chávez and His World brings together an international roster of leading scholars to delve into not only Chávez’s music but also the history, art, and politics surrounding his life and work. Contributors explore Chávez’s vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York’s modernist scene, Mexican symphonic music, portraits of Chávez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chávez’s impact on El Colegio Nacional. A quantum leap in understanding Carlos Chávez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana González Aktories, Anna Indych-López, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julián Orbón, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Payá. Bard Music Festival 2015: Carlos Chávez and His World Bard College August 7-9 and August 14-16, 2015
