La corruption du monde des affaires et de la classe politique s'étale dans les romans et nouvelles de Hammett. Son privé de la Continental Op sera le protagoniste de la Moisson rouge et de Sang maudit. Le premier roman traite du thème de la municipalité pourrie nettoyée par une guerre entre bandes rivales déclenchée par l'Op. Le second nous plonge dans l'univers des sectes, de la manipulation des esprits et de la folie. Le Faucon maltais confirme le rôle du privé, garant d'une morale nécessaire : Sam Spade vengera le meurtre de son associé, quitte à livrer à la justice la coupable dont il est pourtant amoureux. La Clé de verre dévoile les rapports entre la politique et le gangstérisme. Un joueur professionnel, Ned Beaumont, mène l'enquête afin de disculper un ami accusé de meurtre en pleine période électorale.
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
Discover four seminal masterworks of Chinese thought—Lao Tzu’s Tao Te Ching, the Analects of Confucius, the Chuang Tzu, and the Mencius—presented in one volume for the first time in nearly two centuries. Award-winning translator David Hinton offers fresh insights on the most influential texts on Taoism, Zen Buddhism, Chinese philosophy, and more. Hinton’s award–winning experience translating a wide range of ancient Chinese poets makes these books sing in English as never before. But these new versions are not only inviting and immensely readable—they also apply much-needed consistency to key philosophical terms in these texts, lending structural links and philosophical rigor heretofore unavailable in English. Breathing new life into these classics, Hinton’s new translations will stand as the definitive texts for our era. Perhaps the most broadly influential spiritual text in human history, Lao Tzu’s Tao Te Ching is the source of Taoist philosophy, which eventually developed into Ch’an (Zen) Buddhism. Equally influential in the social sphere, Confucius’ Analects is the source of social wisdom in China. The Chuang Tzu is the wild and wacky prose complement to the Tao Te Ching. And with its philosophical storytelling, the Mencius adds depth and complexity to Confucius’ vision.
No library's complete without the classics! This new edition collects the greatest works of Charles Dickens, one of the most popular novelists of all time. Oliver Twist. Pip. The ghosts of Christmas past, present, and future. The characters of Charles Dickens live on in our imaginations long after we've read his renowned works of social commentary and vivid storytelling. And though these novels were written more than one hundred years ago, no home library today would be complete without them. This Canterbury Classics edition of Charles Dickens collects some of his most famous and beloved works--The Adventures of Oliver Twist, A Christmas Carol, A Tale of Two Cities, and Great Expectations--into a single volume. For those who've never read Dickens, it's the perfect opportunity to experience his unique and compelling writing. And for those who are already Dickens devotees, an introduction by a renowned scholar will provide additional context and food for thought.
Andrew Plaks reinterprets the great texts of Chinese fiction known as the "Four Masterworks of the Ming Novel" (ssu ta ch'i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source materials, which reflect the values and intellectual concerns of the literati of the period. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Yan Lianke's most powerful novel yet. Reminiscent of A Day in the Life of Ivan Denisovich and Darkness at Noon, Yan's mythical tale portrays the grotesque persecution during the Great Leap Forward. In the ninety-ninth district of a labour camp, the Author, Musician, Scholar, Theologian and Technician undergo re-education, to restore their revolutionary zeal. In charge of this process is the Child, who delights in enforcing draconian rules. The Four Books tells the story of one of China's most controversial periods. It also reveals the power of camaraderie, love and faith against oppression in the darkest possible times. Yan Lianke was born in 1958 in Henan Province, China. Text has published his novels Serve the People!, Lenin’s Kisses and Dream of Ding Village, which was shortlisted for the Man Asian Literary Prize. Yan Lianke won the Hua Zhong World Chinese Literature Prize in 2013. He has also won two of China's most prestigious literary awards: the Lu Xan Prize and the Lao She Award. In 2014, he won the Franz Kafka Prize. He lives in Bejing. 'Author Yan's deft satire, comic touches and his endless compassion bring smiles and tears through a journey that swings effortlessly back and forward between the absurd, the real and moments of magic. It is an epic tale of how grand, event if well-meant, plans can be tarnished by greed and unhappiness. It cautions against being consumed by power. Here is a splendid storyteller in the tradition of Jonathan Swift. Yan's writing is masterful, his imagination and his satire soars above the common.' Courier Mail 'Yan's postmodern cartoon of the Communist dream caving to run-amok capitalism is fiendishly clever, in parodying the conventions of fables and historical scholarship. The ghost of another famous dead Russian, Nikolai Gogol, hovers over the proceedings in spirit, if not in economy of means.' New York Times 'Yan at the peak of his absurdist powers. He writes in the spirit of the dissident writer Vladimir Voinovich, who observed that “reality and satire are the same".' New Yorker 'Whimsical and horrifying by turns...a no-holds-barred satirical allegory of recent Chinese history.' Listener, NZ ‘Yan Lianke weaves a passionate satire of today’s China, a marvellous circus where the one-eyed-man is king...Brutal. And wickedly funny.' L'Express ‘Set Rabelais down in the mountains of, say, Xinjiang, mix in some Günter Grass, Thomas Pynchon and Gabriel García Márquez, and you’re in the approximate territory of Lianke’s latest exercise in épatering the powers that be...A satirical masterpiece.’ Kirkus ‘Both a blistering satire and a bruising saga, this epic novel examines the grinding forces of communism and capitalism, and the volatile zone where the two intersect...A heartbreaking story of greed, corruption, and the dangers of utopia.’ Publishers Weekly ‘This epic tragicomedy deftly satirises the exploitation of the Chinese people by greedy, power-hungry and inept officials. Yan Lianke showcases many talents of his own, including brilliant absurdist humour and self-censorship.’ North and South, NZ ‘For once, the hype doesn’t go far enough...a devastating, brilliant slice of history.’ Times ‘Woven together, these “texts” reflect the catastrophe of the times and meditate on the meaning of integrity, truth, love and ethics when confronted with horror...[Lianke] has produced an extraordinary novel.’ Guardian ‘A compelling account of the absurdities of the tragedy that killed an estimated 30 million people.’ North and South
Elegant, sophisticated and full of humour and romance, the novels of Jane Austen have been favourites of readers around the world for more than two centuries. Although set at the turn of the nineteenth century, in the England that she herself knew, Austen's characters espouse values and sentiments that still speak to modern sensibilities. No author has captured so vividly the affairs of hearts in conflict with class and social convention. This volume features four of Jane Austen's best-loved works: Sense and Sensibility, Pride and Prejudice, Emma and Persuasion.
Monkey depicts the adventures of Prince Tripitaka, a young Buddhist priest on a dangerous pilgrimage to India to retrieve sacred scriptures accompanied by his three unruly disciples: the greedy pig creature Pipsy, the river monster Sandy – and Monkey. Hatched from a stone egg and given the secrets of heaven and earth, the irrepressible trickster Monkey can ride on the clouds, become invisible and transform into other shapes – skills that prove very useful when the four travellers come up against the dragons, bandits, demons and evil wizards that threaten to prevent them in their quest. Wu Ch’êng-ên wrote Monkey in the mid-sixteenth century, adding his own distinctive style to an ancient Chinese legend, and in so doing created a dazzling combination of nonsense with profundity, slapstick comedy with spiritual wisdom.
