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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T040073 The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus." Translated by Isaac Ware. London: published by Isaac Ware, 1738. [14],110p., plates; 2°
Andrea Palladio (1508-1589) was one of the most creative architects the world has ever known; many consider his villas, palaces, and churches the epitome of Renaissance ideals. Though his buildings have often been photographed and numerous specialized studies have been written about his career, never before have Palladio's life and times been brought together in a narrative as incisive as this one. Richly illustrated with specially commissioned photographs as well as period plans and drawings, this volume defines Palladio's remarkable career against the backdrop of the dramatic events and personalities of the age, while the buildings are discussed in terms of their importance in art history.
Even as oversized McMansions continue to elbow their way into tiny lots nationwide, a much different trend has taken shape. This return to traditional architectural principles venerates qualities that once were taken for granted in home design: structural common sense, aesthetics of form, appropriateness to a neighborhood, and even sustainability. Marianne Cusato, creator of the award-winning Katrina Cottages, has authored and illustrated this definitive guide to what makes houses look and feel right--to the eye and to the soul. She teaches us the language and grammar of classical architecture, revealing how balance, harmony, and detail all contribute to creating a home that will be loved rather than tolerated. And she takes us through the do’s and don’ts of every element of home design, from dormers to doorways to columns. Integral to the book are its hundreds of elegant line drawings--clearly rendering the varieties of lintels and cornices, arches and eaves, and displaying "avoid” and "use” versions of the same elements side by side.
This massive compendium contains over 2,000 line drawings, and clear, concise definitions for over 5,000 important terms relating to the architectural achievements of a great variety of world cultures, ancient to modern.
Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.
Ispirandosi alla logica che aveva guidato Palladio nel "Secondo" dei suoi "Quattro libri dell'Architettura", in questo volume i curatori hanno voluto la parola scritta ridotta all'essenziale, per lasciare spazio alle oltre 250 fotografie scattate da Pino Guidolotti. Un vero e proprio ritratto dell'opera palladiana allo scadere del secolo, attraverso il quale sono state censite tutte le 66 opere autografe, o presunte tali da una tradizione consolidata.
Andrea Palladio is unquestionably the most important architect in the Western world: his carefully proportioned, pedimented designs are the foundations for most single-family homes and public buildings in the United States and Europe. In 1776, architect and scholar Ottavio Bertotti Scamozzi began documenting and analyzing Palladio's designs, which were published in four volumes as Le fabbriche e i disegni di Andrea Palladio. Gathered together here for the first time in English in a single volume, The Buildings and Designs of Andrea Palladio is the complete works of Palladio, from his well-known villas of the Veneto to his lesser-known engineering structures, such as bridges. Featuring the highest quality printing and binding, this large-format stunner features more than two hundred reproductions and showcases Palladio's designs for villas, churches, and civic buildings, and for the first time, the English translation of Scamozzi's introduction to Palladio's remarkable oeuvre.
