The second volume of one of the best-reviewed series of 2017 continues here when author Mark Russell returns to the celebrated reimagined Hanna-Barbera story of the classic stone age family from Bedrock in THE FLINTSTONES VOL. 2: BEDROCK BEDLAM. With art from Scott Hanna, Rick Leonardi and Steve Pugh, the Flintstones are back for more clever satire and surprisingly relevant tales about Fred, Wilma, Barney and Betty. The Flintstones, the semi-civilized denizens of Bedrock face the peril of an asteroid hurtling toward Earth and a renewed battle against the Lizard People! Plus, the family appliances are terrified of Fred’s new bowling ball, and hipsters move into the neighborhood! Collects THE FLINTSTONES #7-12.
While BedrockÕs new mayor, Clod the Destroyer, goes to war against the Lizard People, Betty and Wilma decide to take a vacation in the country to visit something called a Òfarm.Ó With the women gone, Fred and Barney are left to face the greatest threat of allÉtheir teenagers!
What is this newfangled thing called ÒmarriageÓ and why are so many people willing to sacrifice the traditional sex cave for exclusive partnerships? Fred and Wilma leave Pebbles and Dino with the Rubbles for the weekend and head out to a marriage retreat to find out all they can about this new fad theyÕve bought into.
Skeletor was cut from He-Man in France because he was too scary. Lois from Family Guy has had eight children. Marceline from Adventure Time has a fear of celery. Steven Spielberg thinks Rugrats is one of the best cartoons ever. Homer Simpson's voice is the most popular GPS voice. Tom Cruise was meant to play Captain Planet. Tim Curry was meant to play the Joker in the Batman cartoon but was considered too scary. Spider-Man was banned in Hong Kong. Mickey Mouse has a brother... who is a rabbit. Bugs Bunny got his name by accident. Tom and Jerry has won seven Oscars. Beast was only meant to appear in a few episodes of X-Men. Winnie the Pooh was originally called Edward.
Do you miss the sound of the video arcade? Do you yearn for a time when the fashions of the 1980s return? Do you wish there was a magazine that was all about nostalgia? If so, Popular Retro is exactly what you’ve been looking for; it’s a quarterly periodical designed for people who miss the classic TV shows, pine for the computer games of their youth, and marvel at the curios of days gone by - from flares and drainpipes to BMX bikes. Each issue covers everything from music and films to gaming, popular culture, fashion and much more, with in-depth articles serving up a memorable slice of the things that you still love… even if you’d forgotten about them until now! In this first issue, we review forty years of Sir Clive Sinclair’s ground-breaking ZX81 computer, check out the best Ghostbusters toys (from the 1980s, obviously) and look back at everyone’s favourite helicopter-based TV show, Airwolf. You’ll also find a monster retrospective feature deep-diving into the Philips CD-i console and its games, reviews of some classic horror films (on VHS) and even has a pull-out poster for your bedroom wall in the greatest traditions of the magazines from your childhood. At Popular Retro, old is ALWAYS still fashionable.
A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.
An essential volume from “a master maker” (Richard Howard). “If you will sit with me in the light // of speech, I will sit with you. . . .” Readers who accept that invitation will find themselves in extraordinary company. The Complete Poems of A. R. Ammons, Volume II presents the second half of Archie Randolph Ammons’s long career, including the complete texts of his two book-length poems from that period: Garbage, for which he won his second National Book Award, and Glare, which drew special praise from the Academy of American Poets as it bestowed on him its highest honor, the Wallace Stevens Award. In addition, two appendices offer over one hundred and twenty previously uncollected poems dating from the 1950s to the late 1990s. Among this volume’s many highlights are celebrations of the natural world (such as “Hermit Lark” and “Lofty Calling”), poems of remembrance (as in “Chinaberry” and “Keeping Track”), prayers (“Singling & Doubling Together” and “Autonomy”), and compelling meditations on loss and mortality (such as “Easter Morning” and “In View of the Fact”). As in Volume I, the variety of scale is remarkable, ranging from the massiveness of Glare to the haiku-like brevity of “Pebble’s Story.” The text of each poem has been established after careful consideration of Ammons’s manuscripts and other prepublication materials. Endnotes detail the poems’ composition and publication histories, and also helpfully annotate references made within the poems. Celebrated poetry critic Helen Vendler’s introduction both humanizes Ammons and traces the growth of his outsized stature as a major poet, “unquestionably among the best-loved poets of our time” (David Lehman).
