Choice collection of 9 classic tales tells of magical beasts, frightful giants, wicked witches, and beguiling creatures of the sea. A delight for fairy tale fans of all ages.
With the aid of his magical Horse of Power, a young archer fulfills the increasingly difficult requests of Tsar Ivan and wins the hand of Princess Vasilissa.
In Mercedes Lackey's Firebird, Ilya, son of a Russian prince, is largely ignored by his father and tormented by his larger, older brothers. His only friends are three old people: a priest, a magician, and a woman who toils in the palace dairy. From them Ilya learns faith, a smattering of magic, and the power of love--all of which he will need desperately, for his life is about to be turned upside-down. The prince's magnificent cherry orchard is visited at midnight by the legendary Firebird, whose wings are made of flame. Ilya's brothers' attempts to capture the magical creature fail. When Ilya tries to catch the Firebird, he sees her as a beautiful woman and earns a magical gift: the speech of animals. Banished, the young man journeys through a fantastical Russia full of magical mazes, enchanted creatures, and untold dangers. As happens in the best fairy tales, Ilya falls in love with an enchanted princess, but to win her freedom will be no easy task. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Choice collection of nine classic tales — gathered by British author on his journeys to Russia in the early twentieth century — tells of magical beasts, daring young men, frightful giants, wicked witches, and beguiling creatures of the sea. A delight for fairy tale fans of all ages.
Presented in a brand new translation, this most comprehensive collection of classic Russian tales will enchant readers for their raw beauty and constant ability to surprise and excite. Towards the middle of the nineteenth century, following the example of the Brothers Grimm in Germany, Alexander Afanasyev embarked on the ambitious task of sifting through the huge repository of tales from Russian folklore and selecting the very best from written and oral sources. The result, an eight-volume collection comprising around 600 stories, is one of the most influential and enduringly popular books in Russian literature. This large selection from Afanasyev's work, presented in a new translation by Stephen Pimenoff, will give English readers the opportunity to discover one of the founding texts of the European folkloristic tradition. Displaying a vast array of unforgettable characters, such as the Baba-Yaga, Ivan the Fool, Vasilisa the Fair and the Firebird, these tales--by turns adventurous, comical and downright madcap--will enchant readers for their raw beauty and constant ability to surprise and excite.
Masha's mother sells eggs at market, and Masha loves to paint their smooth shells. One day, deep in the forest, Masha meets the magical Firebird, guardian of the eggs of the four elements: earth, water, air, and fire. The Firebird asks Masha to paint its eggs so that they blend with the elements, hiding them from the vicious witch, Baba Yaga. At first, the plan works well, but Baba Yaga finally gets her hands on the last egg, and Masha sets off on an amazing journey to find it. This original folktale blends elements of the Firebird legend and traditional European folktales in a bilingual English and Russian text, along with suggestions to inspire children to paint their own eggs.
Brave princes, evil witches and beautiful maidens abound as the tales of Koshka, the wise old story-telling cat, unfold. James Mayhew has drawn inspiration from the traditional stories and art style of old Russia to re-tell five enchanting tales in this re-published edition of a children's classic.Stories include: The Tale of the Snowmaiden The Tale of Sadko the Minstrel The Tale of Iven, the Greywolf and the Firebird The Tale of Vassilisa the Fair and Baby Yaga Tsar Saltan and Koshka the Cat'I loved the constant references to stories as inherently magical and powerful, full of rare secrets that you would be justified in sailing "e;beyond thrice-nine realms and over the seven seas"e; in search of. Thankfully, readers and listeners (and lovers of illustration) only need open this magic box to be immediately transported.' Dr Nick Campbell, writer, researcher and bookseller'Every children's book deserves to be lavishly-illustrated, a task taken on by the author himself. It's herd to say which are better, the words or the pictures. But at the end of the day, it hardly matters because they complement each other perfectly in a book that captures the essence of the old-fashioned Noel of traditional story-telling.' The Bay magazine, 2019'It's the energy that shines out in the boldness, the verve, the lack of reticence that says: Look at this beautiful thing! Look again! It's the kind of work that welcomes readers (because in this book, James has written the words too!) as well as spectators. The combination is a real joy. [...] Today's children are lucky to have this version of the stories. And James Mayhew is lucky to have Graffeg realising that we need them as much as we did in 1993.' Adele Geras'Here is a fabulous collection of folk tales from Russia by James Mayhew, written in luminous language and accompanied by equally luminous artwork... Beyond the classroom, I will be recommending it to boys and girls in Year 4 who still love the accessibility of traditional fairy stories but need to develop their reading stamina and confidence with a little more challenge. I am hoping it will provide a gateway to longer novels such as The House with Chicken Legs or Harry Potter.' Books for Topics
The Story Of Babushka colouring book is a companion book that goes alongside the illustrated children's book "The Story Of Babushka" The book comes with over forty-five wonderful line-drawn illustrations ready for children to colour in! Recommended use with colouring pencils, and crayons. Please note this book comes without the written story and is meant to compliment the written story.
Vladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book Morphology of the Folktale-but Morphology is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book The Russian Folktale, which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. The Russian Folktale begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of folklore studies, first in Western Europe and then in Russia and the USSR; and the place of the folktale in the matrix of folk culture and folk oral creativity. The book presents Propp's key insight into the formulaic structure of Russian wonder tales (and less schematically than in Morphology, though in abbreviated form), and it devotes one chapter to each of the main types of Russian folktales: the wonder tale, the "novellistic" or everyday tale, the animal tale, and the cumulative tale. Even Propp's bibliography, included here, gives useful insight into the sources accessible to and used by Soviet scholars in the third quarter of the twentieth century. Propp's scholarly authority and his human warmth both emerge from this well-balanced and carefully structured series of lectures. An accessible introduction to the Russian folktale, it will serve readers interested in folklore and fairy-tale studies in addition to Russian history and cultural studies.