Examines the migration of Filipinos into the United States, particularly in and around Los Angeles, where the early part of the twentieth century saw these newcomers filling important service-oriented industries, and now find Filipinos contributing to all aspects of life and culture in the area. Original.
The first Filipino settlers arrived in Stockton, California, around 1898, and through most of the 20th century, this city was home to the largest community of Filipinos outside the Philippines. Because countless Filipinos worked in, passed through, and settled here, it became the crossroads of Filipino America. Yet immigrants were greeted with signs that read "Positively No Filipinos Allowed" and were segregated to a four-block area centered on Lafayette and El Dorado Streets, which they called "Little Manila." In the 1970s, redevelopment and the Crosstown Freeway decimated the Little Manila neighborhood. Despite these barriers, Filipino Americans have created a vibrant ethnic community and a rich cultural legacy. Filipino immigrants and their descendants have shaped the history, culture, and economy of the San Joaquin Delta area.
Tens of thousands of Filipinos who have lived, worked, and raised families for over five generations in this unique city stake their rightful claim to more than a century of shared history in San Francisco. The photographs herein attest to the early arrivals, who came as merchant mariners, businesspeople, scholars, and musicians, as well as agricultural and domestic workers. But their story has often been ignored, told incompletely by others, and edited too selectively by many. The Filipino American experience both epitomizes and defies the traditional immigrant storyline, and these pictures honestly and respectfully document the fruits of their labors, the products of their perseverance, and, at times, their resistance to social exclusion and economic suppression.
Filipinos have been a part of the history of the United States and San Diego for over 400 years. The Manila-Acapulco galleon trade ships included Filipinos on sailing expeditions to California, including the port of San Diego. After the Philippines became a territory of the United States in 1898, many Filipinos began immigrating to San Diego. The community grew rapidly, particularly in the 1920s and 1930s. After World War II, Filipino veterans returned with their war brides and the community began to build further. The Immigration Act of 1965 increased Filipino immigration into San Diego to include military personnel, especially those enlisted in the U.S. Navy, as well as professionals. Today Filipino Americans are the largest Asian American ethnic group in San Diego.
This “ groundbreaking book . . . is essential reading not only for the Filipino diaspora but for anyone who cares about the mysteries of racial identity” (Jose Antonio Vargas, Pulitzer Prize–winning journalist). Is race only about the color of your skin? In The Latinos of Asia, Anthony Christian Ocampo shows that what “color” you are depends largely on your social context. Filipino Americans, for example, helped establish the Asian American movement and are classified by the US Census as Asian. But the legacy of Spanish colonialism in the Philippines means that they share many cultural characteristics with Latinos, such as last names, religion, and language. Thus, Filipinos’ “color” —their sense of connection with other racial groups—changes depending on their social context. The Filipino story demonstrates how immigration is changing the way people negotiate race, particularly in cities like Los Angeles where Latinos and Asians now constitute a collective majority. Amplifying their voices, Ocampo illustrates how second-generation Filipino Americans’ racial identities change depending on the communities they grow up in, the schools they attend, and the people they befriend. Ultimately, The Latinos of Asia offers a window into both the racial consciousness of everyday people and the changing racial landscape of American society.
Filipinos came to Vallejo as early as 1912, and some families here can count five generations back to their roots in the Philippines. Many came to Mare Island Naval Shipyard, where Filipinos found steady, well-paying jobs that spared them from menial work and stoop labor in the fields of California. With each major conflict of the 20th century, and finally with the relaxation of immigration quotas in 1965, waves of Filipino newcomers arrived on these shores. They advanced in their work at the shipyards, settled down, and started families, buying homes and establishing successful businesses. Now this active, politically empowered Filipino community numbers in the tens of thousands, yet traditional histories ignore its contribution to Vallejos heritage.
This book, written by historian Dawn Bohulano Mabalon with writer Gayle Romasanta, richly illustrated by Andre Sibayan, tells the story of Larry Itliong's lifelong fight for a farmworkers union, and the birth of one of the most significant American social movements of all time, the farmworker's struggle, and its most enduring union, the United Farm Workers.
One of Carson's most distinct features is its diversity. The city is roughly one-quarter each Hispanic, African American, white, and Asian/ Pacific Islander. This last group's vast majority are Filipinos who settled as early as the 1920s as farmworkers, U.S. military recruits, entrepreneurs, medical professionals, and other laborers, filling the economic needs of the Los Angeles region. This vibrant community hosts fiestas like the Festival of Philippine Arts and Culture and has produced local community heroes, including "Uncle Roy" Morales and "Auntie Helen" Summers Brown. Filipino students of the 1970s organized to gain college admissions, establish ethnic studies, and foster civic leadership, while Filipino businesses have flourished in Carson, San Pedro, Wilmington, Long Beach, and the surrounding communities. Carson is recognized nationally as a Filipino American destination for families and businesses, very much connected to the island homeland.
Filipino Americans, who experience life in the United States as immigrants, colonized nationals, and racial minorities, have been little studied, though they are one of our largest immigrant groups. Based on her in-depth interviews with more than one hundred Filipinos in San Diego, California, Yen Le Espiritu investigates how Filipino women and men are transformed through the experience of migration, and how they in turn remake the social world around them. Her sensitive analysis reveals that Filipino Americans confront U.S. domestic racism and global power structures by living transnational lives that are shaped as much by literal and symbolic ties to the Philippines as they are by social, economic, and political realities in the United States. Espiritu deftly weaves vivid first-person narratives with larger social and historical contexts as she discovers the meaning of home, community, gender, and intergenerational relations among Filipinos. Among other topics, she explores the ways that female sexuality is defined in contradistinction to American mores and shows how this process becomes a way of opposing racial subjugation in this country. She also examines how Filipinos have integrated themselves into the American workplace and looks closely at the effects of colonialism.
The memoirs of Filipinos in Hollywood span more than 80 years, dating back to the early 1920s when the first wave of immigrants, who were mostly males, arrived and settled in Los Angeles. Despite the obstacles and hardships of discrimination, these early Filipino settlers had high hopes and dreams for the future. Many sought employment in Hollywood, only to be marginalized into service-related fields, becoming waiters, busboys, dishwashers, cooks, houseboys, janitors, and chauffeurs. They worked at popular restaurants, homes of the rich and famous, movie and television studios, clubs, and diners. For decades, Filipinos were the least recognized and least documented Asians in Hollywood. But many emerged from the shadows to become highly recognized talents, some occupying positions in the entertainment industry that makes Hollywood what it is today--the world's capital of entertainment and glamour.