In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.
A provocative history of Ulysses and the Easter Rising as harbingers of decolonization. When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
Philosophical Allusions in James Joyce's Finnegans Wake is the first study to offer complete and comprehensive explanations of the most significant philosophical references in James Joyce's avant-garde masterpiece. Philosophy is important in all of Joyce's works, but it is his final novel which most fully engages with that field. Robert Baines shows the broad range of philosophers Joyce wove into his last work, from Aristotle to Confucius, Bergson to Kant. For each major philosophical allusion in Finnegans Wake, this book explains the original idea and reveals how Joyce first encountered it. Drawing upon extensive research into Joyce's notebooks and drafts, Baines then shows how Joyce developed and adapted that idea through repeated revisions. From here, the final form of the idea as it appears in the Wake is explored. In carefully examining the Wake's key philosophical allusions, essential themes within the novel come into focus, including history, time, language, being, and perception. We see also how those allusions combine to create a network of ideas, thinkers, and texts which has a logic and an integrity. Ultimately, Philosophical Allusions in James Joyce's Finnegans Wake shows that the more one knows of the Wake's philosophical allusions, the more one can find meaning and reason in this famously perplexing book of the night.
In his denial that language refers to anything but itself and in his undoing representation, Joyce anticipates contemporary developments in the history of critical theory. Contrary to modern criticism, Joyce does not abandon representation, the idea that language affords access to reality.
New Perspectives on James Joyce Ignatius Loyola, make haste to help me! gathers a selection of papers delivered at the 20th Conference of the James Joyce Spanish Society. The book includes studies on relevant issues still raised by Joyce’s work, such as Joyce’s handling of time and memory, Joyce and the Jesuits, Joyce and literary connections, Joyce in translation, new eco-critical readings of Joyce’s work, Joyce in the light of textual linguistics or how to render Joyce more accessible.
The Collected Works of Wyndham Lewis brings together for the first time all of the published writings of Wyndham Lewis (1882-1957), a major contributor to literary modernism and one of the most important British painters of the first half of the twentieth century. This is the first comprehensive edition of Time and Western Man, with explanatory notes, previously unpublished drafts, a history of composition, and an account of its critical reception. Originally published in 1927, Time and Western Man is one of Lewis's most important books, and a pioneering work of cultural criticism. It contains scathing criticism of his fellow modernist writers, Ezra Pound, James Joyce, and Gertrude Stein. The second part of the book analyses and attacks the philosophy of 'Time', focusing especially on Henri Bergson, A. N. Whitehead, Samuel Alexander, and Oswald Spengler. Many of Lewis's most penetrating arguments are in the drafts that are printed in this edition for the first time.
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile