DIVA high schooler suspects that a tragic roller coaster crash wasn’t an accident/div DIVIf it weren’t for the Boardwalk, the small town of Santa Luisa might disappear altogether. The amusement park employs half the town’s workers, pulls in tourists, and gives teenagers like Tess Landers someplace to hang out on the weekends. Tess is eating a hot dog when the Boardwalk’s roller coaster—the Devil’s Elbow—jumps the track, hangs for a moment in the air, and then plummets to the ground. One of Tess’s classmates is dead on impact, two are forever maimed, and over twenty others are taken to the hospital. It’s the worst tragedy Santa Luisa has ever seen, but it’s only the beginning./divDIV /divDIVAs people rush to help, Tess spies a black-suited figure running away from the crowd. The crash was no accident. Five more teens will suffer before the killer is through, and Tess may be about to put herself on the list of victims./divDIV /divDIVThis ebook features an illustrated biography of Diane Hoh including rare photos and never-before-seen documents from the author’s personal collection./div
Celebrate feelings in all their shapes and sizes in this New York Times bestselling picture book from the Growing Hearts series! Happiness, sadness, bravery, anger, shyness . . . our hearts can feel so many feelings! Some make us feel as light as a balloon, others as heavy as an elephant. In My Heart explores a full range of emotions, describing how they feel physically, inside, with language that is lyrical but also direct to empower readers to practice articulating and identifying their own emotions. With whimsical illustrations and an irresistible die-cut heart that extends through each spread, this gorgeously packaged and unique feelings book is sure to become a storytime favorite.
The Fun House by Tom Bissinger is a rollicking tale of coming of age in the sixties and seventies. Based on the childhood thrills he experiences at the fun house at Playland in San Francisco, Tom comes to understand that making fun houses and exploring those of others would become the defining quest of his life. He's brought up in privilege, and like his father who had at one time performed on Broadway, Tom's drawn to the theater. After boarding school and his immersion into a repertory theater company while attending Stanford, he lives in Paris then enlists in the army then moves to New York, and we are at the birth of the sixties, erupting like a bombshell, and Tom is there to celebrate and be open to the Golden Age of New York theater while simultaneously weaving the momentous events of that era into his story: assassinations, civil rights marches, and the Vietnam War. Sexual experimentation and drugs follow Tom as he ricochets through love affairs, directs plays, and marches in Selma. He moves to Philadelphia in 1969 to become the artistic director of the Theatre of Living Arts. In 1970, Tom abandons the legitimate theater and reinvents himself on Philly's South Street. Tom paints emotionally vivid portraits of neighborhood characters who hang out in Tom's new fun house: eccentric old-timers, newly minted hippies, artists, dopers, and a murderer. In 1977, Tom, his wife, Kristen, and their two-year-old travel for nine months as nomads: they live with Samoan families, spend two months on a fifty-foot trimaran in Fiji, live at Papunya Aborigine settlement in Australia, fall into a drug smuggler's den in Bali, and end up in an ashram in Sri Lanka before returning home as the book ends.
In the tradition of such great Latin American magic realists as Jorge Amada, Sergio Kokis recreates the magic world of a child in Brazil. The novel is told from the point of view of a Brazilian painter in exile somewhere in the northern climes - man who longs for the warmth and vibrancy of his childhood. But his childhood and adolescence were not easy. Torn between a deeply religious (and superstitious) mother and his father, a man of science and reason, the young man survives his home life, life at boarding school, and life abroad to become an artist and a person in his own right. Funhouse (Le pavillon des miroirs in French) has won four major literary awards in Quebec: Grand Prix du livre de MontrÈal, Prix de L’AcadÈmie des lettres du QuÈbec, Prix QuÈbec-Paris, and Prix Desjardins.
"Satisfying fare for fans of romantic and family dramas." - Kirkus Reviews Sixteen-year-old Paige Williams can't stop self-sabotaging. Not when her dad gets sick, not when her relationship implodes, not even when her parents send her to another-freaking-state for the summer to live with her sister. Paige just wants to have fun, spray paint a few walls, and block out everything stressful, including her growing concern that she might be sick as well. To make things worse, her parents threaten her with boarding school in the fall if she can't prove she's changed her bad habits. Paige's parents sign her up for a rebuilding project in Texas where her sister lives. Meanwhile, Paige reluctantly befriends her sister's straight-laced teenage neighbor, Joey, who is a frequent guest. He's so different from her, but Paige realizes that may not be a bad thing, especially since being around Joey curbs her urge to vandalize and ignore the rules. He even makes her forget about the debilitating stomach cramps she struggles to hide. Just as Paige begins to feel settled in Texas, her dad's worsening Crohn's disease brings her home to Seattle. When her own health fails her, she has the choice of staying at home and receiving care. Or, she could go back to Texas and prove for once and for all that she's more than her mistakes and more than a disease. Torn between two worlds and two versions of herself, Paige must decide where, and with whom, she truly feels at home.
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
The hilarious #1 New York Times bestselling classic about a chimpanzee in a very bad mood—is perfect for young children learning how to deal with confusing feelings. This board book version with sturdy pages is just right for the littlest readers to play with again and again! Jim the chimpanzee is in a terrible mood for no good reason. His friends can't understand it--how can he be in a bad mood when it's SUCH a beautiful day? They have lots of suggestions for how to make him feel better. But Jim can't take all the advice...and has a BIT of a meltdown. Could it be that he just needs a day to feel grumpy? Suzanne and Max Lang bring hilarity and levity to this very important lesson on emotional literacy, demonstrating to kids that they are allowed to feel their feelings. Grumpy Monkey is the first title in a series of books targeted at different ages that encourage kids to feel their feelings.