The White Feathered Octopus (Tetragrammatron Press, 2012). This book talks about the gritty hard realties of growing up a blinded street beggar in Cairo, 1937, as if a mutant midwifed counterclockwise to the distant Jauntpads of Rocketcityutopia. It is a science fiction novel, written from one giant cryptographic anagram of Herman Melville's Moby DIck. Not for the faint of heart! Read it if you dare. An erotic sexperiment in Philikdicking ones own mind back from the brink of madness and disability a biography of lowdown heights, back alley knife fights, and cold uptown delights, the whole while you have the sinking feeling that this all might not actually be happening, as if you are a chess piece on a scrabble board. In other words, prepared to have your MindPenis Blown! Can you Get to That?
Doc Savage is the prototype of the modern fictional superhero. The character exploded onto the scene in 1933, with the Great Depression and the gathering clouds of war as a cultural backdrop. The adventure series is examined in relation to historical events and the changing tastes of readers, with special attention paid to the horror and science fiction elements. The artwork features illustrations, covers, and original art. Chapters cover Doc Savage paperbacks, pulp magazines, comic books, and fanzines, and an appendix offers biographies of all major contributors to the series.
The monstrous financial manipulator High Lar, his wife Lo Lar and their gang execute a dangerous plot to gain control of all of the world’s airlines. Knowing that Doc Savage may try to foil their plans, they lure him into a trap with a bogus appeal to his humanity before he can get wind of their evil scheme.
A pictorial history of the Doc Savage pulp magazines published between 1933 and 1949. The book also includes all Bantam paperback reprint covers, plus miscellaneous comic book art and other related material. An introduction by pulp historian Will Murray and cover art by Joe DeVito round out the collection.
In Saints of Feather and Fang, writer and lifelong animal lover Caryn Rivadeneira explores the ways that animals--from the pets in our homes to the mysterious creatures of the deep--serve as spiritual guides for our hearts, minds, and souls. Rivadeneira offers whimsical and theological reflections on delight, instinct, adaptation, fear, and awe.
Kipp Kindle, Tobias Treachery and Cymphany Chan live in Huggabie Falls, the weirdest town on Earth, so weirdness is pretty normal for them. But when unbelievably scary things start to happen, even Kipp, Tobias and Cymphany have trouble believing what’s going on. Why is everyone running away from their worst fears and where did those fears suddenly appear from? How can a dinosaur that doesn’t even exist be about to chomp Cymphany in two? And is the evil Felonious Dark reformed like he says he is, or is he the one behind the unbelievably scary happenings? With all the madcap humour and breakneck adventure of The Extremely Weird Thing that Happened in Huggabie Falls, this hilarious sequel will have young readers laughing out loud and asking for more. Adam Cece lives in Adelaide. His first book, Wesley Booth Super Sleuth, was published in 2015. In 2017, Adam won the Text Prize for Young Adult and Children’s Writing for The Extremely Weird Thing that Happened in Huggabie Falls. The Unbelievably Scary Thing that Happened in Huggabie Falls is the second book in the Huggabie Falls trilogy. ‘Wonderfully weird and lots of fun.’ Andy Griffiths, on The Extremely Weird Thing that Happened in Huggabie Falls ‘The Extremely Weird Thing that Happened in Huggabie Falls won the 2017 Text Prize, and it’s easy to see why: it’s a funny read, full of hijinks and adventure. Most of the humour comes from the narrator’s many deviations and asides that are reminiscent of authors such as Lemony Snicket or Pseudonymous Bosch.’ Books+Publishing ‘Cartoon-style illustrations by Andrew Weldon and frequent interpolations from the excitable author all add to the appeal of an inventive, engagingly offbeat tale.’ Adelaide Advertiser
Award-winning author and illustrator Duncan Tonatiuh brings an ancient Mesoamerican creation myth to life Long ago, the gods of Mesoamerica set out to create humans. They tried many times during each sun, or age. When all their attempts failed and the gods grew tired, only one did not give up: Quetzalcóatl—the Feathered Serpent. To continue, he first had to retrieve the sacred bones of creation guarded by Mictlantecuhtli, lord of the underworld. Gathering his staff, shield, cloak, and shell ornament for good luck, Feathered Serpent embarked on the dangerous quest to create humankind. Award-winning author and illustrator Duncan Tonatiuh brings to life the story of Feathered Serpent, one of the most important deities in ancient Mesoamerica. With his instantly recognizable, acclaimed art style and grand storytelling, Tonatiuh recounts a thrilling creation tale of epic proportions.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
William Temple Hornaday was the Director of the New York Zoological Society and the nation's leading advocate of wildlife conservation in this era. This unsparing manifesto was written to accompany Hornaday's launching of the Permanent Wildlife Protection Fund; it is thus (in the words of the historian Stephen Fox) both "a campaign tract" and "one of the first books wholly devoted to endangered wild animals" (John Muir and His Legacy: The American Conservation Movement [Boston: Little, Brown and Company, 1981], p. 149). It is also a landmark of conservation history which had a profound effect on the thought of Aldo Leopold, among others. The book surveys the history and causes of wildlife destruction in America and elsewhere, and sets forth a lengthy program to ensure the protection of remaining wildlife for the future, often in militant and moralistic terms. The work also throws light on some of the complexities inherent in the conservation movement at this time: for example, Hornaday accepts the classification of certain bird and mammalian predators as "noxious" or "vermin" and appropriate for destruction (pp. 77-81); there is no criticism here of the massive campaign for the extermination of wolves and coyotes being sponsored at the time by the Bureau of Biological Survey. On a more general level, Hornaday's fulminations against Italian immigrants as incorrigible bird-killers suggest a connection between nativism and conservationism, while his excoriations of market hunters set forth a deeply-rooted class bias shared by many leading conservationists.
