The Fear of Looking or Scopophilic — Exhibitionistic Conflicts

The Fear of Looking or Scopophilic — Exhibitionistic Conflicts

Author: David W. Allen

Publisher: Butterworth-Heinemann

Published: 2016-07-29

Total Pages: 147

ISBN-13: 1483193357

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The Fear of Looking or Scopophilic–Exhibitionistic Conflicts presents the importance of socophilic–exhibitionistic or look–show factors in neuroses, in the treatment situation, and in everyday life. This book examines some of the implications of scopophilic–exhibitionistic cathexes for creativity. Organized into six chapters, this book begins with an overview of the emotional impact made through scopophilic–exhibitionistic modalities. This text then explains that the social, fighting, and mating rituals of many species involve looking and showing. Other chapters consider the typical connection between the screen function of a memory or remembered fantasy and the screen function of compulsive scopophilic–exhibitionistic reenactment in reducing current anxiety. This book discusses as well the partial instincts of scopophilia and exhibitionism that are present in everyone. The final chapter deals with the concept of psychic masochism that predominates in scopophilic–exhibitionistic suffering. This book is a valuable resource for psychiatrists, psychoanalysts, and behavioral scientists.


Downcast Eyes

Downcast Eyes

Author: Martin Jay

Publisher: Univ of California Press

Published: 1993

Total Pages: 652

ISBN-13: 9780520088856

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Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.


Crime Fiction and National Identities in the Global Age

Crime Fiction and National Identities in the Global Age

Author: Julie H. Kim

Publisher: McFarland

Published: 2020-05-25

Total Pages: 270

ISBN-13: 1476677158

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To read a crime novel today largely simulates the exercise of reading newspapers or watching the news. The speed and frequency with which today's bestselling works of crime fiction are produced allow them to mirror and dissect nearly contemporaneous socio-political events and conflicts. This collection examines this phenomenon and offers original, critical, essays on how national identity appears in international crime fiction in the age of populism and globalization. These essays address topics such as the array of competing nationalisms in Europe; Indian secularism versus Hindu communalism; the populist rhetoric tinged with misogyny or homophobia in the United States; racial, religious or ethnic others who are sidelined in political appeals to dominant native voices; and the increasing economic chasm between a rich and poor. More broadly, these essays inquire into themes such as how national identity and various conceptions of masculinity are woven together, how dominant native cultures interact with migrant and colonized cultures to explore insider/outsider paradigms and identity politics, and how generic and cultural boundaries are repeatedly crossed in postcolonial detective fiction.


Naked Exhibitionism

Naked Exhibitionism

Author: Claire Nally

Publisher: Bloomsbury Publishing

Published: 2013-03-19

Total Pages: 213

ISBN-13: 0857737953

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What does it mean to be naked in public? Approaching this question from across the disciplines, this book examines the evolution of female exhibitionism from criminal taboo to prime-time entertainment. Taking an interdisciplinary approach which brings together all fields of popular culture, including literature, media, film and linguistics, Claire Nally and Angela Smith offer an examination of gendered exhibitionism from the mid-twentieth century to the present day. They ask whether bodily exposure provides the liberation it professes to or restricts our most secret selves to the sanitised realm of socially-sanctioned gender roles. From the art of burlesque as a riotous kingdom of the imagination to reality TV which helps women to unearth their 'true' and buried feminine selves, Nally and Smith explore how the critical history and theory of exhibitionism intersects with the wider movement towards gender equality. Examining effects of second-wave feminism to problematise the naked female form, female and gender-transgressive performers from Bette Davis to Dita von Teese are placed in their cultural context. In order to demonstrate that female exhibitionism reamins at the heart of popular culture, this book also examines the works of Peter Ackroyd and the controversial playwright Sarah Kane, uncovering the contradictions behind evolving representations of public exposure. Within a post-feminist framework, the cultural constructions behind the repackaging of female exhibitionism are explored and the prominence of bodily exposure in popular culture examined, along with the implications of those artists who perform gender as a public masquerade. Finally, hit TV shows 'Ladette to Lady' and 'How to Look Good Naked' are interrogated to expose the buried contradictions behind this public unveiling: are women seizing control of their own identity, or is this revelation an illusion? Innovative, unflinching and pertinent, 'Naked Exhibitionism' explores naked bodies in the public gaze and critically reformulates the feminist and cultural debate around the performance of gender.


Subjects on Display

Subjects on Display

Author: Beth Newman

Publisher: Ohio University Press

Published: 2004

Total Pages: 209

ISBN-13: 0821415484

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Through a consideration of fiction by Charlotte Brontë, Charles Dickens, George Eliot, and Henry James, Newman shifts the inquiry toward the observed in the experience of being seen. In the process she reopens the question of the gaze and its relation to subjectivity."--Jacket.


Charlotte Brontë's Jane Eyre

Charlotte Brontë's Jane Eyre

Author: Elsie Browning Michie

Publisher: Oxford University Press, USA

Published: 2006

Total Pages: 222

ISBN-13: 0195177789

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Divided into three sections, this work explores a range of interpretive strategies applied to readings of "Jane Eyre". The last section includes essays that frame the historical and social contexts out of which "Jane Eyre" arose, and investigate the critical reception and afterlife of the text." - publisher.


The Paraphilias

The Paraphilias

Author: J. Paul Fedoroff

Publisher: Oxford University Press

Published: 2019-10-21

Total Pages: 313

ISBN-13: 0190466332

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Of the thousands of papers and books about problematic sexual behaviors, most focus solely on sex crimes or so-called "hyper-sexuality" or "sexual addiction." Together, these publications present a grim and pessimistic prognosis for anyone who has unusual sexual interests of any type. This book challenges that view by providing a more informed and balanced review of what is known and what is not known about unconventional sexual interests. It is based on approximately thirty years of experience by the author concerning the assessment and treatment of paraphilias and unconventional sexual interests. The Paraphilias: Changing Suits in the Evolution of Sexual Interest Paradigms examines current and past perspectives concerning unconventional sexual interests associated with both criminal and non-criminal activities. Extensively referenced, it challenges the dogma that sexual interests are immutably determined during a single critical period and are thereafter unchangeable. The book provides extensive case histories and tables summarizing over 100 paraphilias and the latest research regarding them. It also reviews diagnostic criteria for the paraphilias. Analyses of current and past paradigms are presented together with new ways to understand, investigate, and provide meaningful and effective assistance to people with paraphilias. It is written for mental health clinicians and specialists in the fields of sexology and forensic psychiatry and psychology.


Disappearing Persons

Disappearing Persons

Author: Benjamin Kilborne

Publisher: SUNY Press

Published: 2002-01-01

Total Pages: 218

ISBN-13: 9780791451991

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In Disappearing Persons, psychoanalyst Benjamin Kilborne looks at how we control appearance as an attempt to manage or take charge of our feelings. Arguing that the psychology of appearance has not been adequately explored, Kilborne deftly weaves together examples from literature and his own clinical practice to establish shame and appearance as central fears in both literature and life, and describes how shame about appearance can generate not only the wish to disappear but also the fear of disappearing. A hybrid of applied literature and psychoanalysis, Disappearing Persons helps us to understand the roots of the psychocultural crisis confronting our increasingly appearance-oriented, shame-driven society.