The Faust Draft Notebook

The Faust Draft Notebook

Author: Percy Bysshe Shelley

Publisher: Taylor & Francis

Published: 1997

Total Pages: 522

ISBN-13: 9780815311546

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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.


The 'Faust' Draft Notebook: A Facsimile of Bodleian MS. Shelley Adds. E. 18 . . ., Ed. Nora Crook and Timothy Webb

The 'Faust' Draft Notebook: A Facsimile of Bodleian MS. Shelley Adds. E. 18 . . ., Ed. Nora Crook and Timothy Webb

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"The 'Faust' Draft Notebook: A Facsimile of Bodleian MS. Shelley adds. e. 18 . . ., ed. Nora Crook and Timothy Webb" is a review that was written by Michael O'Neill and was originally published in the February 1999 issue of "Romanticism on the Net," an online journal. O'Neill reviews the book entitled ""The 'Faust' Draft Notebook: A Facsimile of Bodleian MS. Shelley adds. e. 18 . . ." (ISBN: 0-81531-154-0), which was edited by Nora Crook and Timothy Web and was originally published in 1997 in New York City and London, England, by Garland. This book reviewed by O'Neill forms part of a series about the manuscripts of the English poet Percy Bysshe Shelley (1792-1822) that are housed at the Bodleian Library in Oxford, England. Michael Eberle-Sinatra provides the full text of the review online.


The Faust Draft Notebook

The Faust Draft Notebook

Author: Percy Bysshe Shelley

Publisher: Taylor & Francis

Published: 2022-05-30

Total Pages: 424

ISBN-13: 1317730194

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First published in 1997. This is noted as Volume XIX of the Bodleian Shelley Manuscripts and included drafts of 'Scences from the Faust of Goethe', 'Ginevra', 'Scenes for the Magico Prodigioso of Calderon' and more. This volume also includes commentaries and annotations combining wide-range scholarship, encompassing a large portion of the best that has been known and thought about Shelley and his writing from his day to ours, with speculations and re-evaluations of the accepted truths of Shelley studies.


The Theatre of Shelley

The Theatre of Shelley

Author: Jacqueline Mulhallen

Publisher: Open Book Publishers

Published: 2010

Total Pages: 310

ISBN-13: 1906924309

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Based on the author's thesis (Ph.D., Anglia Ruskin University).


The Unfamiliar Shelley

The Unfamiliar Shelley

Author: Timothy Webb

Publisher: Routledge

Published: 2016-12-05

Total Pages: 419

ISBN-13: 1351880780

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Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.


The Languages of Performance in British Romanticism

The Languages of Performance in British Romanticism

Author: Lilla Maria Crisafulli

Publisher: Peter Lang

Published: 2008

Total Pages: 362

ISBN-13: 9783039110971

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This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.


The Complete Poetry of Percy Bysshe Shelley

The Complete Poetry of Percy Bysshe Shelley

Author: Percy Bysshe Shelley

Publisher: JHU Press

Published: 2021-05-04

Total Pages: 1009

ISBN-13: 1421437848

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This new volume of JHU Press's landmark Shelley edition contains posthumous poems edited from original manuscripts. "The world will surely one day feel what it has lost," wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa during the winter of 1822–23, she painstakingly transcribed poetry "interlined and broken into fragments, so that the sense could only be deciphered and joined by guesses." Blasphemy and sedition laws prevented her from including her husband's most outspoken radical works, but the resulting volume, Posthumous Poems of Percy Bysshe Shelley (1824), was a magnificent display of Shelley's versatility and craftsmanship between 1816 and 1822. Few such volumes have made more difference to an author's reputation. The seventh volume of the acclaimed Complete Poetry of Percy Bysshe Shelley extracts from Posthumous Poems those original poems and fragments Mary Shelley edited. The collection opens with Shelley's enigmatic dream vision The Triumph of Life, the last major poem he began—and, in the opinion of T. S. Eliot, the finest thing he ever wrote. There follow some of the most famous and beautiful of Shelley's short lyrics, narrative fragments, two unfinished plays, and other previously unreleased pieces. Upholding the standards of accuracy and comprehensiveness set by previous volumes, every item in Volume 7 has been newly edited from the original manuscripts, in some cases superseding texts that have stood since 1870. Extensive appendixes contain Mary Shelley's preface to Posthumous Poems, Shelley's source for "Ginevra," and preparatory material for his play Charles the First. Wide-ranging discussions of the poems' composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. The editorial overview and commentaries offer insights into Mary Shelley's editorial strategies while proposing surprising new contexts and redatings. Volumes 4 to 6 are in preparation.


Shelley's 1821-1822 Huntington Notebook

Shelley's 1821-1822 Huntington Notebook

Author: Percy Bysshe Shelley

Publisher: Taylor & Francis

Published: 1996

Total Pages: 424

ISBN-13: 9780815311508

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Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.


The Shelley-Byron Circle and the Idea of Europe

The Shelley-Byron Circle and the Idea of Europe

Author: P. Stock

Publisher: Springer

Published: 2010-04-12

Total Pages: 264

ISBN-13: 0230106307

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This book investigates how Lord Byron, Percy Shelley, and their circle understood the idea of Europe. What geographical, cultural, and ideological concepts did they associate with the term? What does this tell us about politics and identity in early nineteenth-century Britain? In addressing these questions, Paul Stock challenges prevailing nationalist interpretations of Romanticism, but without falling prey to imprecise alternative notions of cosmopolitanism or "world citizenship." Instead, his book accounts for both the transnational and the local in Romantic writing, reassessing the period in terms of more complex, multi-layered identity politics.


Shelley and the Romantic Imagination

Shelley and the Romantic Imagination

Author: Thomas R. Frosch

Publisher: University of Delaware Press

Published: 2007

Total Pages: 368

ISBN-13: 9780874139785

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"Frosch offers a fuller psychoanalytic account of Shelley's poetry than previously available, discussing both oedipal and pre-oedipal conflict, the positive and negative attitudes toward both the father and the mother, and the subtle workings, defensive and creative, of the ego."--Jacket.