When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).
The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Over ten days in 1943 Berlin, six teenagers witness and try to escape the Nazi round-ups. This young adult thriller is based on real events and inspired by hidden stories of Nazi genocide. Giving voice to the unheard victims of Nazism — the Roma, the disabled, intermarried Jews, homosexuals, political enemies of the regime — this thriller will change how we think about Holocaust history. Suitable for age 13 and up, TRAIN is an edge-of-your-seat page-turner that will inspire and surprise students and adults alike. "A stunning achievement... From the start, TRAIN's historically grounded depiction of Hitler's young victims creates unrelenting compassion and suspense."— Dr. Phyllis Lassner, Holocaust scholar "TRAIN not only fills a gap in Holocaust literature; it is also powerful, moving, and hard to put down."— Alexis Storch, The Center for Holocaust and Humanity Education "TRAIN will change the way we think about Holocaust history."— Ellen Rago, Social Studies Teacher "TRAIN is an essential read for Holocaust and Genocide educators, students, and anyone who believes in the profound power of brilliant storytelling, the resilience of the human spirit, and the need to shed light on and bring a voice to the often shadowed narratives of the Holocaust."— Kelley Szany, Illinois Holocaust Museum & Education Center Marko screwed up. But he's good at swallowing his fear. By now, the 17-year-old 'Gypsy' should be far from Nazi Germany. By now, he should be with Alex. That's how they planned it. But while Marko has managed to escape the Gestapo, Alex has been arrested in the final round-ups of Berlin's Jews. Even worse, Marko's little cousin Kizzy is missing. And Marko knows he's to blame. Yet the tides of war are turning. With hundreds of Christian women gathered in the streets to protest the round-ups, the Nazis have suspended the trains to the camps. But for how long? Marko must act now. Against time, and with British warplanes bombing Berlin, Marko hatches a dangerous plan to rescue Alex and find Kizzy. There are three people who can help: Marko's sister with her connections to the Resistance, Alex's Catholic stepsister, and a mysterious Nazi girl with a deadly secret. But will Marko own up to how Kizzy disappeared? And then there's the truth about Alex — they just wouldn't understand.
The main objective of the book is to allocate the grass roots initiatives of remembering the Holocaust victims in a particular region of Russia which has a very diverse ethnic structure and little presence of Jews at the same time. It aims to find out how such individual initiatives correspond to the official Russian hero-orientated concept of remembering the Second World war with almost no attention to the memory of war victims, including Holocaust victims. North Caucasus became the last address of thousands of Soviet Jews, both evacuees and locals. While there was almost no attention paid to the Holocaust victims in the official Soviet propaganda in the postwar period, local activists and historians together with the members of Jewish communities preserved Holocaust memory by installing small obelisks at the killing sites, writing novels and making documentaries, teaching about the Holocaust at schools and making small thematic exhibitions in the local and school museums. Individual types of grass roots activities in the region on remembering Holocaust victims are analyzed in each chapter of the book.
Planet Auschwitz explores how the Holocaust has influenced science fiction and horror film and television. These genres explore important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II.
Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.
Over the last decades, studies on cultural memory have taken a »spectral turn« and have explored the potential of haunting metaphors for addressing past instances of violence that affect present cultural realities. This book contributes to the discussions on haunting by enquiring into its culturally and historically located modality: the emergence of the figure of the Jewish ghost in contemporary Polish popular culture, literature and critical art. Gathering contributions from an interdisciplinary group of scholars, it locates this new interest in Jewish ghosts on the map of other Polish (and Jewish) ghostologies and seeks to explore their cultural and political functions in the Polish post-Holocaust imaginaire.
This is the first book in any language on the films of Konrad Wolf (1925-1982), East Germany's greatest filmmaker, and puts Wolf in a larger European filmic and historical context.
One of the great intellectual achievements of the 20th century, Joseph Campbell's The Hero with a Thousand Faces is an elaborate articulation of the monomyth: the narrative pattern underlying countless stories from the most ancient myths and legends to the films and television series of today. The monomyth's fundamental storyline, in Campbell's words, sees "the hero venture forth from the world of the common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons to his fellow man." Campbell asserted that the hero is each of us--thus the monomyth's endurance as a compelling plot structure. This study examines the monomyth in the context of Campbell's The Hero and discusses the use of this versatile narrative in 26 films and two television shows produced between 1960 and 2009, including the initial Star Wars trilogy (1977-1983), The Time Machine (1960), Logan's Run (1976), Escape from New York (1981), Tron (1982), The Terminator (1984), The Matrix (1999), the first 11 Star Trek films (1979-2009), and the Sci Fi Channel's miniseries Frank Herbert's Dune (2000) and Frank Herbert's Children of Dune (2003).
