Always feminine, often erotic, and usually tinged with irony—fantasy artist Rowena takes modern dilemmas and presents them in a fanciful and powerful fairy-tale world. Above all, she paints extraordinary images of women. More than 100 artworks and insightful commentary show the influences behind this artist who has done covers for Anne McCaffrey, Isaac Asimov, Piers Anthony, Madeleine L’Engle, Samuel R. Delaney, and even National Lampoon.
An abundantly illustrated history of fantasy art, from the Old Masters to the present For hundreds of years, artists have been inspired by the imaginative potential of fantasy. Unlike science fiction, which is based on fact, fantasy presents an impossible reality—a universe where dragons breathe fire, angels battle demons, and magicians weave spells. Published to coincide with a major exhibition organized by the Norman Rockwell Museum, this handsome volume reveals how artists have brought to life mythology, fables, and fairy tales, as well as modern epics like The Lord of the Rings and Game of Thrones. The main text of Enchanted, by exhibition curator Jesse Kowalski, traces the emergence of the themes of fantasy in the world’s civilizations, and the development of fantasy illustration from the Old Masters to the Victorian fairy painters, to Golden Age illustrators like Howard Pyle and Arthur Rackham, to classic cover artists like Frank Frazetta and Boris Vallejo, to emerging talents like Anna Dittmann and Victo Ngai. Additional essays by distinguished contributors address particular aspects of fantasy illustration, such as the relationship between science and fantasy in the nineteenth century, and the illustrators of Robert E. Howard. Enchanted features more than 180 color illustrations, including numerous stunning full-page reproductions. This handsome volume is a must-have reference for artists and illustrators, and a delight for all lovers of fantasy.
"If one suffers, I suffer. If one is chained, I am chained." My faith called me to become a Lance. My compassion drew me into one of the fallen lands. Through my connection with the Chained God, I alone can find and destroy the Horror that stains the land. Death can no longer chain me. But I couldn't have imagined the madness waiting for me in this village. I'm not sure my faith can withstand the secrets I'll uncover. Or that my compassion can survive the violence to come. This Horror may swallow me whole. Death can no longer free me. A creature stalks in the dark. Buildings burn. People die. An altar has been built on the village green.
An overdue retrospective of the phenomenal work of one of the biggest and best names in fantasy and sci-fi art. Featuring 150 amazingly realistic paintings, both digital and traditional, this sumptuous volume is overflowing with the voluptuous women, glistening warriors, fantastic beasts and monsters, enchanted lands and extraordinary creatures that have emerged from Patrick's incredibly fertile imagination. An anecdote-peppered commentary by the artist runs alongside the artwork, along with exclusive contributions from fellow fantasy art luminaries.
When the king of the galaxy comes to claim his virgin Earthling bride, he finds that winning her over is far more difficult than he expected in this futuristic romance. Original.
Engaged, passionate, and consistently entertaining, this is a book for those who enjoyed Walton's previous collection of essays from Tor.com, the Locus Award-winning What Makes This Book So Great.The Hugo Awards, named after pioneer science fiction publisher Hugo Gernsback, and voted on by members of the World Science Fiction Society, have been given out since 1953. They are widely considered the most prestigious award in science fiction.Between 2010 and 2013, Jo Walton wrote a series of posts for Tor.com, surveying the Hugo finalists and winners from the award's inception up to the year 2000. Her contention was that each year's full set of finalists generally tells a meaningful story about the state of science fiction at that time.Walton's cheerfully opinionated and vastly well-informed posts provoked valuable conversation among the field's historians. Now these posts, lightly revised, have been gathered into this book, along with a small selection of the comments posted by SF luminaries such as Rich Horton, Gardner Dozois, and the late David G. Hartwell.
More than 2,300 works of fiction and poetry are discussed, each cross-referenced to other works with similar or contrasting themes. Winners and nominees for major awards are identified. Books that are part of a series are flagged, with a complete list of books in series included in a final chapter, along with a comprehensive list of awards, of translations, and of young adult and children's books.