Soviet military-theoretical theories are revealed in the words of those who created them in peacetime and applied them in war. This collection of texts has been taken from formerly classified material in the official Red Army General staff journal
This collection of texts has been taken from formerly classified material in the official Red Army General Staff journal 'Military Thought'. The results are two volumes of great scope based on archival evidence. They stand as a compulsory reference point for anyone with an interest in the operational endeavours of the Soviet Army from the 1920's onward.
David Glantz examines the Soviet study of war, the re-emergence of the operation level and its connection with deep battle, the evolution of the Soviet theory of operations in depth before 1941, and its refinement and application in the European theatre and the Far East between 1941 and 1945.
Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.
This book offers a scientific interpretation of the field of military knowledge situated between strategy and tactics, better known as operational art', and traces the evolution of operational awareness and its culmination in a full-fledged theory. The author, a Brigadier General (ret.) in the Israeli Defence Forces and Doctor of History, King's College, London, clarifies the substance of operational art' and constructs a cognitive framework for its critical analysis. He chronicles the stages in the evolution of operational theory from the emergence of 19th-century military thought to Blitzkrieg. For the first time the Soviet theories of Deep Operations' and Strike Manoeuvre' that emerged in the 1920s and 1930 are discussed. The author argues that it is these doctrines that eventually led to the crystallization of the American Airland Battle theory, successfully implemented in the Gulf War.
V K Triandafillov was an outstanding young commander who shaped the military theory and doctrine of the Red Army as it came to grips with the problem of future war. A conscript soldier who rose through the ranks to become an officer in the Tsarist Army, he saw combat in both the First World War and the Russian Civil War. A student of some of the finest military specialists teaching the first generation of young Red commanders, he sought to link theory and practice by using past experience to comprehend future combat.
The Soviet military concept of operational art and the associated theories such as "war of annihilations", "deep battle", and "deep operations" have been observed by the West since World War II. The Soviet government hid their military-theoretical work behind a veil of secrecy. Here, the Soviet theories are revealed in the words of those who created them in peacetime and applied them in war.
Georgii Samoilovich Isserson (1898-1976) was one of the most prescient and prolific authors on military art in the years preceding World War II. His theories greatly influenced the Red Army's conduct of operations and were instrumental in achieving victory over Germany. This book gathers together for the first time English translations of Isserson's most influential works, including some that are still classified. His writings on the preparation and conduct of the deep offensive operation--the deployment of tanks, mechanized infantry, air power and airborne troops to penetrate deeply echeloned defenses--also serve as a primer on how to construct a position to defeat such an attack. His well argued defense of the deep operation based on an examination of recent wars and his reminiscences about the people and events that shaped Soviet military theory in the 1930s are included.
Contents: The Prewar Experience; Evolution of Airborne Forces During World War II; Operational Employment: Vyaz'ma, January-February 1942; Operational Employment: Vyaz'ma, February-June 1942; Operational Employment: On the Dnepr, September 1943; Tactical Employment; The Postwar Years.