"The Eternal Expatriate Part Two is a story in its own right, about a twenty-year-old Slovene, Tony Ayles, arriving into the realm of H.M. Queen Elisabeth II. He was a freshly qualified technician, who sought and found employment but could not resist the English roses he encountered. Having been promoted to a Service Engineer, he was sent to Mauritania, West Africa to a place with a fateful name: Place de Diable. Upon return to England, he married one of the English roses and had a daughter. Due to his insatiable quest for progress at work, he then went to Germany, taking his wife and daughter with him and where he settled down, and is still there today. A memorable story, informative and entertaining, it takes the reader through several countries with principal events taking place in England and Germany."
This book examines the distinction between literary expatriation and exile through a 'contrapuntal reading' of modern Palestinian and American writing. It argues that exile, in the Palestinian case especially, is a political catastrophe; it is banishment by a colonial power. It suggests that, unlike expatriation (a choice of a foreign land over one’s own), exile is a political rather than an artistic concept and is forced rather than voluntary — while exile can be emancipatory, it is always an unwelcome loss. In addition to its historical dimension, exile also entails a different perception of return to expatriation. This book frames expatriates as quintessentially American, particularly intellectuals and artists seeking a space of creativity and social dissidence in the experience of living away from home. At the heart of both literary discourses, however, is a preoccupation with home, belonging, identity, language, mobility and homecoming.
LeRoy S. Hodges, Jr., has written a lively and informative biography of a Black writer of merit whose works have not enjoyed the wide readership they deserve. Interweaving discussion and criticism of William Gardner Smith's literary work with an account of his life, Hodges provides summaries and critical evaluations of Smith's novels and his nonfiction. He gives us insight into the experience of Black writers who chose to live abroad and looks searchingly at the problem of alienation.
Montparnasse and its café life, the shabby working-class area of the place de la Contrescarpe and the Pantheon, the small restaurants and cafés along the Seine, and the Right Bank world of the well-to-do . . . for American writers self-exiled to Paris during the 1920s and 1930s, the French capital represented what their homeland could not: a milieu that, through the freedom of thought and action it permitted and the richness of life it offered, nurtured the full expression of the creative imagination. How these expatriates interpreted and gave modernist shape to the myth of “the Paris moment” in their writing is the altogether fresh focus of Donald Pizer’s study of seven of their major works. Pizer elucidates a striking difference between the genres of expatriate autobiography and fiction, and arranges his discussion accordingly. He first examines Ernest Hemingway’s A Moveable Feast, Gertrude Stein’s The Autobiography of Alice B. Toklas, and The Diary of Anaïs Nin, 1931–1934, all of which depict the emergence and triumph of the creative imagination within the Paris context. He then turns to Hemingway’s The Sun Also Rises, John Dos Passos’ Nineteen-Nineteen, and F. Scott Fitzgerald’s Tender Is the Night, which dramatize the tragic potential in seeking a richness and intensity of creative expression within the city’s setting. Henry Miller’s Tropic of Cancer, a relatively late example of American expatriate writing, constitutes a synthesis of the two tendencies, Pizer shows. Through careful readings of the texts, Pizer identifies both the common threads in the expatriates’ response to the Paris moment and the distinctive expression each work gives to their shared experience. Most important, he addresses the neglected question of how the portrayal of the Paris scene helps shape a specific work’s themes and form. He traces such experimental devices as fragmented or cubistic narrative forms, the dramatic representation of consciousness, and sexual explicitness, and explores the powerful and evocative tropes of mobility and feeding. As Pizer demonstrates, Paris between the two world wars was for the American expatriates more than a geographical entity. It was a state of mind, an experience, that engendered the formal expression of a personal aesthetic. The engaging and significant interplay between artist, place, and innovative self-reflexive forms composes, Pizer maintains, the most distinctive contribution of expatriate writing to the literary movement called high modernism.
The connection between a colony and its founder, centre and margin, is always paradoxical. Where once Britain sent colonists out into the world, now the descendents of those colonists return to interrogate the centre. This is a book about four of these returners: Harold Williams, journalist, linguist, Foreign Editor of The Times; Ronald Syme, spy, libertarian, historian of ancient Rome; John Platts-Mills, radical lawyer and political activist; and Joseph Burney Trapp, librarian, scholar and protector of culture. These were men, born in remote New Zealand, who achieved fame in Europe—even as they were lost sight of at home. Men who became, from the point of view of their country of origin, expatriates. A writer of penetrating insight, Martin Edmond explores the intersections of past and present in the lives of these four extraordinary individuals. Their stories combine, in the hands of this award-winning writer, to a moving reflection upon New Zealand’s place in the world, then and now.
Who are expatriates? How do they differ from other migrants? And why should we care about such distinctions? Expatriate interrogates the contested category of ‘the expatriate’ to explore its history and politics, its making and lived experience. Drawing on ethnographic and archival research, the book offers a critical reading of International Human Resource Management literature, explores the work and history of the Expatriate Archive Centre in The Hague, and studies the usage and significance of the category in Kenyan history and present-day ‘expat Nairobi’. Doing so, the book traces the figure of the expatriate from the mid-twentieth-century era of decolonisation to today’s heated debates about migration. The expatriate emerges as a malleable and contested category, of shifting meaning and changing membership, and as passionately embraced by some as it is rejected by others. The book situates the changing usage of the term in the context of social, political and economic struggle and explores the material and discursive work the expatriate performs in negotiating social inequalities and power relations. Migration, the book argues, is a key terrain on which colonial power relations have been reproduced and translated, and migration categories are at the heart of the insidious ways that intersecting material and symbolic inequalities are enacted today. Any project for social justice needs to dissect and interrogate categories like the expatriate, and this book offers analytical and methodical strategies to advance this project.
This is an account of twenty years in Greece in the life of a British woman; of her love for the owner of a derelict farm and their efforts to restore it, ably yet spasmodically assisted by a succession of itinerant young foreigners; of how, to the horror and secret admiration of their neighbours, she learned to prune their thousand apricot trees and their five hundred citrus; of how she ploughed the fields and how her animals were exceptional.
