Orthogonal Transforms for Digital Signal Processing
Orthogonal Transforms for Digital Signal Processing

Author: N. Ahmed

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 274

ISBN-13: 364245450X

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This book is intended for those wishing to acquire a working knowledge of orthogonal transforms in the area of digital signal processing. The authors hope that their introduction will enhance the opportunities for interdiscipli nary work in this field. The book consists of ten chapters. The first seven chapters are devoted to the study of the background, motivation and development of orthogonal transforms, the prerequisites for which are a basic knowledge of Fourier series transform (e.g., via a course in differential equations) and matrix al gebra. The last three chapters are relatively specialized in that they are di rected toward certain applications of orthogonal transforms in digital signal processing. As such, a knowlegde of discrete probability theory is an essential additional prerequisite. A basic knowledge of communication theory would be helpful, although not essential. Much of the material presented here has evolved from graduate level courses offered by the Departments of Electrical Engineering at Kansas State University and the University of Texas at Arlington, during the past five years. With advanced graduate students, all the material was covered in one semester. In the case of first year graduate students, the material in the first seven chapters was covered in one semester. This was followed by a prob lems project-oriented course directed toward specific applications, using the material in the last three chapters as a basis.

Making Marvels
Making Marvels

Author: Wolfram Koeppe

Publisher: Metropolitan Museum of Art

Published: 2019-11-25

Total Pages: 315

ISBN-13: 1588396770

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Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.

Making The Met, 1870–2020
Making The Met, 1870–2020

Author: Andrea Bayer

Publisher: Metropolitan Museum of Art

Published: 2020-03-23

Total Pages: 291

ISBN-13: 1588397092

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Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.

Photography’s Last Century
Photography’s Last Century

Author: Jeff L. Rosenheim

Publisher: Metropolitan Museum of Art

Published: 2020-03-09

Total Pages: 183

ISBN-13: 1588397084

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Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks from one of the most important private holdings of photography, the book includes works by Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of important lesser-known practitioners. A fascinating interview with Ann Tenenbaum provides a personal account of the works, while the main text offers an essential history of photography that addresses the implications of calling this period the medium’s “last” century.

The Renaissance of Etching
The Renaissance of Etching

Author: Catherine Jenkins

Publisher: Metropolitan Museum of Art

Published: 2019-10-21

Total Pages: 311

ISBN-13: 1588396495

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The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}