The Doctor, Romana and K9 are in 1930s London, planning to rest after their recent adventures. But what connects the Sussex resort of Nutchurch with the secret society run by Percy Closed? Why has Hepworth Stackhouse hired an assassin? And what is the infe
The Doctor, Romana and K-9 are hoping for a holiday in London in the sweltering summer of 1930. But the TARDIS is warning of time pollution. And that’s not the only problem. What connects the isolated Sussex resort of Nutchurch with the secret society run by the eccentric Percy Closed? Why has millionaire Hepworth Stackhouse dismissed his staff and hired assassin Julia Orlostro? And what is the truth behind the infernal vapour known only as Zodaal? With the heat building, the Doctor and his friends set out to solve the mysteries. An adventure set in 1930s London, featuring the Fourth Doctor as played by Tom Baker and his companions Romana and K-9.
Dr Julian Litten, long regarded as England's authority on funeral customs, leads us from the pomp and panoply of the post-medieval funeral to the clinical anonymity of present-day obsequies.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade." Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the telemarketing of pay-in-advance graves, and the effects of monopolies in a death-care industry now dominated by multinational corporations. With its hard-nosed consumer activism and a satiric vision out of Evelyn Waugh's novel The Loved One, The American Way of Death Revisited will not fail to inform, delight, and disturb. "Brilliant--hilarious. . . . A must-read for anyone planning to throw a funeral in their lifetime."--New York Post "Witty and penetrating--it speaks the truth."--The Washington Post
It’s the mysterious world of the funeral directors, as they try to kill off burial under trees and oppose DIY funerals. It’s a world of embalming, pink glitzy shrouds, crappy coffins, brawling at funerals and girl power. Nobody’s resting in peace.
This is a book about terminals and boundaries, mortality and closure, the infinitesimals of style and the finite limits of representational language, about least and last things together. It is a book, to start with, about three vast and familiar facts of life and art: death, content, and form. Only by their particular triangulation in the genre of prose fiction do they mark out the hypothesis of the present study: that death in fiction is the fullest instance of form indexing content, is indeed the moment when content, comprising the imponderable of negation and vacancy, can be found dissolving to pure form. Death in narrative yields, by yielding to, sheer style.
They were the two most feared swordsmen of their age: Miyamoto Musashi, mysterious and introspective, and Sasaki Kojiro, arrogant and ambitious. In war-torn Japan, each was thrust forward as a hero of opposing sides . . . and began their final epic confrontation.
Even quaint and cozy English villages have a dark side . . . Location scout and Jane Austen aficionado, Kate Sharp, is thrilled when the company she works for lands the job of finding locations for a new film adaptation of Pride and Prejudice, but then her boss fails to return from a scouting trip to England. Kate travels to England to salvage the company’s reputation. Things go from bad to worse when Kate arrives in Nether Woodsmoor, a quaint village of golden stone cottages and rolling green hills, only to find no trace of her boss. Even the rumpled, easygoing local scout they consulted, Alex, doesn’t know where he might be. Increasingly worried about her boss and with an antsy director waiting for updates about the preproduction details, Kate embarks on a search that includes a pub-crawl and cozy cottages as well as stately country manors. But with no sign of her boss, she begins to suspect that the picturesque village and beautiful countryside may not be as idyllic as they seem. Death in the English Countryside is the first installment of the popular Murder on Location cozy mystery series from USA Today bestseller Sara Rosett. MURDER ON LOCATION SERIES: Book One - Death in the English Countryside Book Two - Death in an English Cottage Book Three - Death in a Stately Home Book Four - Death in an Elegant City Book Five - Menace at the Christmas Market (Novella) Book Six - Death in an English Garden Book Seven - Death at an English Wedding Have you read Sara Rosett’s other mystery series? If you like historical mysteries with lady detectives, check out the HIGH SOCIETY LADY DETECTIVE mystery series. If you like travel with your mystery, check out the ON THE RUN INTERNATIONAL MYSTERIES.
This book is a study in religion, culture, and social change. Taking the position that death is a cultural event, James J. Farrell examines the historical roots of contemporary American attitudes toward and practices concerning death. Middle-class Victorians tried to assuage their fear by making death appear natural, painless, predictable, beautiful, and ultimately inconspicuous. Scientific naturalism was a crucial catalyst of this transformation. Naturalists redefined death, the medical profession called for the establishment of rural cemeteries, and the sanitary science movement influenced embalming methods and funeral practices. The main part of this work describes and analyzes the convergence of the intellectual and social trends that changed American beliefs and behavior concerning death. The penultimate chapter focuses on Vermilion County, and the development of funeral practices in that specific place. The author uses local sources to add an empirical dimension to the intellectual history that characterizes the rest of the book. -- From publisher's description.