Reggae has become a dominant musical style that is played everywhere from South America to the Pacific Rim. This volume is packed with rare photographs, profiles of the influential performers and producers from the golden age, and fascinating sidebars showing the wide-ranging influence of reggae.
This is a complete handbook of information and opinion about the history and development of reggae music. Based on the Encyclopedia of Popular Music, the book contains over 1000 entries covering musicians, bands, songwriters, producers and record labels which have made a significant impact on the development of reggae music. It brings together people such as Prince Buster and Duke Reid, with performers who took reggae beyond Jamaica's shores such as Jimmy Cliff and Bob Marley and the Wailers, and those who have been at the forefront in more recent years, such as UB40, Shabba Ranks and Red Rat. Each entry offers information such as dates, career facts, discography and album ratings.
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
Black music is the beat the world dances to - the sound of soul, funk, reggae, rhythm and blues, disco, and jazz-funk. This book is the first comprehensive encyclopedia ever published on black music. It includes extensive biographies on hundreds of black music personalities - from superstars to one-hit wonders. Here are all the singers, songwriters, bands, producers, and record companies that have made black music a worldwide success. This book includes more 650 alphabetically listed entries, arranged by decade. Each entry presents a career history and discography of the star. This is the definitive source book on black music.
- I speak of victory, not victim, triumph and not defeat; I have buried hopelessness in the cemetery of compete; the slum was not born in me, but in the born elite; what once left me void; I have conquered to become complete; all my life has been a rock climb, traveled in the bareness of my feet. excerpt from title poem: "Rock Climbing With My Bare Feet". Rock Climbing With My Bare Feet is a collection of poetry that encompasses themes such as internal struggle, women empowerment, motivation, political consciousness, perserverance and a variety of other topics. These themes, among others, are structured into chapters to make an easier read for the audience. The chapter titles are brilliantly named so that the reader can identify the theme of each chapter. Chapters include Who Am I To Be Me?, the author's favorite More Importantly: I AM A WOMAN, Ditchin' Demons In a Deep Depression, Life Should Be Motivation Enough, I Wouldn't Even Trade My Mind (For a Sane One), Rock Climbing With My Bare Feet, Citizen's Arrest, Life's Waves Won't Knock Me Over, Featuring: I Wait on Words! Be prepared to be intellectually challenged, spiritually moved, and genuinely entertained! For young and mature readers alike, of all cultures and ethnicities.
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Reggae is arguably one of the most influential music genres, with countless contemporary styles drawing on its rhythm. In this text, David Katz interviews over 100 of reggae's most important figures to speak of their roles in the music progression and discuss the music's wider impact.
The aim of this book is to provide a complete handbook of information and opinion about the history of the music of the 1970s. There are over 1000 entries on the bands, musicians, songwriters, producers and record labels of this decade, everyone who had any significant impact on the development of rock and pop music. From the stars who, unlike Hendrix, Joplin and Morrison, survived the sixties only to be dudded as dinosaurs, to the angry reactions of punk and the new wave and the sounds of glam rock and disco, this encylopaedia aims to answer any query about any aspect of seventies music. As well as the giants of the decade, such as Queen, Abba and Fleetwood Mac, the book also includes those artists who only flourished briefly.
The Rough Guide to Reggae is the only book of its kind available. The first two editions of the Rough Guide to Reggae were the top-selling books on the subject, and widely acclaimed by the music press and fans alike. Illustrated throughout with over 400 pictures, many of them exclusive photos, the book also features exclusive interviews with reggae's top stars, and reviews over 500 albums. 2003 and 2004 have been the most successful years for reggae music on a global scale since the heyday of Bob Marley, with singers such as Sean Paul and Wayne Wonder regularly topping the UK and US pop charts. The new third edition of Rough Guide to Reggae is fully updated to cover this latest wave of Jamaican musicians, while not stinting on newly discovered recordings and reissues of classic albums of the past.