Bruce Murphy's Encyclopedia of Murder and Mystery is a comprehensive guide to the genre of the murder mystery that catalogues thousands of items in a broad range of categories: authors, titles, plots, characters, weapons, methods of killing, movie and theatrical adaptations. What distinguishes this encyclopedia from the others in the field is its critical stance.
The Encyclopedia of Murder and Violent Crime is edited by a internationally recognized expert on serial killers, covering both murder and violent crime in their variant forms. Included will be biographies, chronologies, special interest inset boxes, up to 100 photos, comprehensive article bibliographies, and appendices for things like famous unsolved cases, celebrity murders, assasinations, original source documents, and online sources for information.
"Entertaining and authoritative, this alphabetically arranged companion is an indispensable reference guide to crime and mystery writing. Unique in its biographical and critical treatment of major detective writers, it is a comprehensive digest to the gen
A reference and overview of the genre of crime fiction, primarily covering the 1950s onwards, although major earlier writers, such as Agatha Christie and Raymond Chandler, also have entries.
A chilling compendium of mass murder cases features profiles of two hundred notable instances of killing sprees and terrorist acts, including coverage of Timothy McVeigh's attack on the Oklahoma federal building, the Columbine High School shootings, and the Brenda Spencer I don't like Mondays case
As the Queen of the Red Carpet, Joan Rivers has been eyewitness to Hollywood's most heinous crimes (okay, so they're fashion-related). And in this über-stylish mystery, she enlists her no-holds-barred, slightly blonder literary counterpart, Maxine Taylor, to solve a crime of a different sort. When a gorgeous young actress dies on the Red Carpet, some in Tinseltown call it bad publicity. Max calls it murder. The Academy Awards®. It's Hollywood's biggest night, and there's no star better equipped than the tart-tongued Max Taylor to hold court on the glamorous Red Carpet. Sharing the dish with her daughter, Drew, the calls-it-as-she-sees-it entertainer has parlayed this star-studded annual gig into television's most-watched pre-show event. And tonight, Max has landed a real coup—an exclusive interview with Halsey Hamilton, a fabulous, young, paparazzi-trailed Oscar nominee. But not even Max, who's seen her share of celebrity train wrecks, is prepared for an incoherent Halsey, straight out of rehab, to stumble up to the mic, slur a few cryptic words, and drop dead at the hem of Max's stunning Michael Kors gown. To Hollywood, the starlet's demise was tragic but inevitable. To Max, it looks more like a perfectly calculated crime. After all, she alone heard Halsey's final whisper—a clue that leads Max to the pricey rehab clinic Wonders. With a weakness for nothing more disturbing than artificial sweeteners, Max nonetheless goes undercover and embarks on a twelve-step investigation into murder. Once inside the luxury clinic, Max's list of suspicious players expands faster than the Jolie-Pitt family: Burke Norris, a professional cad and Drew's ex-fiancé; Halsey's father, who is still making money off his dead daughter's fame; Halsey's jealous younger sister; and Rojo Bernstein, a tattooed karate hipster who knew the troubled fallen star much better than anyone suspected. Now it's left to Max to unravel the sordid motives and find Halsey's killer while upstaging an over-the-top Hollywood memorial service and funeral where the ill-fated actress was buried in, of all things, a tacky designer knockoff! And you thought the Oscars were all swag bags and Jimmy Choos? Hah! Honey, it's murder. In Murder at the Academy Awards®, Joan Rivers delivers a very smart, bracingly funny, and pitch-perfect reflection of a Hollywood only she would dare to reveal—all seen through the eyes of an indomitable, high-end amateur sleuth who isn't asking "Who are you wearing?" but rather "Whodunit?"
“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book Review Introduction by David Handler It wasn’t Leonard Dykes’s writing style that offended. But something in his unpublished tome seemed to lead everyone who read it to a very unhappy ending. Now four people are dead, including the unfortunate author himself, and the police think Nero Wolfe is the only man who can close the book on this novel killer. So the genius sleuth directs his sidekick to set a trap . . . and discovers that the truth is far stranger—and far bloodier—than fiction. A grand master of the form, Rex Stout is one of America’s greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained—and puzzled—millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.
From award-winning mystery writer Robert Barnard comes a classic British whodunit about a bestselling author who is murdered—and his latest unpublished manuscript has gone missing. Sir Oliver Fairleigh-Stubbs, overweight and overbearing, collapses and dies at his birthday party while indulging his taste for rare liquors. He had promised his daughter he would be polite and charitable for the entire day, but the strain of such exemplary behavior was obviously too great. He leaves a family relieved to be rid of him, and he also leaves a fortune, earned as a bestselling mystery author. But the manuscript of the unpublished volume left to Sir Oliver’s wife, a posthumous “last case” that might be worth millions, has disappeared. And Sir Oliver’s death is beginning to look less than natural.
He died beneath the Statue of Freedom, clutching a 9-mm pistol in his hand. But as dawn rose, the politician would die again--in a hail of rumor and character assassination. Now one man suspects the shattering truth: that the congressman's suicide was a carefully planned murder. In the heart of the free world, a furious struggle begins: to reclaim a man's innocence, expose a woman's lie, and stop a chilling conspiracy of murder that reaches halfway around the world. . . .
Bestselling true-crime writer Harold Schechter, a leading authority on serial killers, and coauthor David Everitt offer a guided tour through the bizarre and blood-chilling world of serial murder. Through hundreds of detailed entries that span the entire spectrum -- the shocking crimes, the infamous perpetrators, and much more -- they examine all angles of a gruesome cultural phenomenon that grips our imagination. From Art (both by and about serial killers) to Zeitgeist (how killers past and present embody their times)...from Groupies (even the most sadistic killer can claim devoted fans) to Marriage (the perfect domestic disguise for demented killers)...from Homebodies (psychos who slay in the comfort of their homes) to Plumbing (how clogged drains have undone the most discreet killer), THE A TO Z ENCYCLOPEDIA OF SERIAL KILLERS is the ultimate reference for anyone compelled by the personalities and pathologies behind the most disturbing of crimes.
