The Early German Theatre in New York, 1840-1872

The Early German Theatre in New York, 1840-1872

Author: Fritz A. H. Leuchs

Publisher: Columbia University Germanic Studies

Published: 1928

Total Pages: 522

ISBN-13:

DOWNLOAD EBOOK

An overview of the development of German theatre in New York City in the nineteenth century, focusing on the influence of five major theatres. .


Music in German Immigrant Theater

Music in German Immigrant Theater

Author: John Koegel

Publisher: University Rochester Press

Published: 2009

Total Pages: 626

ISBN-13: 1580462154

DOWNLOAD EBOOK

A history -- the first ever -- of the abundant traditions of German-American musical theater in New York, and a treasure trove of songs and information.


The Immigrant Scene

The Immigrant Scene

Author: Sabine Haenni

Publisher: U of Minnesota Press

Published: 2008

Total Pages: 337

ISBN-13: 0816649812

DOWNLOAD EBOOK

Yiddish melodramas about the tribulations of immigration. German plays about alpine tourism. Italian vaudeville performances. Rubbernecking tours of Chinatown. In the New York City of the late nineteenth and early twentieth centuries, these seemingly disparate leisure activities played similar roles: mediating the vast cultural, demographic, and social changes that were sweeping the nation's largest city. In The Immigrant Scene, Sabine Haenni reveals how theaters in New York created ethnic entertainment that shaped the culture of the United States in the early twentieth century. Considering the relationship between leisure and mass culture, The Immigrant Scene develops a new picture of the metropolis in which the movement of people, objects, and images on-screen and in the street helped residents negotiate the complexities of modern times. In analyzing how communities engaged with immigrant theaters and the nascent film culture in New York City, Haenni traces the ways in which performance and cinema provided virtual mobility--ways of navigating the socially complex metropolis--and influenced national ideas of immigration, culture, and diversity in surprising and lasting ways.


Emerging Metropolis

Emerging Metropolis

Author: Annie Polland

Publisher: NYU Press

Published: 2015-01-08

Total Pages: 396

ISBN-13: 147981105X

DOWNLOAD EBOOK

Part 2 of a three part series, City of promises : a history of the Jews of New York, Deborah Dash Moore, general editor.


Deborah and Her Sisters

Deborah and Her Sisters

Author: Jonathan M. Hess

Publisher: University of Pennsylvania Press

Published: 2018

Total Pages: 272

ISBN-13: 0812249585

DOWNLOAD EBOOK

Before Fiddler on the Roof, there was Deborah, a blockbuster melodrama about a Jewish woman forsaken by her non-Jewish lover. Deborah and Her Sisters offers the first comprehensive history of this transnational phenomenon, focusing on its ability to bring Jews and non-Jews together during a period of increasing antisemitism.


How the Other Half Laughs

How the Other Half Laughs

Author: Jean Lee Cole

Publisher: Univ. Press of Mississippi

Published: 2020-01-27

Total Pages: 203

ISBN-13: 1496826566

DOWNLOAD EBOOK

2021 Honorable Mention Recipient of the Charles Hatfield Book Prize from the Comics Studies Society Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895–1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the “other half” laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity—how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole’s argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them—including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens—and traces the form’s emergence in the pages of Joseph Pulitzer’s New York World and William Randolph Hearst’s Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.


Immigrant Life in New York City, 1825-1863

Immigrant Life in New York City, 1825-1863

Author: Robert Ernst

Publisher: Syracuse University Press

Published: 1994-10-01

Total Pages: 356

ISBN-13: 9780815602903

DOWNLOAD EBOOK

This is a historical study of acculturation in New York City. It documents the Americanization of foreign enclaves within the city, showing the effects produced by church, school, foreign-language press and libraries - the methods by which the Democratic Party enlisted the immigrant vote.


The Cambridge History of American Theatre

The Cambridge History of American Theatre

Author: Don B. Wilmeth

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 554

ISBN-13: 9780521472043

DOWNLOAD EBOOK

The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.