This source book for recreating the style and decor of the Georgian period, covers all aspects of internal and external plan and design, including gardens. It also provides information on how to restore, replace and care for period features.
The middle Georgia area is a vast living museum of classic southern architecture. First published in 1972, this sweeping survey remains one of the best books on the topic, covering primitive, Gothic, Greek Revival, and Victorian styles, and beyond.
This lively guidebook surveys four hundred buildings within the Atlanta metropolitan area--from the sleek marble and glass of the Coca-Cola Tower to the lancet arches and onion domes of the Fox Theater, from the quiet stateliness of Roswell's antebellum mansions to the art-deco charms of the Varsity grill. Published in conjunction with the Atlanta chapter of the American Institute of Architects, it combines historical, descriptive, and critical commentary with more than 250 photographs and area maps. As the book makes clear, Atlanta has two faces: the "Traditional City," striving to strike a balance between the preservation of a valuable past and the challenge of modernization, and also the "Invisible Metropolis," a decentralized city shaped more by the isolated ventures of private business than by public intervention. Accordingly, the city's architecture reflects a dichotomy between the northern-emulating boosterism that made Atlanta a boom town and the genteel aesthetic more characteristic of its southern locale. The city's recent development continues the trend; as Atlanta's workplaces become increasingly "high-tech," its residential areas remain resolutely traditional. In the book's opening section, Dana White places the different stages of Atlanta's growth--from its beginnings as a railroad town to its recent selection as the site of the 1996 Summer Olympics--in their social, cultural, and economic context; Isabelle Gournay then analyzes the major urban and architectural trends from a critical perspective. The main body of the book consists of more than twenty architectural tours organized according to neighborhoods or districts such as Midtown, Druid Hills, West End, Ansley Park, and Buckhead. The buildings described and pictured capture the full range of architectural styles found in the city. Here are the prominent new buildings that have transformed Atlanta's skyline and neighborhoods: Philip John and John Burgee's revivalist IBM Tower, John Portman's taut Westin Peachtree Plaza, and Richard Meier's gleaming, white-paneled High Museum of Art, among others. Here too are landmarks from another era, such as the elegant residences designed in the early twentieth century by Neel Reid and Philip Shutze, two of the first Atlanta-based architects to achieve national prominence. Included as well are the eclectic skyscrapers near Five Points, the postmodern office clusters along Interstate 285, and the Victorian homes of Inman Park. Easy-to-follow area maps complement the descriptive entries and photographs; a bibliography, glossary, and indexes to buildings and architects round out the book. Whether first-time visitors or lifelong residents, readers will find in these pages a wealth of fascinating information about Atlanta's built environment.
Dr. Robert M. Craig defines the two distinct styles emerging between the 1920s and the 1960s'Art Deco and Modern Classic. A convincing commentary on these unique structures that have come to grace Atlanta.
The architectural development of Georgia Tech began as a core of Victorian-era buildings sited around a campus green and Tech Tower. During the subsequent Beaux-Arts era, designers (who were also members of the architecture faculty) added traditionally styled buildings, with many of them in a pseudo-Jacobean collegiate redbrick style. Early Modernist Paul Heffernan led an architectural revolution in his academic village of functionalist buildings on campus--an aesthetic that inspired additional International Style campus buildings. Formalist, Brutalist, and Post-Modern architecture followed, and when Georgia Tech was selected as the Olympic Village for the 1996 Summer Olympics, new residence halls were added to the campus. Between 1994 and 2008, Georgia Tech president G. Wayne Clough stewarded over $1 billion in capital improvements at the school, notably engaging midtown Atlanta with the development of Technology Square. The landscape design by recent campus planners is especially noteworthy, featuring a purposeful designation of open spaces, accommodations for pedestrian perambulations, and public art. What might have developed into a prosaic assemblage of academic and research buildings has instead evolved into a remarkably competent assemblage of aesthetically pleasing architecture.
Assembling the Architect explores the origins and history of architectural practice. It unravels the competing interests that historically have structured the field and cultivates a deeper understanding of the contemporary profession. Focusing on the period 1870 to 1920 when the foundations were being laid for the U.S. architectural profession that we recognize today, this study traces the formation and standardization of the fundamental relationships among architects, owners, and builders, as codified in the American Institute of Architects' very first Handbook of Architectural Practice. It reveals how these archetypal roles have always been fluid, each successfully redefining their own agency with respect to the others in the constantly-shifting political economy of building. Far from being a purely historical study, the book also sheds light on today's digitally-enabled profession. Contemporary architectural tools and disciplinary ideals continue to be shaped by the same fundamental tensions, and emergent modes of practice such as BIM (Building Information Modelling) and IPD (Integrated Project Delivery) represent the realization of programs and agendas that have been over a century in play. Essential reading for professional practice courses as a contextual and historical companion to the Handbook, Assembling the Architect provides a critical perspective of the profession that is fundamental to understanding current architectural practice.
Forty-seven early houses of worship from all areas of the state. Nearly three hundred stunning color photographs capture the simple elegance of these sanctuaries and their surrounding grounds and cemeteries.