Issued to promote the 1967 adaptation to film of Baraka/LeRoy Jones's play , based on his screenplay, directed by Anthony Harvey, and starring Shirley Knight and Al Freeman. For their performances, Knight and Freeman were nominated for awards at the Venice Film Fetival; Knight won. This pressbook inludes sample press copy, credits, and examples of the promotional paper
Adrift in the Mediterranean, Ben and his loyal dog Ned-cursed by an avenging angel to roam the earth forever-fall into the clutches of a slaver, and have no one to rely on but each other in their quest for freedom.
One of the country's leading activist curators explores how corporations and governments have used art and culture to mystify and manipulate us. The production of culture was once the domain of artists, but beginning in the early 1900s, the emerging fields of public relations, advertising and marketing transformed the way the powerful communicate with the rest of us. A century later, the tools are more sophisticated than ever, the onslaught more relentless. In Culture as Weapon, acclaimed curator and critic Nato Thompson reveals how institutions use art and culture to ensure profits and constrain dissent--and shows us that there are alternatives. An eye-opening account of the way advertising, media, and politics work today, Culture as Weapon offers a radically new way of looking at our world.
First performed in 1964, Amiri Baraka's play about a charged encounter between a black man and a white woman still has the power to shock. The play, steeped in the racial issues of its time, continues to speak to racial violence and inequality today. This volume offers strategies for guiding students through this short but challenging text. Part 1, "Materials," provides resources for biographical information, critical and literary backgrounds, and the play's early production history. The essays of part 2, "Approaches," address viewing and staging Dutchman theatrically in class. They help instructors ground the play artistically in the black arts movement, the beat generation, the theater of the absurd, pop music, and the blues. Background on civil rights, black power movements, the history of slavery, and Jim Crow laws helps contextualize the play politically and historically.
Fans of the New York Times bestselling Redwall series will be delighted with Brian Jacques' latest. The legend of the Flying Dutchman, the ghost-ship doomed to sail the seas forever, has been passed down throughout the centuries. But what of the boy, Neb, and his dog, Den, who were trapped aboard that ship? What was to become of them? Sent off on an eternal journey of their own, the boy and his dog roam the earth through out the centuries in search of those in need. Braving wind and waves and countless perils, they stumble across a 19th-century village whose very existence is at stake. Saving it will take the will and wile of all the people--and a very special boy and dog. "The swashbuckling language brims with color and melodrama; the villains are dastardly and stupid; and buried treasure, mysterious clues, and luscious culinary descriptions (generally involving sweets) keep the pages turning." (Booklist)
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Fifty Years in Chains: Or, the Life of an American Slave (1859) was an abridged and unauthorized reprint of the earlier Slavery in the United States (1836). In the narratives, Ball describes his experiences as a slave, including the uncertainty of slave life and the ways in which the slaves are forced to suffer inhumane conditions. He recounts the qualities of his various masters and the ways in which his fortune depended on their temperament. As slave narrative scholar William L. Andrews has noted, Ball's oft-repeated narrative directly influenced the manner and matter of later fugitive slave.
Discusses the Black arts movement in context, so that readers will understand the connection between black history and the broad sweep of America's story.