While gathering research for the puzzles she sells to newspapers, Vivian, the widowed Viscountess Rowden, literally stumbles across the arrogant Duke of Whitley. Whit, known to the ton as the Ice Duke, is spymaster for the Crown, and he has evidence of enemy agents using newspaper ciphers to send coded messages to Napoleon's army. His mission is clear—less clear are his feelings for the woman he may have to destroy. While Vivian struggles to put the past behind her and find a future where her heart can be safe, the duke must decide whether the lovely and independent viscountess is friend, foe, or fate.
Pugh explores Capote through a cinematic lens, skillfully weaving the most relevant elements of Capote's biography with insightful critical analysis of the films, screenplays, and adaptations of his works that composed his fraught relationship with the Hollywood machine.
In this insightful book you will discover the range wars of the new information age, which is today's battles dealing with intellectual property. Intellectual property rights marks the ground rules for information in today's society, including today's policies that are unbalanced and unspupported by any evidence. The public domain is vital to innovation as well as culture in the realm of material that is protected by property rights.
What patterns emerge in media coverage and character depiction of Southern men and women, blacks and whites, in the years between 1954 and 1976? How do portrayals of the region and the equal rights movement illuminate the spirit and experience of the South—and of the nation as a whole? In Framing the South, Allison Graham examines the ways in which the media, particularly television and film, presented Southerners during the period of the civil rights revolution. Graham analyzes depictions of southern race and social class in a wide range of Hollywood films—including A Streetcar Named Desire, The Three Faces of Eve, and A Face in the Crowd from the 1950s; later films like Cool Hand Luke, In the Heat of the Night, and Mississippi Burning; and MGM's Elvis Presley vehicles. She traces how films have confronted—or avoided—issues of racism over the years, paralleling Hollywood depictions with the tamer characterization of the likeable "hillbilly" popularized in television's The Real McCoys and The Andy Griffith Show. Graham reinforces the political impact of these fictional representations by examining media coverage of civil rights demonstrations, including the documentary Crisis: Behind the Presidential Commitment, which reported the clash between Robert Kennedy and Governor George Wallace over the integration of the University of Alabama. She concludes with a provocative analysis of Forrest Gump, identifying the popular film as a retelling of post-World War II Southern history.
When Iris was expelled from the royal academy, she was banished from high society. Two years later, she may be the beloved acting governor of Armelia and president of a flourishing company, but she dares not consort with the rest of the nobility. Now she's received an invitation to the annual Foundation Day celebration--an invitation from the royal family no less, who she cannot afford to refuse. Thrust into the fray of society politics, Iris must rapidly learn to stand her ground, lest she lose everything she's worked so hard to build.
