American Theatre: A Chronicle of Comedy and Drama 1914-1930

American Theatre: A Chronicle of Comedy and Drama 1914-1930

Author: Gerald Bordman

Publisher: Oxford University Press

Published: 1995

Total Pages: 460

ISBN-13: 9780195090789

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The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.


Dorothy Parker: Complete Broadway, 1918–1923

Dorothy Parker: Complete Broadway, 1918–1923

Author: Dorothy Parker

Publisher: iUniverse

Published: 2014-05-01

Total Pages: 515

ISBN-13: 1491722665

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Dorothy Parker holds a place in history as one of New Yorks most beloved writers. Now, for the first time in nearly a century, the public is invited to enjoy Mrs. Parkers sharp wit and biting commentary on the Jazz Age hits and flops in this first-ever published collection of her groundbreaking Broadway reviews. Starting when she was twenty-four at Vanity Fair as New Yorks only female theatre critic, Mrs. Parker reviewed some of the biggest names of the era: the Barrymores, George M. Cohan, W.C. Fields, Helen Hayes, Al Jolson, Eugene ONeil, Will Rogers, and the Ziegfeld Follies. Her words of praiseand contemptfor the dramas, comedies, musicals, and revues are just as fresh and funny today as they were in the age of speakeasies and bathtub gin. Annotated with a notes section by Kevin C. Fitzpatrick, president of the Dorothy Parker Society, the volume shares Parkers outspoken opinions of a great era of live theatre in America, from a time before radio, talking pictures, and television decimated attendance. Dorothy Parker: Complete Broadway, 19181923 provides a fascinating glimpse of Broadway in its Golden Era and literary life in New York through the eyes of a renowned theatre critic.


The Keeper of the Bees

The Keeper of the Bees

Author: Gene Stratton-Porter

Publisher: Indiana University Press

Published: 1991-10-22

Total Pages: 534

ISBN-13: 9780253206916

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Republication of a 1921 novel about James Lewis MacFarlane, a young WWI soldier who walks away from the rehabilitation hospital where he has been sent to recover from his wounds, and whose courage and kindness are rewarded by adventure, happiness, and love.


Radicalism in American Silent Films, 1909-1929

Radicalism in American Silent Films, 1909-1929

Author: Michael Slade Shull

Publisher: McFarland

Published: 2015-09-03

Total Pages: 356

ISBN-13: 1476611033

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This work identifies 436 American silent films released between 1909 and 1929 that engaged the issues of militant labor and revolutionary radicalism. It begins with an extended introduction and analytical chapters that investigate the ways in which the American motion picture industry portrayed the interrelationships between labor radicals, exploitative capitalists, socialist idealists and Bolsheviks during this critical twenty-year period. Each entry contains a detailed plot synopsis, citations to primary sources, coding indicating the presence or absence of 14 predominant discernible biases (including anti- and pro-capitalism, socialism, revolution and labor), and subject coding keyed to 64 related terms and concepts (including agitators, Bolshevism, bombs, female radicals, militias, mobs, political refugees, and strikes). These statistical data included in the filmography are presented in a series of charts and are fully integrated into the historical-critical text. Total number and percentage statistics for the instances of these coded biases and traits are given per year, per era, and overall.