Illus. in full color. "Winter's story begins with a peg-leg sailor who aids slaves on their escape on the Underground Railroad. While working for plantation owners, Peg Leg Joe teaches the slaves a song about the drinking gourd (the Big Dipper). A couple, their son, and two others make their escape by following the song's directions. Rich paintings interpret the strong story in a clean, primitive style enhanced by bold colors. The rhythmic compositions have an energetic presence that's compelling. A fine rendering of history in picturebook format."--(starred) Booklist.
The stars of the Big Dipper have led a runaway slave family to Deacon Fuller's house, a stop on the underground railroad. Will Tommy Fuller be able to hide the runaways from a search party -- or will the secret passengers be discovered and their hope for freedom destroyed?
Here are Lorraine Hansberry's last three plays--Les Blancs, The Drinking Gourd, and What Use Are Flowers?--representing the capstone of her achievement. Includes a new preface by Jewell Gresham Nemiroff and a revised introduction by Margaret B. Wilkerson.
"Using the alphabet to introduce its contents, this book includes topic such as abolitionists, cowboys, Harlem Renaissance, and Kwanzaa"--Provided by publisher.
Humankind has had a long and intimate association with gourds, and one of them, the bottle gourd, or calabash, may have been man's first cultivated plant. Although grown in the United States today primarily as ornamentals, in other parts of the world gourds have many other important uses. With charming text and stunning black-and-white photographs, The Gourd Book provides fascinating scientific information and folklore about these remarkable plants and keys for identifying species. The first part of the book deals with tree gourds, widely used as containers and for decoration; the Cucurbita gourds, including the buffalo gourd, the Turk's turban, the silver-seed gourd, and the Malabar gourd, all utilized as food, and the beautiful ornamental gourds; the loofah gourds, popular as cosmetic sponges; minor gourds, such as the snake, wax, bitter, teasel, and hedgehog, sometimes used as food or medicine; and gourds mentioned in the Bible. The second part takes up the bottle gourd, which has been used for thousands of years. Even today this gourd is almost indispensable in many parts of the tropics, where species are used to make containers, musical instruments, and clothing, as food and medicine, and in art. The book concludes with a discussion of the gourd in folklore and myth and an appendix on growing, hybridizing, and preserving gourds for decoration. Delightfully written for general readers, this book will also appeal to botanists, anthropologists, horticulturists, and everyone interested in plants or gardening.
This book questions colonial and apartheid ideologies on being human and being African, ideologies that continue to shape how research is conceptualised, taught and practiced in universities across Africa. Africans immersed in popular traditions of meaning-making are denied the right, by those who police the borders of knowledge, to think and represent their realities in accordance with the civilisations and universes they know best. Often, the ways of life they cherish are labelled and dismissed too eagerly as traditional knowledge by some of the very African intellectual elite they look to for protection. The book makes a case for sidestepped traditions of knowledge. It draws attention to Africa’s possibilities, prospects and emergent capacities for being and becoming in tune with its creativity and imagination. It speaks to the nimble-footed flexible-minded “frontier African” at the crossroads and junctions of encounters, facilitating creative conversations and challenging regressive logics of exclusionary identities. The book uses Amos Tutuola’s stories to question dualistic assumptions about reality and scholarship, and to call for conviviality, interconnections and interdependence between competing knowledge traditions in Africa.
Taking its cue from Toni Morrison’s declaration that "language alone protects us from the scariness of things with no names" Kristiana Colón’s promised instruments stitches its own definitions for what is granted, what is surrendered, what is pilfered, and what is reclaimed. Her poems plumb the problem of woman’s sexuality, sexual agency, mental health, and consent with piercing musicality and disarming vulnerability. promised instruments invites its readers to interrogate their own complicity in these issues and share in the healing process.
Imagine leaving everything you’ve ever known—your friends, family, and home—to travel along roads you’ve never seen before, getting help from people you’ve never met before, with the constant threat of capture hovering over your every move. Would you risk your life on the Underground Railroad to gain freedom from slavery? In The Underground Railroad: Navigate the Journey from Slavery to Freedom, readers ages 9 to 12 examine how slavery developed in the United States and what motivated abolitionists to work for its destruction. The Underground Railroad was a network of secret routes and safe houses operated by conductors and station masters, both black and white. Readers follow true stories of enslaved people who braved patrols, the wilderness, hunger, and their own fear in a quest for freedom. In The Underground Railroad, readers dissect primary sources, including slave narratives and runaway ads. Projects include composing a song with a hidden message and navigating by reading the nighttime sky. Amidst the countless tragedies that centuries of slavery brought to African Americans lie tales of hope, resistance, courage, sacrifice, and victory—truly an American story.
On her way to visit her daughter on the other side of the jungle, Grandma encounters a hungry fox, bear, and tiger, and although she convinces them to wait for her return trip, she still must find a way to outwit them all.
