The Documentary Impulse in French Literature
Author:
Publisher: BRILL
Published: 2021-12-28
Total Pages: 252
ISBN-13: 9004484558
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The Documentary Imagination in Twentieth-Century French Literature
Author: Alison James
Publisher: Oxford University Press
Published: 2020-09-03
Total Pages: 277
ISBN-13: 0192603485
DOWNLOAD EBOOKThe Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
Documentary Aesthetics in the Long 1960s in Eastern Europe and Beyond
Author:
Publisher: BRILL
Published: 2023-12-18
Total Pages: 365
ISBN-13: 9004686428
DOWNLOAD EBOOKThis book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today.
French Romantic Travel Writing
Author: Christopher W. Thompson
Publisher: Oxford University Press (UK)
Published: 2012
Total Pages: 466
ISBN-13: 0199233543
DOWNLOAD EBOOKA pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.
Handbook of Art and Global Migration
Author: Burcu Dogramaci
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2019-07-08
Total Pages: 432
ISBN-13: 3110476673
DOWNLOAD EBOOKWie lässt sich eine Kunstgeschichte denken, die prozessuale, performative und transkulturelle Wanderungsbewegungen ins Zentrum ihrer theoretischen und methodischen Analysen rückt? Mit Beiträgen international ausgewiesener Experten gibt das Handbuch erstmals Antworten darauf, welche Konsequenzen das Zusammenwirken von Migration und Globalisierung für die kunstwissenschaftliche Forschung, die kuratorische Praxis sowie die künstlerische Produktion und Theorie hat. Ziel der vielstimmigen Anthologie ist es, einen interdisziplinären Diskurs zum „migratory turn" in der Kunstgeschichte zu eröffnen.
Queer Sexualities in French and Francophone Literature and Film
Author: James Day
Publisher: Rodopi
Published: 2007
Total Pages: 231
ISBN-13: 9042022655
DOWNLOAD EBOOKThe steady development of queer theory over the last two decades has provided useful analytical tools and the will to dismiss the watchdog of heteronormativity. Modes of reading have evolved, as this volume of FLS amply attests. Following Bill Edmiston's introduction to the volume -- a concise and informative history of queer theory -- the fifteen articles reveal, not surprisingly, significant diversity. One deals with queerness in the context of medieval writing where allegorical and euphemistic expression were understood to be irreconcilable. Another treats translations in Early Modern France of an Ovidian fable that had an inconvenient lesbian dimension. Rousseau's fixation on his bottom (e.g., for spankings) points to a queer streak, while Gautier's Mademoiselle de Maupin enhances the theme of sexual misidentity with ornamental figures. The queerness of Sand's La Mare au diable emerges in the course of a contrasexual reading. A musicologist investigates the possibility of a lesbian esthetics of music in a work by Erik Satie, while a literary scholar finds evidence of Proust's "outing" in Jean Santeuil. Other articles address the sense of gender transformation wrought by sodomy, a revised view on the writing subject in Jean Genet's fiction, the queerness of heterosexuality in the works of Michel Houellebecq, and recurring motifs in recent fiction produced by "gay Paris." Two of the articles treat activism and esthetics in film.
Consumer Chronicles
Author: David H. Walker
Publisher: Oxford University Press
Published: 2011
Total Pages: 336
ISBN-13: 1846314879
DOWNLOAD EBOOKAt a time when the world is facing the depletion of nonrenewable natural resources, consumer society is increasingly being called into question. Nowhere is this more evident than in France, where the consumer revolution has long been perceived as a challenge to artisanal crafts, local business, and other key elements of French culture. David H. Walker here charts the portrayal of consumer behavior in the works of Gide, Zola, Jean Valmy-Basse, and Elsa Triolet and analyzes these testimonies in relation to their social, cultural and historical milieu. Consumer Chronicles offers an imaginative look at the impact of affluence on French consumers, shopkeepers, and society and provides valuable insight into the history of the consumer mentality in the twentieth century.
Romancing the Cathedral
Author: Elizabeth Emery
Publisher: State University of New York Press
Published: 2001-09-20
Total Pages: 246
ISBN-13: 0791489833
DOWNLOAD EBOOKRomancing the Cathedral explores the late-nineteenth-century French passion for Gothic architecture, particularly the cathedral. Though maligned in the seventeenth and eighteenth centuries and vandalized during the French Revolution, by World War I the cathedral was considered "the genius of the French nation," a privileged and patriotic work of art that surpassed such other national artworks as Wagner's operas and the Parthenon. However, the moment at which the Gothic style finally reached near-universal acclaim in France also coincided with one of the most anti-clerical periods of French history, the years surrounding the separation of church and state. Taking this contradiction as a starting point, Elizabeth Emery explores how the cathedral's popularity stemmed from its semantic richness as well as its glorification in the works of such writers and artists as Emile Zola, J.-K. Huysmans, Marcel Proust, Paul Claudel, Claude Monet, Auguste Rodin, and others. Using their works as a springboard, Emery examines the ways in which they responded and contributed to prevailing discourses about the cathedral. Interdisciplinary in nature, Romancing the Cathedral will appeal to those interested in Gothic art and architecture, European cultural studies, medievalism, and French literature.
A Taste for the Foreign
Author: Ellen R. Welch
Publisher: Rutgers University Press
Published: 2011-03-14
Total Pages: 246
ISBN-13: 1644531402
DOWNLOAD EBOOKA Taste for the Foreign examines foreignness as a crucial aesthetic category for the development of prose fiction from Jacques Amyot’s 1547 translation of The Ethiopian Story to Antoine Galland’s early eighteenth-century version of The Thousand and One Nights. While fantastic storylines and elements of magic were increasingly shunned by a neo-classicist literary culture that valued verisimilitude above all else, writers and critics surmised that the depiction of exotic lands could offer a superior source for the novelty, variety, and marvelousness that constituted fiction’s appeal. In this sense, early modern fiction presents itself as privileged site for thinking through the literary and cultural stakes of exoticism, or the taste for the foreign. Long before the term exoticism came into common parlance in France, fiction writers thus demonstrated their understanding of the special kinds of aesthetic pleasure produced by evocations of foreignness, developing techniques to simulate those delights through imitations of the exotic. As early modern readers eagerly consumed travel narratives, maps, and international newsletters, novelists discovered ways to blur the distinction between true and imaginary representations of the foreign, tantalizing readers with an illusion of learning about the faraway lands that captured their imaginations. This book analyzes the creative appropriations of those scientific or documentary forms of writing that claimed to inform the French public about exotic places. Concentrating on the most successful examples of some of the most important sub-genres of prose fiction in the long seventeenth century—heroic romances, shorter urban novels, fictional memoirs, and extraordinary voyages—the book examines how these types of fiction creatively appropriate the scientific or documentary forms of writing that claimed to inform the French public about exotic places. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Benjamin Studien
Author: Helga Geyer-Ryan
Publisher: Rodopi
Published: 2002
Total Pages: 244
ISBN-13: 9789042012851
DOWNLOAD EBOOKThe first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997. Its title bears witness to the most central concepts of Benjamin's philosophy of culture. Strongly influenced as he was by Kant, Benjamin never lost his inclination to analyse the components of reality as fashioned by ourselves. Because he was also a materialist, for him the modes of fashioning were shaped in turn by the times and places we occupy in history. As a consequence, Benjamin's theory assigns a pivotal role in the interaction between the world and its inhabitants to the media: language with its plethora of discourses, the arts, and the whole technology of reproduction. The historical and social development of the media is, translated, according to him, into our instruments of perception, and this perception constructs the elements of the world, the knowledge of this construction and the knowledge of the constructor. The self-knowledge of the constructor is what we call 'experience'. Within this broad epistemological framework, the diversity and complexity of Benjamin's project acquires a fundamental coherence and is therefore able to accommodate the temporal volatility of the phenomena of our world. It's not surprising, therefore, that Perception & Experience offers the most stimulating variety of topics, and that the keynote lectures reflect merely an intensification of interest in certain areas within a much larger field of investigation. The texts presented here pinpoint the central preoccupations of today's debates amongst Benjamin scholars, preoccupations which are themselves responses to our own historical imperatives.
