British Museum
Author: British Museum (Londen)
Publisher:
Published: 1883
Total Pages: 406
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: British Museum (Londen)
Publisher:
Published: 1883
Total Pages: 406
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1891
Total Pages: 706
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1946
Total Pages: 668
ISBN-13:
DOWNLOAD EBOOKAuthor: British Library
Publisher:
Published: 1946
Total Pages: 670
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
Publisher:
Published: 1979
Total Pages: 590
ISBN-13:
DOWNLOAD EBOOKAuthor: British museum. Dept. of printed books
Publisher:
Published: 1931
Total Pages: 544
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Michigan. Library
Publisher:
Published: 1950
Total Pages: 228
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
Publisher:
Published: 1967
Total Pages: 1292
ISBN-13:
DOWNLOAD EBOOKAuthor: Origen
Publisher:
Published: 1911
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: Roland Betancourt
Publisher: Cambridge University Press
Published: 2021-05-13
Total Pages: 356
ISBN-13: 1108870872
DOWNLOAD EBOOKTracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.