The Discourse of Light from the Middle Ages to the Enlightenment
Author: David C. Lindberg
Publisher:
Published: 1985
Total Pages: 128
ISBN-13:
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Author: David C. Lindberg
Publisher:
Published: 1985
Total Pages: 128
ISBN-13:
DOWNLOAD EBOOKAuthor: David S. Herrstrom
Publisher: Rowman & Littlefield
Published: 2022-11-21
Total Pages: 389
ISBN-13: 1683933648
DOWNLOAD EBOOKIn Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.
Author: Junko Theresa Mikuriya
Publisher: Bloomsbury Publishing
Published: 2016-12-15
Total Pages: 189
ISBN-13: 1474254209
DOWNLOAD EBOOKWhen was photography invented, in 1826 with the first permanent photograph? If we depart from the technologically oriented accounts and consider photography as a philosophical discourse an alternative history appears, one which examines the human impulse to reconstruct the photographic or “the evoking of light”. It's significance throughout the history of ideas is explored via the Platonic Dialogues, Iamblichus' theurgic writings, and Marsilio Ficino's texts. This alternative history is not a replacement of other narratives of photographic history but rather offers a way of rethinking photography's ontological instability.
Author: David C. Lindberg
Publisher:
Published: 1985
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Kristen Collins
Publisher: Getty Publications
Published: 2024-09-17
Total Pages: 274
ISBN-13: 1606069284
DOWNLOAD EBOOKSumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural world. Through essays written by contributors from the fields of art history, the history of science, and neuroscience, and with more than two hundred illustrations, including glimmering golden reliquaries, illuminated manuscripts, rock crystal vessels, astronomical instruments, and more, Lumen cuts across religious, political, and geographic boundaries to reveal the ways medieval Christian, Jewish, and Islamic artists, theologians, and thinkers studied light. To convey the sense of wonder created by moving light on precious materials, a number of contemporary artworks are placed in dialogue with historic objects.
Author: Katherine Tachau
Publisher: BRILL
Published: 2022-07-11
Total Pages: 450
ISBN-13: 9004451722
DOWNLOAD EBOOKWhen William of Ockham lectured on Lombard’s Sentences in 1317-1319, he articulated a new theory of knowledge. Its reception by fourteenth-century scholars was, however, largely negative, for it conflicted with technical accounts of vision and with their interprations of Duns Scotus. This study begins with Roger Bacon, a major source for later scholastics’ efforts to tie a complex of semantic and optical explanations together into an account of concept formation, truth and the acquisition of certitude. After considering the challenges of Peter Olivi and Henry of Ghent, Part I concludes with a discussion of Scotus’s epistemology. Part II explores the alternative theories of Peter Aureol and William of Ockham. Part III traces the impact of Scotus, and then of Aureol, on Oxford thought in the years of Ockham’s early audience, culminating with the views of Adam Wodeham. Part IV concerns Aureol’s intellectual legacy at Paris, the introduction of Wodeham’s thought there, and Autrecourt’s controversies.
Author: Jacqueline I. Stone
Publisher: University of Hawaii Press
Published: 2003-05-31
Total Pages: 578
ISBN-13: 9780824827717
DOWNLOAD EBOOKOriginal enlightenment thought (hongaku shiso) dominated Buddhist intellectual circles throughout Japan’s medieval period. Enlightenment, this discourse claims, is neither a goal to be achieved nor a potential to be realized but the true status of all things. Every animate and inanimate object manifests the primordially enlightened Buddha just as it is. Seen in its true aspect, every activity of daily life—eating, sleeping, even one’s deluded thinking—is the Buddha’s conduct. Emerging from within the powerful Tendai School, ideas of original enlightenment were appropriated by a number of Buddhist traditions and influenced nascent theories about the kami (local deities) as well as medieval aesthetics and the literary and performing arts. Scholars and commentators have long recognized the historical importance of original enlightenment thought but differ heatedly over how it is to be understood. Some tout it as the pinnacle of the Buddhist philosophy of absolute non-dualism. Others claim to find in it the paradigmatic expression of a timeless Japanese spirituality. According other readings, it represents a dangerous anti-nomianism that undermined observance of moral precepts, precipitated a decline in Buddhist scholarship, and denied the need for religious discipline. Still others denounce it as an authoritarian ideology that, by sacralizing the given order, has in effect legitimized hierarchy and discriminative social practices. Often the acceptance or rejection of original enlightenment thought is seen as the fault line along which traditional Buddhist institutions are to be differentiated from the new Buddhist movements (Zen, Pure Land, and Nichiren) that arose during Japan’s medieval period. Jacqueline Stone’s groundbreaking study moves beyond the treatment of the original enlightenment doctrine as abstract philosophy to explore its historical dimension. Drawing on a wealth of medieval primary sources and modern Japanese scholarship, it places this discourse in its ritual, institutional, and social contexts, illuminating its importance to the maintenance of traditions of lineage and the secret transmission of knowledge that characterized several medieval Japanese elite culture. It sheds new light on interpretive strategies employed in pre-modern Japanese Buddhist texts, an area that hitherto has received a little attention. Through these and other lines of investigation, Stone problematizes entrenched notions of “corruption” in the medieval Buddhist establishment. Using the examples of Tendai and Nichiren Buddhism and their interactions throughout the medieval period, she calls into question both overly facile distinctions between “old” and “new” Buddhism and the long-standing scholarly assumptions that have perpetuated them. This study marks a significant contribution to ongoing debates over definitions of Buddhism in the Kamakura era (1185–1333), long regarded as a formative period in Japanese religion and culture. Stone argues that “original enlightenment thought” represents a substantial rethinking of Buddhist enlightenment that cuts across the distinction between “old” and “new” institutions and was particularly characteristic of the medieval period.
Author: Nathanael Culverwel
Publisher:
Published: 1669
Total Pages: 416
ISBN-13:
DOWNLOAD EBOOKAuthor: J.L. Mancha
Publisher: Taylor & Francis
Published: 2023-07-21
Total Pages: 353
ISBN-13: 1000944492
DOWNLOAD EBOOKIn this selection of studies, J.L. Mancha explores aspects of the development of medieval optics and astronomy, including some medieval antecedents of the work of early modern astronomers. The articles deal with Latin, Hebrew and Arabic texts, and the process of translation and transmission of knowledge, and focus on three main themes. First, the theory and astronomical use of the pinhole camera in the 12th and 13th centuries; the texts edited here contain a solution to the problem of the formation of images cast by light through triangular apertures, equivalent to Kepler's, a description of the correct procedure for measuring solar apparent diameters using finite apertures, and a derivation of the Sun's eccentricity from its apparent diameters at apogee and perigee. Second, the characteristics of the Latin and Provençal versions of Levi ben Gerson's astronomical work, composed in collaboration with the author, as well as his tables and canons for finding syzygies and the mathematical methods used in the derivation of parameters. Third, different aspects of the survival of homocentric astronomy in the Middle Ages, especially al-Bitruji's model for trepidation and the technique for calculating the hippopede resulting from Eudoxan couples.
Author: Teresa Brennan
Publisher: Routledge
Published: 2013-09-05
Total Pages: 224
ISBN-13: 1136047344
DOWNLOAD EBOOKVision and the gaze are key issues in the analysis of racism, sexism and ethnocentrism. In recent radical theory, generally, and French theory in particular, vision has been seen as a means of control. But this view is often unnuanced. It bypasses questions such as: Why is it that contemporary theories have been so critical of vision, and generous towards listening (in psychoanalysis) and language (in philosophy)? This collection of original essays brings together historical studies and contemporary theoretical perspectives on vision. The historical papers focus in turn on Ancient Greece, medieval theology, the Renaissance, the Enlightenment and the nineteenth century. These historical studies are themselves thoroughly informed by poststructuralist theory. They provide a rigorous background for several new, exciting articles on vision and its bearings for feminism, race, sexual orientation, film and art. This collection is the first of its kind in juxtaposing historical and contemporary