Although Calderon's comedy has received rather less attention than the other genres in which he excelled, it is widely acknowledged that his comic plays are inrivalled among his contemporaries in terms of plot structure and technical expertise; they also explore contemporary issues to an extent which has not been appreciated. "
Through readings of plays by six Spanish Golden Age dramatists, Blue examines relations between the work of art and its historical moment. While offering new insights into the plays, Blue tries to bridge what he sees as the two macro-currents of twentieth-century criticism: the archaelogical and the literary interpretive. He brings to bear elements of structuralism, semiotics, reader-response criticism, deconstruction, and new historical approaches on comedia. From the readings, the plays emerge as fields of con- flict on which the artistic, symbolic, and historical-cultural forces converge but do not merge either in the action or in the quick-silver, ambiguous language of the plays.
This study illustrates how a focus on language, which is manifest in so much of contemporary literary theory, can help to open some of the canonical texts of Spanish Golden Age theater to new readings.
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.