In this bestselling book that inspired the hit movie by the same name, starring Frank Sinatra, an apparent suicide forces a PI to reconsider his most famous case Joe Leland returned from World War II with a chest full of medals, but his greatest honor came after he traded his pilot’s wings for a detective’s shield. Catching the Leikman killer made Joe a local hero, but the shine quickly wore off, and it wasn’t long before he left the police force to start his own private agency. Years after his greatest triumph, Joe has a modest income and a quiet life—both of which may soon fall apart. When Colin MacIver dies at the local racetrack, the coroner rules that he took his own life, but his widow knows better. Because MacIver’s life insurance policy doesn’t cover suicide, his wife is left broke, desperate, and afraid for her safety. She hires Leland to find out who could have killed her gentle, unassuming husband—a simple question that will turn this humble city inside out.
Tim Cotton has been a police officer for more than thirty years. The writer in him has always been drawn to the stories of the people he has met along the way. Dealing with the standard issue ne’er-do-wells as a patrol officer, homicide detective, polygraph examiner, and later as the lieutenant in charge of the criminal investigation division certainly provides an interesting backdrop—but more often he writes about the regular folks he encounters, people who need his help, or those who just want to share a joke or even a sad story. The Detective in the Dooryard is composed of stories about the people, places, and things of Maine. There are sad stories, big events, and even the very mundane, all told from the perspective of a seasoned police office and in the wry voice of a lifelong Mainer. Many of the stories will leave you chuckling, some will invariably bring tears to your eyes, but all will leave you with a profound sense of hope and positivity.
Winner of the Nebula Award and British Fantasy Award for Best Novella Finalist for the Hugo Award, Locus Award, and World Fantasy Award for Best Novella “A window onto a beautifully developed world that widens the meaning of space opera.” —The New York Times Once, the mindship known as The Shadow's Child was a military transport. Once, she leapt effortlessly between stars and planets, carrying troops and crew for a war that tore the Empire apart. Until an ambush killed her crew and left her wounded and broken. Now the war is over, and The Shadow's Child, surviving against all odds, has run away. Discharged and struggling to make a living, she has no plans to go back into space. Until the abrasive and arrogant scholar Long Chau comes to see her. Long Chau wants to retrieve a corpse for her scientific studies: a simple enough, well-paid assignment. But when the corpse they find turns out to have been murdered, the simple assignment becomes a vast and tangled investigation, inexorably leading back to the past--and, once again, to that unbearable void where The Shadow's Child almost lost both sanity and life... “[The Tea Master and the Detective] is a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.” —Amal El-Mohtar, The New York Times “The Tea Master and the Detective is the Sherlock Holmes retelling I always wanted and now I have it. And I want so much more of it.” —Ana Grilo, Kirkus “The Tea Master is an astonishing Holmesian mystery, in which Holmes is a woman and Watson is a spaceship. It is everything I wanted it to be. Tea, space, and mysteries within mysteries.” —Mary Robinette Kowal “Ingenious... As a classical blend of far-future SF and traditional murder mystery, The Tea Master and the Detective should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.” —Gary K. Wolfe, Locus “De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.” —Publishers' Weekly
This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested.
Robert James, a private detective more interested in chronicling his cases than solving them, gets a midnight call from a young woman whose older husband has been found with a knife in his chest. Murder, corruption, and betrayal ensue, but hapless Robert and his sidekick can't stop drinking and philosophizing long enough to keep up.
Freddy the pig does some detective work in order to solve the mystery of the missing toy train. The delightful detective story about the beloved animal characters on Mr. Bean's farm, whose adventures have entertained so many children. Freddy the Pig has been reading Sherlock Holmes and knows that he, too, can apply his brain to solving mysteries. beginning with Farmer Bean's son's loss of a toy train Freddy becomes very efficient in the apprehension of criminals. In the end he not only solves the case of the murdered crow, but successfully acts as defense attorney for the falsely accused Jinx the cat. How often did Sherlock do that?
