This fourth volume in the Dedalus European Fantasy series offers a rich feast of bewitched houses, roads that lead nowhere, hanged men who descend from the scaffold in order to help the living, churches buried beneath the sea, and cannibalism. In addition to the well-known masters Eca de Queiroz and Mario de SaCarneiro, contributors include Jose Rodrigues Migueis, Domingo Monteiro, Failho de Almeida, Jose Regio, David Mourao-Ferreira, Alvaro do Carvalhal, Ferreira de Castro, and Almada Negreiros, most appearing for the first time in English translation.
The Dedalus Book of Dutch Fantasy is the most ambitious and wide-ranging anthology of Dutch fiction ever to appear in English, and reads like the Who's Who of Dutch Literature, with stories by the undisputed contemporary masters such as Gerard Reve and Harry Mulisch, and classic authors such as Couperus, Van Schendel and Vestdijk, as well as many of the rising stars of the younger generation; Frans Kellendonk, A.F.TH. Van Der Heijden and P.F. Thomese. The stereotype of the Dutch that most immediately springs to mind is that of a clean, orderly, and down-to-earth people. Richard Huijing reveals the other side of this society; that of a dark netherworld of the macabre, the weird, the perverted, the violent and the fancifully impossible conjured up by a host of the finest writers in the Dutch language of the last hundred years.
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.
Take Six is a celebration of six remarkable Portuguese women writers: Sophia de Mello Breyner Andresen, Agustina Bessa-Luís, Maria Judite de Carvalho, Hélia Correia, Teolinda Gersão and Lídia Jorge. They are all past mistresses of the short story form, and their subject matter ranges from finding one’s inner fox to a failed suicide attempt to a grandmother and grandson battling the wind on a beach. Stories and styles are all very different, but what the writers have in common is their ability to take everyday life and look at it afresh, so that even a trip on a ferry or an encounter with a stranger or a child’s attempt to please her father become imbued with mystery and humour and sometimes tragedy. Relatively few women writers are translated into English, and this anthology is an attempt to rectify that imbalance and to introduce readers to some truly captivating tales from Portugal.
The Rough Guide to Portugal is the essential travel guide with clear maps and coverage of the country's unique attractions. The Rough Guide to Portugal guides you around the fashionable cities of Lisbon and Porto, takes you hiking in the hills of central and northern Portugal, and covers every beach along the Algarve making it the ideal companion whether you're on a city break, beach holiday, walking or driving. The guide unearths the best sites, hotels, restaurants, and nightlife across every price range- from backpacker hostels to beachfront villas and boutique hotels. You'll find specialist coverage of Portugese history, art and literature and detailed information on the best markets and shopping for each region. The locally-based Rough Guide author team introduce the best vineyards, country taverns and fado clubs and provide reliable insider tips from driving Portugal's roads to shopping for linen and lace. Explore all corners of Portugal with authoritative background on everything from Porto's architecture to surfing at Peniche, relying on handy language tips and the clearest maps of any guide. Make the most of your holiday with The Rough Guide to Portugal.
This is the eighth volume in Dedalus's highly acclaimed European literary fantasy series and follows volumes from Austrian, Dutch, Finnish, Greek, Polish, Portuguese and Spanish. During the nineteenth-century, Belgian literature was still largely written in the language of education, French. Then the Flemings, who inhabit the northern half of Belgium, became aware of the value of their own language, whose standardised form is, to all intents and purposes, Dutch. Modern Flemish literature was born. This anthology incorporates fantasy stories from the early twentieth century to the present day. The types of fantasy are various: horror, mysticism and magical realism being the dominant ones. One of the early authors is Felix Timmermans who started out with horror stories, but later ended up writing his inimitable Vitalist novels. Two magic realist authors stand out: Johan Daisne and Hubert Lampo. And horror is well represented by several authors including Hugo Claus, Hugo Raes and Ward Ruyslinck - all household names in Flanders. Interesting new authors include Annelies Verbeke and Peter Verhelst.
This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some of the most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is unashamedly canonical rather than thematic in its examination of central authors and periods, without neglecting female writers. In this way it provides basic reference materials for students beginning the study of Portuguese literature, and for a wider audience looking for general or specific information. The editors have made a principled decision to exclude both Brazilian and African literature, which demand separate treatment. STEPHEN PARKINSON, CLAUDIA PAZOS ALONSO and T. F. EARLE are all members of the Sub-Faculty of Portuguese at the University of Oxford. CONTRIBUTORS: Vanda Anast cio, Helena Carvalhao Buescu, Rip Cohen, T. F. Earle, David Frier, Lu s Gomes, Mariana Gray de Castro, Helder Macedo, Patricia Odber de Baubeta, Hilary Owen, Stephen Parkinson, Cl udia Pazos Alonso, Juliet Perkins, Teresa Pinto Coelho, Phillip Rothwell, Mark Sabine, Claire Williams, Clive Willis.
This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.
