Alexander (American studies and literature, U. of Gdansk, Poland), who has written about other Jewish authors, explores the bleak worldview of a British novelist from a Polish-Jewish background. She analyzes Brookner's zoom-in portrayal of her protagonists' faith in a better world despite exile, loneliness, and acceptance of authority and a class system, in 19 short novels from The Debut (1981) to Undue Influence (1999). Annotation copyrighted by Book News, Inc., Portland, OR
This Side of Paradise is the debut novel by F. Scott Fitzgerald. It was published in 1920. Taking its title from a line of Rupert Brooke's poem Tiare Tahiti, the book examines the lives and morality of post-World War I youth. Its protagonist, Amory Blaine, is an attractive Princeton University student who dabbles in literature. The novel explores the theme of love warped by greed and status seeking. The novel famously helped F. Scott Fitzgerald gain Zelda Sayre's hand in marriage due to its success.
Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.
Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studies Focused, critical explorations of authors and subjects of critical importance to American fiction Topics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020 The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction.
Asian Americans are a growing, minority population in the United States. After a 46 percent population growth between 2000 and 2010 according to the 2010 Census, there are 17.3 million Asian Americans today. Yet Asian Americans as a category are a diverse set of peoples from over 30 distinctive Asian-origin subgroups that defy simplistic descriptions or generalizations. They face a wide range of issues and problems within the larger American social universe despite the persistence of common stereotypes that label them as a "model minority" for the generalized attributes offered uncritically in many media depictions. Asian American Society: An Encyclopedia provides a thorough introduction to the wide–ranging and fast–developing field of Asian American studies. Published with the Association for Asian American Studies (AAAS), two volumes of the four-volume encyclopedia feature more than 300 A-to-Z articles authored by AAAS members and experts in the field who examine the social, cultural, psychological, economic, and political dimensions of the Asian American experience. The next two volumes of this work contain approximately 200 annotated primary documents, organized chronologically, that detail the impact American society has had on reshaping Asian American identities and social structures over time. Features: More than 300 articles authored by experts in the field, organized in A-to-Z format, help students understand Asian American influences on American life, as well as the impact of American society on reshaping Asian American identities and social structures over time. A core collection of primary documents and key demographic and social science data provide historical context and key information. A Reader′s Guide groups related entries by broad topic areas and themes; a Glossary defines key terms; and a Resource Guide provides lists of books, academic journals, websites and cross references. The multimedia digital edition is enhanced with 75 video clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Available in both print and online formats, this collection of essays is a must-have resource for general and research libraries, Asian American/ethnic studies libraries, and social science libraries.
Heavy Metal: The Story in Pictures is a colorful guide to this complex but enormously popular subject, including a look at festivals, fans, and the heavy metal lifestyle. Over 350 photographs feature heavy metal's cutting-edge bands on stage—with some candid behind-the-scenes shots, too. Each chapter starts with a detailed chronological timeline of major events—band formations and fold-ups; seminal album releases; important tours and gigs—followed by a photographic coverage of the decade. Heavy metal developed in the late 1960s and early 1970s in the United Kingdom and the United States. With roots in blues, progressive, and psychedelic rock, heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. It did not take long before the first heavy metal bands—the blues-based Led Zeppelin, Black Sabbath, and Deep Purple being the leaders—attracted large audiences and significant album sales. Often critically and publicly reviled—something that is true to this day—few of these hard rock pioneers would continue on into the heavy metal genre. By the mid-1970s, Judas Priest helped spur the genre’s evolution by discarding much of its blues influence. Motörhead introduced a punk-rock sensibility and an increasing emphasis on speed. Bands such as Iron Maiden, Def Leppard, and Saxon followed in a similar vein. Before the end of the 1970s, heavy metal had attracted a huge following of headbanging fans. Behind the music ran a vein of anti-authoritarianism and—more insinuated than real—Satanism and black magic that really got the pundits talking, as did the aggression and violence implied by so many band names and song titles. Heavy Metal: The Story in Pictureslooks carefully at the ancient history—the 1960s through to the start of the 1980s—but the bulk of the book concentrates on the last 30 years that saw the splintering of the genre into a myriad forms: from the great thrash metal bands—Exodus, Metallica, Anthrax, Megadeath, Slayer and then Kreator, Sodom, and Destruction, and Brazil’s Sepultura—to metalcore, that combines various elements of extreme metal and hardcore punk, by way of death metal, black metal, power metal, doom metal, gothic metal, glam metal, alternative metal, nu metal, folk metal, Viking metal, drone metal, sludge metal, extreme metal, and even retro-metal. From Donington to Ozzfest, Hard Rock Hell to Sonisphere, festival-going has become a rite of passage in the metal world. With Heavy Metal: The Story in Pictures, get an up-close look at Hellfest, FortaRock, Zwergenaufstand Open Air, Eisenwahn, Wacken, and Jalometalli and take a stunning visual tour through the evolution of heavy metal.
Embark on a journey of social grace and refinement with W.C. Green's timeless guide, "The Book of Good Manners: A Guide to Polite Usage for All Social Functions." Navigate through the intricate nuances of polite society and elevate your interactions with elegance and poise. Discover the secrets to mastering social etiquette, from formal gatherings to casual encounters. Let Green's wisdom be your compass in a world where manners are the cornerstone of respect and civility. But amidst the rules and rituals, do you ever wonder: What do good manners truly signify? Are they merely a facade, or do they reflect something deeper about our character and values? Uncover the hidden meanings behind social niceties and delve into the art of genuine connection. With every polite gesture and courteous exchange, are we not forging bonds that enrich our lives? Are you ready to unlock the power of good manners and enrich your social interactions? Immerse yourself in Green's insightful observations and practical advice, presented in concise, easy-to-follow paragraphs. Transform every social encounter into an opportunity for grace and goodwill. Join the ranks of those who understand the profound impact of good manners. Begin your journey towards social refinement today! Embrace the opportunity to refine your social skills and enrich your relationships. Purchase "The Book of Good Manners: A Guide to Polite Usage for All Social Functions" now, and embark on a path towards greater elegance and sophistication. ```
The Selling and Self-Regulation of Contemporary Poetry is the first book-length study of the contemporary poetry industry. By documenting radical changes over the past decade in the way poems are published, sold, and consumed, it connects the seemingly small world of poetry with the other, wider creative industries. In reassessing an art form that has been traditionally seen as free from or even resistant to material concerns, the book confronts the real pressures – and real opportunities – faced by poets and publishers in the wake of economic and cultural shifts since 2008. The changing role of anthologies, prizes, and publishers are considered alongside new technologies, new arts policy, and re-conceptions of poetic labour. Ultimately, it argues that poetry’s continued growth and diversification also leaves individuals with more responsibility than ever for sustaining its communities.
Modern beauty contests were invented by P.T. Barnum in the United States, but in the 20th century pageants and contests have spread across the entire world from Nepal to Tierra Del Fuego. Why are women (and sometimes men in drag) parading on stage such a universally appealing spectacle, attracting an audience in the billions? This book is the first global comparison of pageants from different parts of the world, at the ways each contest is both intensely local and unique, and simultaneously global and remarkable repetitious. The authors use the latest tools of feminist, ethnographic, and literary scholarship to unpack and interpret one of the greatest and most universal spectacles of modern times.
Difficult as it is for some to imagine what people relied on for home entertainment in the evening before television--it was that equally big medium, radio. Its programs were the precursors to the popular television sitcoms and dramas of today. This work provides two main kinds of information: month-by-month prime time (7pm to 11pm) schedules from January 1929 through July 1961, for all national broadcasting networks, and a detailed listing of all network programming moves (from July 1926 until August 1967), including series premieres, cancellations, and time slot moves, plus a yearly recap of key programming moves. Only regularly scheduled series are included. Single event or special programming is not included. The book is divided into seven chapters, one for each night of the week; each chapter consists of individual month-by-month prime time schedules for each network followed by a detailed chronological listing of each of that network's series and programming moves.
