There are two forms of atheism, not just one, and in the death of ignorant atheism, James Duncan shows how important it is for both believers and non-believers to understand the difference between the two. The book addresses and debunks the common objections raised by modern atheists against the existence of the creator, and convincingly demonstrates how atheism is just empty fiction that exists within western society due to wide spread ignorance, and that most professing atheists would renounce the idea if they were truly aware of its self-contradictory and illogical nature. This book exposes modern atheism for what it really is.
The death of ignorant atheism effectively shows atheism to be false. In this book, James Duncan seeks to clear up the misconceptions associated with atheism and belief in God, and draw attention to the fact that the true meaning of atheism is virtually unknown to the general public. Most people are unaware of the fact that there are actually two different groups of people with completely different beliefs who both identify themselves as 'atheists'. The first and most common group are those who are simply unaware of the true philosophical understanding of the term "God", and therefore profess to atheists out of ignorance. The second type are those who know that atheism is unworkable, but deny the existence of a creator for their own private reasons. This book demonstrates how the most common arguments in favour of atheism cannot withstand simple logical analysis.
Is Atheism Dead? is an entertaining, impressively wide-ranging, and decidedly provocative answer to that famous 1966 TIME cover that itself provocatively asked “Is God Dead?” In a voice that is by turns witty, muscular, and poetic, Metaxas intentionally echoes C.S. Lewis and G.K. Chesterton in cheerfully and logically making his astonishing case, along the way presenting breathtaking—and often withering—new evidence and arguments against the idea of a Creatorless universe. Taken all together, he shows atheism not merely to be implausible and intellectually sloppy, but now demonstrably ridiculous. Perhaps the only unanswered question on the subject is why we couldn’t see this sooner, and how embarrassed we should be about it.
Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? and Where do we find hope? We are introduced to the detail of different belief systems - Judaism, Christianity, Islam - and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position. Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Brontë sisters. Antony Lowenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam. Provocative, informative and passionately argued, For God's Sake encourages us to accept religious differences but to also challenge more vigorously the beliefs that create discord.
Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.
Christianity, Islam, and atheism argues that Islam is a religion of conquest and subjugation and that in spite of 9/11 and thousands of other terrorist attacks thoughout the world, many in the West still do not know or admit this because it conflicts with their multiculturalism and their belief in the equivalence of all cultures and religions
In much of the Muslim world, religion is the central foundation upon which family, community, morality, and identity are built. The inextricable embedment of religion in Muslim culture has forced a new generation of non-believing Muslims to face the heavy costs of abandoning their parents’ religion: disowned by their families, marginalized from their communities, imprisoned, or even sentenced to death by their governments. Struggling to reconcile the Muslim society he was living in as a scientist and physician and the religion he was being raised in, Ali A. Rizvi eventually loses his faith. Discovering that he is not alone, he moves to North America and promises to use his new freedom of speech to represent the voices that are usually quashed before reaching the mainstream media—the Atheist Muslim. In The Atheist Muslim, we follow Rizvi as he finds himself caught between two narrative voices he cannot relate to: extreme Islam and anti-Muslim bigotry in a post-9/11 world. The Atheist Muslim recounts the journey that allows Rizvi to criticize Islam—as one should be able to criticize any set of ideas—without demonizing his entire people. Emotionally and intellectually compelling, his personal story outlines the challenges of modern Islam and the factors that could help lead it toward a substantive, progressive reformation.
Drawing primarily on the work of Alain Badiou and Jean-Luc Nancy, plus Quentin Meillassoux and Slavoj Zizek, Watkin explores the theme of atheism through the ideas of the death of God and nihilism in contemporary French philosophy.
A Publishers Weekly Best Book of 2014 From one of England’s most distinguished intellectual historians comes “an exhilarating ride…that will stand the test of time as a masterful account of” (The Boston Globe) one of the West’s most important intellectual movements: Atheism. In 1882, Friedrich Nietzche declared that “God is dead” and ever since tens of thousands of brilliant, courageous, thoughtful individuals have devoted their creative energies to devising ways to live without God with self-reliance, invention, hope, wit, and enthusiasm. Now, for the first time, their story is revealed. A captivating story of contest, failure, and success, The Age of Atheists sweeps up William James and the pragmatists; Sigmund Freud and psychoanalysis; Pablo Picasso, James Joyce, and Albert Camus; the poets of World War One and the novelists of World War Two; scientists, from Albert Einstein to Stephen Hawking; and the rise of the new Atheists—Dawkins, Harris, and Hitchens. This is a story of courage, of the thousands of individuals who, sometimes at great risk, devoted tremendous creative energies to devising ways to fill a godless world with self-reliance, invention, hope, wit, and enthusiasm. Watson explains how atheism has evolved and reveals that the greatest works of art and literature, of science and philosophy of the last century can be traced to the rise of secularism. From Nietzsche to Daniel Dennett, Watson’s stirring intellectual history manages to take the revolutionary ideas and big questions of these great minds and movements and explain them, making the connections and concepts simple without being simplistic. The Age of Atheists is “highly readable and immensely wide-ranging…For anybody who has wondered about the meaning of life…an enthralling and mind-expanding experience” (The Washington Post).
"There is only one way to deal with bullies, even in this politically correct world—and that is to crush them." USA Today bestselling author Anthony DeStefano is tired of playing nice. After years of responding patiently and agreeably to the pseudo-intellectual arguments and tactics of today’s militant atheists, he’s had enough. In this entertaining, no-holds-barred retort to atheism and its proponents, DeStefano reveals the intellectual bankruptcy at atheism’s core and equips believers to respond to its hollow arguments. A witty and devastating takedown of the "new atheist" position, Inside the Atheist Mind systematically debunks the theories of Richard Dawkins, Christopher Hitchens, Sam Harris, and others, revealing how inconsistent, illogical, and frankly ludicrous their conclusions truly are. Poking fun at atheists in a clever and intelligent way, DeStefano demonstrates just how full of holes the new atheism is and reveals that it is actually a "religion" of its own, complete with a creed, a set of commandments and sacraments, and a rigid moral code with rewards and punishments. More than that, DeStefano exposes that atheism is itself a "superstition" of the worst kind. Using irony and a healthy dose of playful sarcasm, Inside the Atheist Mind lampoons, teases, and deflates the atheist position, unmasking it for what it is--an empty, intellectually barren philosophy, devoid of any logic and common sense.