Robert Crumb's first great character -- in fact, his second-best-known character next to Mr. Natural -- was Fritz the Cat, the horny, hip-talking feline whose success caused Crumb to kill him off. The Life and Death of Fritz the Cat, back in print as an inexpensive hardcover as a companion to The Book of Mr. Natural, contains all the Fritz stories from the earliest sketchbook-drawn tales ("Hey, Ol' Cat!" and "Fritz Comes On Strong") to the wild adventure stories ("Special Agent for the C.I.A.") to the classic "peak" Fritz stories ("Fritz the No-Good") all the way to the despairing "Fritz the Cat, Superstar" with its infamous ice-pick ending.
"Continuing our ongoing commitment to keep this perennial, canonic series in print, we present two of the most often-demanded volumes in The Complete Crumb Comics. Vol. 8: 'Starring Fritz the Cat' features one of Crumb's most notorious comics, 'The Death of Fritz the Cat, ' as well as 'Whiteman Meets Bigfoot, ' the complete Big Ass #2 and Mr. Natural #2, wild jams and loads of photos! This volume covers the years 1971-1972"--Amazon.com
Presents comics, writings, and artwork by the Crumb family, especially Robert, Charles, Jesse, and Maxon, depicting their struggles with a disturbing family life, tragedies, and successes in the world of art. Contains adult content.
The R.Crumb Handbook tells the story of how a loser-schmuck became a culturalcon, and is more than just another celebrity tell-all sexploitation. Thisrand new hardback collection of original cartoons with never beforeublished work, takes the reader on a unique journey through the life andimes of one of the 20th century's most notorious and influential counterulture artists.;"Crumbs material comes out of a deep sense of the absurdityf human life." - Robert Hughes, Art Critic;The only underground cartoonisto be accepted by the fine art world, the R.Crumb Handbook is divided intohe four enemies of man: FEAR; CLARITY; POWER; OLD AGE;Working with his oldrinking buddy and co-author Pete Poplasky, the four chapters are easilyigested. With over 400 pages of cartoons and photographs, Crumb's oftenontroversially-regarded views toward Disneyland, growing up in America,ippie love, art galleries, and turning 60 are revealed.;By tracing hisevelopment as a cartoonist from his tormented childhood in the 1940s througho his coming of age as an artist in the psychedelic revolution of the 1960s,
This Hugo Award–winning disaster epic from the Science Fiction Grand Master “ranks among [his] most ambitious works” (SFSite). The Wanderer inspires feelings of pure terror in the hearts of the five billion human beings inhabiting Planet Earth. The presence of an alien planet causes increasingly severe tragedies and chaos. However, one man stands apart from the mass of frightened humanity. For him, the legendary Wanderer is a mere tale of bizarre alien domination and human submission. His conception of the Wanderer bleeds into unrequited love for the mysterious “she” who owns him.
The seventh volume of The Complete Crumb Comics spotlights Crumb'swork from 1970 and 1971, the peak years of Crumb's hippie stardom. Included fromthis era is the entirety of Crumb's work from underground classics such asZAP, The East Village Other, Esquire, and much more,including strips featuring classic Crumb characters like Fritz the Cat.
In Conjure wife, Norman Saylor learns that his wife is a sorceress. In Our Lady of Darkness, horror writer Franz Westen searches for the paranormal in San Francisco.
It all begins when Comet walks away from the lighthouse close to his birthplace on Nantucket Island. He visits a garden, a bookstore, a boat, and a party, and at each place he gets into trouble and loses one of his lives. Comet starts to worry. He longs for a home, a place where he’ll be safe. Will he find one before he uses up all nine lives?
Look what The New Yorker dragged in! It’s the purr-fect gathering of talent celebrating our feline companions. This bountiful collection, beautifully illustrated in full color, features articles, fiction, humor, poems, cartoons, cover art, drafts, and drawings from the magazine’s archives. Among the contributors are Margaret Atwood, T. Coraghessan Boyle, Roald Dahl, Wolcott Gibbs, Robert Graves, Emily Hahn, Ted Hughes, Jamaica Kincaid, Steven Millhauser, Haruki Murakami, Amy Ozols, Robert Pinsky, Jean Rhys, James Thurber, John Updike, Sylvia Townsend Warner, and E. B. White. Including a Foreword by Anthony Lane, this gorgeous keepsake will be a treasured gift for all cat lovers. Praise for The Big New Yorker Book of Cats “The Book of Cats comes a year after The Big New Yorker Book of Dogs—a publishing slight that, though it stings, I’ll forgive, as the latest anthology was worth the wait. . . . Two standout articles feature real-life obsessives of ages past who reveal today’s Caturnet devotees—with their GIFs and Tumblrs and hastily aggregated listicles—for what they truly are: amateurs. . . . Eat your heart out, Cute Overload.”—The New York Times Book Review “A beautiful hardcover.”—Jenny McCarthy, People “This irresistible anthology of articles, poems, essays, fiction, cartoons, and covers pulled from the New Yorker is a veritable treasure trove for cat lovers. Just dive right in; with stories from the likes of John Updike, Maeve Brennan, Roald Dalhl, and Haruki Murakami interwoven with hilariously wry cartoons, one can’t help but be enthralled. A must-have.”—Modern Cat “A shiny, well-fed tome . . . The anthology embodies the cat’s defining characteristic: its cluster of opposites, rolled together into a giant hairball of cultural attitudes—something, perhaps, at once uncomfortably and assuringly reflective of our own chronically conflicted selves.”—Brain Pickings “This gorgeous book has earned a permanent spot on my coffee table. It is an absolute joy to read and browse through, and I know it will bring me hours and hours of pleasure for years to come. And it makes a purr-fect gift for the special cat lovers in your life.”—The Conscious Cat “[A] sumptuous volume.”—The Dallas Morning News
