The Death of Anton Webern
Author: Hans Moldenhauer
Publisher:
Published: 1961
Total Pages: 142
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Hans Moldenhauer
Publisher:
Published: 1961
Total Pages: 142
ISBN-13:
DOWNLOAD EBOOKAuthor: Hans Moldenhauer
Publisher:
Published:
Total Pages: 118
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathryn Bailey
Publisher: Cambridge University Press
Published: 1998-04-28
Total Pages: 242
ISBN-13: 9780521575669
DOWNLOAD EBOOKA fascinating account of Webern's life.
Author: Walter Kolneder
Publisher: Univ of California Press
Published: 2023-11-10
Total Pages: 232
ISBN-13: 0520347161
DOWNLOAD EBOOKThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Author: Darin Hoskisson
Publisher: Routledge
Published: 2017-03-27
Total Pages: 286
ISBN-13: 1317672674
DOWNLOAD EBOOKAnton Webern: A Research and Information Guide offers carefully selected and annotated sources regarding Webern from 1975 to present day, including sources on Webern’s life, his music, and the interpretation and reception of his music. Along with this comprehensive annotated listing of print and online sources, the book discusses the history of research on Webern and includes a brief chronology of his life. It is a major reference tool for those interested in Webern and his music and valuable for researchers of 20th century music and the Second Viennese School.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
Published: 2007-10-16
Total Pages: 706
ISBN-13: 1429932880
DOWNLOAD EBOOKWinner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Kathryn Bailey
Publisher: Cambridge University Press
Published: 1991
Total Pages: 480
ISBN-13: 9780521547963
DOWNLOAD EBOOKThis important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, Professor Bailey demonstrates a fundamentally traditional aspect to Webern's creativity, when describing his own music. Professor Bailey analyses all Webern's twelve-note works (from Op. 17 to Op. 31) i.e. the instrumental and vocal music written between 1924 and 1943. These analyses draw on sketch material recently made available at the Paul Sacher Foundation in Basel and include transcriptions of little-known drafts and sketches. A most valuable aspect of the book is the inclusion in appendices of such materials as a complete explanation of the row content of each work, the correct prime form of each of the rows from Op. 20 onwards, with a matrix constructed for each, and exhaustive row analyses.
Author: Anton Webern
Publisher: Carl Fischer, L.L.C.
Published: 2004
Total Pages: 130
ISBN-13: 0825856590
DOWNLOAD EBOOKAuthor: Anne Chatoney Shreffler
Publisher:
Published: 1994
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOKThis study provides a new view of a composer long considered to be one of the century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. The author's emphasis on Webern's compositional process is of particular importance: whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources - fragments, sketches, and fair copies - of Webern's comparatively neglected middle-period lieder enables her to shed light on Webern's musical language and his working methods. A focus on the sources also helps to modify the view that his music progressed steadily in the direction of the twelve-tone technique. The works reveal instead a concern with expressing the essence of the text; this lyricism, rather than articulating a substantially different aesthetic from the later works, provides a better understanding of the consummate lyricism of all his music, however compressed or fragmented its utterance in the `classic' twelve-tone works.
Author: Michael Haas
Publisher: Yale University Press
Published: 2013-04-15
Total Pages: 505
ISBN-13: 0300154313
DOWNLOAD EBOOKDIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div