In 1882, after six years of foreign travel and adventure, renowned diplomat and detective Erast Fandorin returns to Moscow in the heart of Mother Russia. His Moscow homecoming is anything but peaceful. In the hotel where he and his loyal if impertinent manservant Masa are staying, Fandorin’s old war-hero friend General Michel Sobolev (“Achilles” to the crowd) has been found dead, felled in his armchair by an apparent heart attack. But Fandorin suspects an unnatural cause. His suspicions lead him to the boudoir of the beautiful singer–“not exactly a courtesan”–known as Wanda. Apparently, in Wanda’s bed, the general secretly breathed his last. . . . From the Trade Paperback edition.
Achilles’ death—by an arrow shot through the vulnerable heel of the otherwise invincible mythic hero—was as well known in antiquity as the rest of the history of the Trojan War. However, this important event was not described directly in either of the great Homeric epics, the Iliad or the Odyssey. Noted classics scholar Jonathan S. Burgess traces the story of Achilles as represented in other ancient sources in order to offer a deeper understanding of the death and afterlife of the celebrated Greek warrior. Through close readings of additional literary sources and analysis of ancient artwork, such as vase paintings, Burgess uncovers rich accounts of Achilles’ death as well as alternative versions of his afterlife. Taking a neoanalytical approach, Burgess is able to trace the influence of these parallel cultural sources on Homer’s composition of the Iliad. With his keen, original analysis of hitherto untapped literary, iconographical, and archaeological sources, Burgess adds greatly to our understanding of this archetypal mythic hero.
WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.
With his many facets, his virtuosity and his prodigious output, Peter Paul Rubens is one of the giants in the history of art. "Peter Paul Rubens: The Life of Achilles" sheds light on a relatively unfamiliar aspect of Rubens' enormous body of work, a series of tapestries featuring the Greek hero Achilles. Circa 1630-1635, Rubens painted the designs for these remarkable tapestries, depicting eight decisive moments in the life of Achilles. First, he made eight small sketches in oil, some of the finest of his oeuvre. Then the artist and his studio produced large modelli, painted in oil on panels, that further refined his sketches. The exquisite sketches and modelli led finally to magnifications in full-scale cartoons, which were placed under the loom for the tapestry weavers to work from. For the first time, this volume brings together the multiple works that make up the Achilles series, scattered as they are among various public and private collections throughout the world. Here the process from sketch to tapestry is followed in magnificent color illustrations. Accompanying texts consider the genesis, history and iconography of the series.
In Special Assignments, Erast Fandorin, nineteenth-century Russia’s suavest sleuth, faces two formidable new foes: One steals outrageous sums of money, the other takes lives. “The Jack of Spades” is a civilized swindler who has conned thousands of rubles from Moscow’s residents–including Fandorin’s own boss, Prince Dolgorukoi. To catch him, Fandorin and his new assistant, timid young policeman Anisii Tulipov, must don almost as many disguises as the grifter does himself. “The Decorator” is a different case altogether: A savage serial killer who believes he “cleans” the women he mutilates and takes his orders from on high, he must be given Fandorin’s most serious attentions. Peopled by a rich cast of eccentric characters, and with plots that are as surprising as they are inventive, Special Assignments will delight Akunin’s many fans, while challenging the gentleman sleuth’s brilliant powers of detection. Praise from England: “Boris Akunin’s wit and invention are a source of constant wonder.” –Evening Standard “[Fandorin is] a debonair combo of Sherlock Holmes, D’Artagnan and most of the soulful heroes of Russian literature. . . . This pair of perfectly balanced stories permit the character of Fandorin to grow.” –The Sunday Telegraph “Agatha Christie meets James Bond: [Akunin’s] plots are intricate and tantalizing. . . . [These stories] are unputdownable and great fun.” –Sunday Express “The beguiling, super-brainy, sexy, unpredictable Fandorin is a creation like no other in crime fiction.” –The Times
"The first critical edition of W. H. Auden's poetry collection The Shield of Achilles, which won the 1956 National Book Award in Poetry, this book will include the complete text of Auden's award-winning volume The Shield of Achilles, accompanied critical commentary by Alan Jacobs: a preface to provide historical and publishing context; a longer introduction to orient the reader to the poems themselves; and detailed notes on words or passages in need of clarification for contemporary readers. Jacobs, who has edited two previous critical editions of Auden's poetry, argues that this was the most important single collection of poems Auden published, and also the most coherent of his collections. The two poetic sequences, "Bucolics" and "Horae Canonicae," bookend a remarkable set of lyrics, with "The Shield of Achilles" itself at the heart. One of Auden's last long poems, it refers to moment in The Iliad in which Thetis, mother of Achilles, asks Hephaestus to forge a shield for her son. Auden re-imagines how the shield of Achilles would look in the modern age, when the rules of war and the role of the hero have been rewritten. While the volume was widely praised, it is now out of print (although the title poem is included in larger collections of Auden's poetry). A critical edition allows readers to better understand and appreciate one of Auden's most important later poetic works, written in what Jacobs describes as "a poetic idiom that differs quite significantly from what anyone else at the time was doing. . . . it is, in a vital sense, public poetry and it can be enjoyed, understood, and profited from. This edition is meant to make that enjoyment, understanding, and profit easier of access.""--
Achilles' death -- by an arrow shot through the vulnerable heel of the otherwise invincible mythic hero -- was as well known in antiquity as the rest of the history of the Trojan War. However, this important event was not described directly in either of the great Homeric epics, the Iliad or the Odyssey. Noted classics scholar Jonathan S. Burgess traces the story of Achilles as represented in other ancient sources in order to offer a deeper understanding of the death and afterlife of the celebrated Greek warrior. Through close readings of additional literary sources and analysis of ancient artwork, such as vase paintings, Burgess uncovers rich accounts of Achilles' death as well as alternative versions of his afterlife. Taking a neoanalytical approach, Burgess is able to trace the influence of these parallel cultural sources on Homer's composition of the Iliad. With his keen, original analysis of hitherto untapped literary, iconographical, and archaeological sources, Burgess adds greatly to our understanding of this archetypal mythic hero.
