“A brilliant first-hand account of the life of a fighter pilot” in World War II (The Spectator). Spitfire Pilot was written in 1940 in the heat of battle, when the RAF stood alone against the might of Hitler’s Third Reich. It is a tremendous personal account of one of the fiercest and most idealized air conflicts—the Battle of Britain—seen through the eyes of a pilot of the famous 609 Squadron, which shot down over one hundred planes in that epic contest. Often hopelessly outnumbered, David Crook and his colleagues, in their state-of-the-art Spitfires, committed acts of unimaginable bravery against the Messerschmitts and the Junkers. Many did not make it—and Crook describes the absence they leave in the squadron with great poignancy. Includes an introduction by historian Richard Overy
Woodrow Bishop is a known crook, and swindler in Muddy Fork county ,and when Woodrow passes away his kinfolks are left with the task of having him a wake they find that Woodrow is still causing trouble even those he is dead. The old proverb that a man life is like a book that folks read while a man lives sure holds true . As one quote says plainly the day of a man death is better than the day of his birth sure holds true in the demise of Woodrow Bishop.
Winner of the 2017 Eduardo Bonilla-Silva Outstanding Book Award, sponsored by the Society for the Study of Social Problems. Finalist for the C. Wright Mills Book Award, sponsored by the Society for the Study of Social Problems. Winner of the 2017 Oliver Cromwell Cox Book Award, sponsored by the American Sociological Association's Section on Racial and Ethnic Minorities. Winner of the 2017 Mary Douglas Prize for Best Book, sponsored by the American Sociological Association's Sociology of Culture Section. Honorable Mention in the 2017 Book Award from the American Sociological Association's Section on Race, Class, and Gender. NAACP Image Award Nominee for an Outstanding Literary Work from a debut author. Winner of the 2017 Prose Award for Excellence in Social Sciences and the 2017 Prose Category Award for Law and Legal Studies, sponsored by the Professional and Scholarly Publishing Division, Association of American Publishers. Silver Medal from the Independent Publisher Book Awards (Current Events/Social Issues category). Americans are slowly waking up to the dire effects of racial profiling, police brutality, and mass incarceration, especially in disadvantaged neighborhoods and communities of color. The criminal courts are the crucial gateway between police action on the street and the processing of primarily black and Latino defendants into jails and prisons. And yet the courts, often portrayed as sacred, impartial institutions, have remained shrouded in secrecy, with the majority of Americans kept in the dark about how they function internally. Crook County bursts open the courthouse doors and enters the hallways, courtrooms, judges' chambers, and attorneys' offices to reveal a world of punishment determined by race, not offense. Nicole Gonzalez Van Cleve spent ten years working in and investigating the largest criminal courthouse in the country, Chicago–Cook County, and based on over 1,000 hours of observation, she takes readers inside our so-called halls of justice to witness the types of everyday racial abuses that fester within the courts, often in plain sight. We watch white courtroom professionals classify and deliberate on the fates of mostly black and Latino defendants while racial abuse and due process violations are encouraged and even seen as justified. Judges fall asleep on the bench. Prosecutors hang out like frat boys in the judges' chambers while the fates of defendants hang in the balance. Public defenders make choices about which defendants they will try to "save" and which they will sacrifice. Sheriff's officers cruelly mock and abuse defendants' family members. Delve deeper into Crook County with related media and instructor resources at www.sup.org/crookcountyresources. Crook County's powerful and at times devastating narratives reveal startling truths about a legal culture steeped in racial abuse. Defendants find themselves thrust into a pernicious legal world where courtroom actors live and breathe racism while simultaneously committing themselves to a colorblind ideal. Gonzalez Van Cleve urges all citizens to take a closer look at the way we do justice in America and to hold our arbiters of justice accountable to the highest standards of equality.
General George Crook spent his entire military career, with the exception of the Civil War years, on the frontier. Fighting the Indians, he earned the distinction of being the lowest-ranking West Point cadet ever to rise to the rank of major-general. Crook’s autobiography covers the period from his graduation from West Point in 1852 to June 18, 1876, the day after the famous Battle of the Rosebud. Editor Martin F. Schmitt has supplemented Crook’s life story with other material from the general’s diaries and letters and from contemporary newspapers. “When Red Cloud, the Sioux chief, heard of the death of his old antagonist, the Army officer they called Three Stars, he told a missionary, ‘He, at least, never lied to us.’ General Sherman called Crook the greatest Indian fighter and manager the Army ever had. Yet this man who was the most effective campaigner against the Indians had won their respect and trust. To understand why, you ought to read General George Crook: His Autobiography, edited and annotated by Martin F. Schmitt.”—Los Angeles Times “A story straightforward, accurate, and interesting, packed with detail and saturated with a strong western flavor....The importance of this book lies not merely in its considerable contribution to our knowledge of military history and to the intimate and sometimes trenchant remarks made by Crook about his colleagues, but more particularly in the revelation of the character and aims of the general himself.”—Chicago Tribune
When a panther attacks a family of homesteaders in the remote hill country of Texas, it leaves a young girl traumatised and scarred, and her mother dead. Samantha is determined to find and kill the animal and avenge her mother, and her half-brother Benjamin, helpless to make her see sense, joins her quest. Dragged into the panther hunters' crusade by the force and purity of Samantha's desire for revenge are a charismatic outlaw, a haunted, compassionate preacher, and an aged but relentless tracker dog. As the members of this unlikely posse hunt the giant panther, they in turn are pursued by a hapless, sadistic soldier with a score to settle. And Benjamin can only try to protect his sister from her own obsession, and tell her story in his uniquely vivid voice. The breathtaking saga of a steadfast girl's revenge against an implacable and unknowable beast, The Which Way Tree is a timeless tale full of warmth and humour, testament to the power of adventure and enduring love.
A new mystery series starring a Memphis crime scene photographer with ghostly assistance Jackie Lyons, a former vice detective with the Memphis Police Department, is trying to put her life back together. Her husband has served her with divorce papers, she's broke, and her apartment has just gone up in flmaes. But a failed marriage, unemployment, and an incinerated home aren't her only problems: she also sees ghosts. Since Jackie left her job with the MPD, she's been making ends meet by photographing crime scenes for her old friends on the force, and for the occasional collector. When she's called to the murder scene of the Playhouse Killer's latest victim, she starts seeing crime scenes from a different perspective-- her new camera captures spectral images. As her camera brings her ghostly visitors into sharper relief, it also points her toward clues the ex-detective in her won't let go: Did the man she has just started dating kill his wife? Is the Playhouse Killer someone in her inner circle? As Jackie works to separate natural from supernatural, friend from foe, and light from dark, the spirit world and her own difficult past become the only things she can depend on to solve the case.
Over the course of his military career, George Crook developed empathy and admiration for American Indians both as foes and as allies. As Paul Magid has demonstrated in the previous two volumes of his groundbreaking biography, this experience prepared Crook well for his metamorphosis from Indian fighter to outspoken advocate of Indian rights. An Honest Enemy is the third and final volume of Magid’s account of George Crook’s life and involvement in the Indian wars. Using rarely tapped information, including Crook’s own diaries, the work documents in dramatic detail the general’s arduous and dangerous campaigns against the Chiricahua Apaches and their leader Geronimo, action that forms a backdrop to the transformation in the general’s role vis-à-vis Native Americans. In a story by turns harrowing and tragic, Magid details the plight of Indians who, in the aftermath of their defeat, were consigned to reservations too barren to sustain them, where they were subjected to impoverishment, indifference, and in many cases, outright corruption. With growing anger, Crook watched as many tribes faced death from starvation and disease and, unwilling to passively accept their fate, desperately sought to flee their reservations and return to their homelands. Charged with the grim task of returning the Indians to such conditions, Crook was forced to choose between fulfilling his duties as a soldier and his humanitarian values. Magid describes Crook’s struggle to reconcile these conflicting concerns while promoting policies he regarded as essential to the welfare of the Indians in the face of a hostile public, jealous fellow officers, and an unsympathetic government that regarded his efforts as quixotic and misguided. Here is a tale that readers will not soon forget.
