In this sequel to the hugely-popular This Man's Wee Boy, young Tony Doherty struggles to come to terms with the murder of his father, Paddy, on Bloody Sunday and the impact it has on his mother, Eileen, and his brothers and sisters. At nine years old, he knows a terrible wrong has been committed against his family but lacks the understanding or the means to do anything about it – yet. For his fractured family, life goes on, with Tony determined to preserve the memory of his father and the bond they shared, even as he becomes increasingly immersed in the violent conflict raging on Derry's streets. As the 1970s unfold his father's absence remains the backdrop to the teenage Tony's newfound friendships and relationships, an ever-present ache amidst the craic and excitement of Sunday dances, first kisses and a trip to Butlins. Then, at seventeen, Tony decides it's time to join the fight.
A uniquely-crafted memoir of the author's early childhood (1967–1972), the third oldest in a working-class Catholic family from the Brandywell in Derry. Written with the authentic voice of a child, this snapshot of his young life unfolds in a series of stories evoking the innocence of childhood, family dynamics and tensions, street friendships and characters, the onset of civil strife, and a family protecting itself from conflict, with CS gas coming in through the door and tracer bullets flying past the windows. The book centres on Tony's father, Patrick – a legend in his son's eyes and a man who struggles to raise a family through bitter years of economic inactivity. It beautifully and movingly portrays the relationship between Tony and the father he adores, yet slightly fears, as events, both within the family and on the streets, unfold and fuse together. The burgeoning chaos of conflict finds its way into his life through the death of a friend under an army truck and more horrifically, directly into the Doherty household. Described as 'a treasure', it draws the reader into a child's world, his innocent view of the harsh reality of life and the horrifying events unfolding around him. It has bags of humour and paints a picture of a lost world of children running wild in play, unsupervised by or worried over by adults. The book is also very moving, to the point of provoking tears at the end.
When Kathleen Driskell tells her husband that she's gone to visit the neighbors, she means something different than most. The noted poet -- whose last book, Seed across Snow, was twice listed as a national bestseller by the Poetry Foundation -- lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet's fascination with the "neighbors" brings the burial ground back to life. Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These "neighbors," with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones. Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell's poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us.
#1 NYT-bestselling author Stephanie Laurens returns with a confounding case that sees her favorite sleuths acting to save a friend wrongly accused of murder. When a detested viscount is found murdered by the banks of the Thames and Charlie Hastings becomes the prime suspect, Barnaby and Penelope Adair join forces with Stokes to discover the real story behind the unexpected killing. Charlie Hastings is astonished to find himself accused of murdering Viscount Sedbury. Admittedly, Charlie had two heated altercations with Sedbury in the hours preceding the man’s death, but as Charlie is quick to point out to Stokes – and to Barnaby and Penelope – there are a multitude of others in the ton who will be delighted to learn of Sedbury’s demise. As Penelope, Barnaby, and Stokes start assembling a suspect list, Charlie’s prediction proves only too accurate. Yet the most puzzling aspect is who on earth managed to kill Sedbury. The man was a hulking brute, large, very strong, and known as a vicious brawler. Who managed to subdue him enough to strangle him? As the number of suspects steadily increases, the investigators are forced to ask if, perhaps, one of their suspects hired a killer capable of taking Sedbury down. With that possibility thrown into the calculations, narrowing their suspect list becomes a futile exercise. Their pursuit of the truth leads them to investigate the many shady avenues of Sedbury’s life, much to the consternation of Sedbury’s father, the Marquess of Rattenby. Rattenby does not want Sedbury’s distasteful proclivities exposed for all the world to see, further harming the other family members who Sedbury has taken great delight in tormenting for most of his life. In the end, the resolution of the crime lies in old-fashioned policing coupled with the fresh twists Barnaby and Penelope bring to Scotland Yard’s efforts. And when the truth is finally revealed, it raises questions that strike to the very heart of justice and what, with such a victim and such a murderer, true justice actually means. A historical novel of 62,500 words interweaving mystery and murder with a touch of romance.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation as a whole. Why does recovering the remains of servicepeople matter? Soldier Dead examines this question and provides a thorough analysis of the processes of recovery, identification, return, burial, and remembrance of the dead. Sledge traces the ways in which the handling of our Soldier Dead has evolved over time and how these changes have reflected not only advances in technology and capabilities but also the shifting attitudes of the public, government, and military. He also considers the emotional stress experienced by those who handle the dead; the continuing efforts to retrieve bodies from Korea and elsewhere; and how unresolved issues regarding the treatment of enemy dead continue to affect U.S. foreign relations. Skillfully incorporating excerpts from interviews, personal correspondence and diaries, military records, and journalistic accounts-as well as never-before-published photographs and his own reflections-Michael Sledge presents a clear, concise, and compassionate story about what the dead mean to the living. Throughout Soldier Dead, the voices of the fallen are heard, as are those of family members and military personnel responsible for the dead before final disposition. At times disturbing and at other times encouraging, they are always powerful as they speak of danger, duty, courage, commitment, and care.
Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.
A serial killer terrorizes a small California town in this gripping thriller from #1 New York Times bestselling author Tami Hoag. California, 1985—Four children and young teacher Anne Navarre make a gruesome discovery: a partially buried female body, her eyes and mouth glued shut. A serial killer is at large, and the very bonds that hold their idyllic town together are about to be tested to the breaking point. Tasked with finding the killer, FBI investigator Vince Leone employs a new and controversial FBI technique called “profiling,” which plunges him into the lives of the four children—and the young teacher whose need to uncover the truth is as intense as his own. But as new victims are found and pressure from the media grows, Vince and Anne find themselves circling the same small group of local suspects, unsure if those who suffer most are the victims themselves—or those close to the killer, blissfully unaware that someone very near to them is a murderous psychopath…
"Don't believe anything they say." Those were the last words Alice's older sister, Annie, said to her before she turned her back on their parents and left home forever. Alice spent four years waiting and wondering when the impossibly glamorous sister she idolized would return to her--and what her Hollywood-insider parents had done to drive her away. Now it's 1948 and Alice isn't a kid anymore. When she gets the phone call from the hospital, she knows it's up to her to help Annie, in a coma after being beaten and left for dead in MacArthur Park. The search for Annie's attacker leads Alice into a dark and dangerous world of tough-talking private eyes, psychopathic movie stars, and troubled starlets--and onto the trail of a young runaway who is the sole witness to an unspeakable crime. What this girl knows could shut down a criminal syndicate and put Annie's attacker behind bars--if Alice can find her first. And she isn't the only one looking. Debut novelist Mary McCoy evokes the dangerous glamour of Hollywood's Golden Age, a corrupt world where the people who live in the nicest houses have the dirtiest secrets and no drive into the sunset can erase the crimes of past.
